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Prrose Sélavy – “Profunda Femoris Conceived” / sPE_0119

“Wenn auch die Zeit nun alles abverlangte fühlte ich, es musste so sein, die Farce bekam wieder ein neues Gesicht verpasst.
Ohne Umtausch über die Grenze zu fliehen war kein Thema, es war keine mehr vorhanden ausser die meines leuchtenden Körpers.
Wenn von der Seele zu sprechen ist, dann in diesem Moment, sie barst im Spalt der Glückseligkeit als sei sie dem Turm der Heillosen Phantasmen entsprungen.
Meine Hände erschienen durch die Fahrlässigkeit das zu formen wofür ich geschaffen worden war, ein Zusammenhang im Belanglosen fristen des Daseins erkoren und zu brennen.
Wie Schleim beklommen kamen Gedanken daher wie Klümpchen in vergorener Milch, ständig zerrend an der Objektivität. Das Mondlicht reichte zur Genüge zu erkennen wie es tropfte, der Saft des Fensters Aussicht. Das schlaffe Gesicht der “Wahrheit” ringt nach Luft und atmet schwer wie dieser Drache es tat in den träumen die ich auf der Insel hatte. Ich sah es verblassen wie ein Ballon der bis zum platzen aufgeblasen wird, der Knall brachte die Uhr auf Position. Es fing an zu schmerzen, so wie die Arme der jeden Sekunde aufs Herz drückte schäumte mein Mund und ich fiel vor Glück in den gierigen Schlund Hybris der Hoffnung. Verhalten hatte auch medizinische Wirkung gezeigt so sollte es sich heraushelfen, jedes mal wenn es brannte!
Um etwas anderes als eben nur selbstgerechte Zigaretten zu rauchen ging ich Richtung Bahnhofsviertel um ein Cappuccino zu trinken irgendwo liess ich mich nieder zu schreiben, einen Satz nach dem anderen, Poco a Poco.
Die Gerüche verpassten mir einen Moment und entsagen in der Musik die erklang was mir genommen wurde als ich lief um den Bus zu kriegen.
Während ich die Gegend als leer empfand merkte ich meine Augenhöhle hatte den Ton gegeben in der Hoffnung ich würde es nicht merken.
Einfach so drehte ich mich um und rannte davon mit dem Pfeil im Schritt.
Die Kisten wogen zu viel, aber alles sollte rein und kompakt sein, so staubte es wie auf Grossmutters Dachboden, Wind war intakt mit feiner Frisur erschienen. Er hatte eine Stimme, und er würde sie auch benutzen!
Eine Pille zur Vernunft und illegalem Ego war erniedrigt zu würgen.
Mir schien als hätten alle in die Hose gepisst, hier direkt in den Bus, auf die Sitze, warm stickig klebrig, eine Station noch…
Ich war zu früh angekommen, ich suchte mir einen Platz zum Portieren der Gedanken an die Transpiration, ‘lass da mal brennen und keine Sonne wächst im Gras mehr’. Wie auch immer, nach einer nicht allzu langen Zeit bewegte ich mich entschlossen dennoch entspannt zur Lokalität die mir den Genuss versprach heilig gesprochen zu werden. Die Augen in etwa 30 Meter Entfernung leuchteten Orange im Wechsel und riefen zum tanzen.
Eine Gestalt nur erkennbar als buckeligen huschte über die Strasse, eine Szene zum ergiessen erinnerte an mehr. Empfangen wurde ich von freundlichen aber sichtlich müden Gefährten eben mit diesem Tier angekommen, das Warten, hatte Sinn gemacht, ein Reh gebrochenen Beines humpelnd entsprang meiner Seele, ich war sofort absorbiert.” – undRess Béton

DOWNLOAD HERE

 

Classwar Karaoke Survey 0021

0021 survey / 28th February 2013

Visit the Freemusicarchive to download the whole survey 0021 here:

Classwar Karaoke Survey 0021 & Youtube Films for 0021 here!

122 contributing acts, with 109 pieces of music / soundart and 23 short-films  02_Elements: In spring 2012, I began inviting players whose work I like to contribute improvised parts towards a long-term project with the working-title of ‘Elements’. The intention was that each player contributes in isolation, without any knowledge about the other players taking part. After gathering a workable pool of these parts, I then began composing with these elements – processing, editing and such like – along with adding my own work. This is the eleventh of these pieces, comprised of myself and one other player: 02_Elements. Improvisers: Pixyblink: voice / Anthony Donovan: words. This piece is somewhat different from previous pieces in the series in simply presenting Pixyblink’s, I think, remarkable performance of my prose. (Anthony Donovan, February 2013)04_Elements: In spring 2012, I began inviting players whose work I like to contribute improvised parts towards a long-term project with the working-title of ‘Elements’. The intention was that each player contributes in isolation, without any knowledge about the other players taking part. After gathering a workable pool of these parts, I then began composing with these elements – processing, editing and such like – along with adding my own work. This is the twelfth of these pieces, comprised of myself and three other players: 04_Elements. Improvisers: Mathias Boss: violin / Matt Chilton: laptop / Anthony Donovan: acoustic guitar / electronics / voices / Sonia Paco-Rocchia: bassoon. Composer: Anthony Donovan. (Anthony Donovan, February 2013)6 or 7: Paranoches / personnel: Maureen Lopez Lembo – txt, voc / Jochen Arbeit – live electronics and guitar / Betty la Gachette – microcassette / Hopek Quirin – bass / mixed by Jacki Engelken and Hopek Quirin

8-PARAL-LEL: Anthony Donovan (prepared zither), Hopek Quirin (guit) /  a double-deaf trial called PARAL-LEL: several artists/musicians were invited to contribute one or more tracks of about three minutes which are randomly combined. editing (minimal) and mix: Hopek Quirin. this is result no. 8 of the experiment

9-PARAL-LEL: Kotomi Nishiwaki, Yuko Matsuyama, Kris Limbach, Hopek Quirin / 9th result of the double-deaf experiment with bubbles by Kotomi and Yuko and sounds by Kris Limbach and Hopek Quirin

10-PARAL-LEL: Anton Mobin (bus station Avinguda Paral-lel, Barcelona), Maureen Lopez (voice)

213TV: Here we are, in the kitchen, with the table screwed to the ceiling, operating the puppets with invisible thread….many thanks to the family for a few weeks eating off their laps, and their general tolerance / John Bisset and Ivor Kallin are 213TV /  http://www.2-13.co.uk/213/213TV_home.html

A Friendly Grey: Transceiver / All music and lyrics by Volker Hartmann-Langenfelder / Vocals: Franziska Plückhan / Bandoneon: Stefan Schmidt / Farang / Lyrics: When I woke up this morning it was snowing!! Brought back a dream into my mind I dreamt in March or early April. In this dream I was walking through a forest in springtime. Fresh green leaves on the trees. While walking I kept looking at my own feet and when I looked up again, all the leaves where dry an brown. And I was thinking to myself: “It’s strange, I didn’t even notice the summer”. And now it’s snowing. No one should ever tell me again, that dreams can’t come true!

A Xperisougs: lost tapes / http://soundcloud.com/xperisougs

AG Davis: Kunst Faschismus

aka_bondage: Big Mouth Billy Passed / Images & Sounds by aka_Bondage / http://www.akabondage.com

Amphibolous: Ash Steel / Adam Webster (Swung Dash) / Si Jones (Noise Club, Hot Hail). The group first got together in 2011 to work on a soundtrack for a short film, but their musical chemistry shone through and Amphibolous was born. Amphibolous combine electronica, noise and free improvisation in one rollercoaster of a package ~ waves of sound meet explosions of noise! / http://amphibolous.bandcamp.com/

Arcane Waves: [...]

Astma: [...]

Atom Earth Mother: A solo project from one half of :zoviet*france: Dedicated to the White Goddess and the Neolithic Farmers, and inspired by the prehistoric antiquities in Northumberland, primarily the enigmatic and beautiful ‘rock art’, a form of symbolism whose meaning has been lost in the mists of time. Utilising digital and analogue equipment and production technique, location recordings, found sound and employing experimentation as the creative tool to explore the notion of matriarchal, Atom Earth Mother embarks on a sonic journey to the origions of our civilization and indeed our very being

Avelino Saavedra: Mechanical Air is an improvisation made from the sounds produced by an air compressor and an airbrush, processed using analog effects pedals and loop pedals

Blutwurst: in animelle the musicians are: eugenio sanna – guitar; edoardo ricci – sopranino sax; cristina abati – viola; michele lanzini – cello / Blutwurst is a collective of musicians from different backgrounds focused on radical improvisation and on performing contemporary composers’ graphic scores. Since 2011 the ensemble works on several scores like Treatise by Cornelius Cardew, Folio and 4 Systems by Earle Brown, Edges by Christian Wolff, Durations 2 and Projection 2 by Morton Feldman and also focuses explorations around the concept of drone, playing some La Monte Young works besides other selfmade improvisations.The ensemble has collaborated with Tristan Honsinger, Eugenio Sanna and the dancer Enrico Labbate. In December 2012 Blutwurst has been invited to provide sounding in Felsfelik, one part of Bela Tarr film Sátántangó, in the 19° Capalbio Cinema International Short Film Festival / Members: Edoardo Ricci: bass clarinet, soprano and alto saxophone, Marco Baldini: trumpet, Cristina Abati: viola, Michele Lanzini: cello, Daniela Fantechi: piano, Luca Giorgi: electronics and percussions, Alessandro Ricciardelli: theremin, zither / https://soundcloud.com/blutwurst / Some links: 4 Systems: http://www.youtube.com/watch?v=Yb2mDHaDpCw / Composition #7 1960: http://www.youtube.com/watch?v=DkyKpe_MStc

Bruce Hamilton: (b. 1966) composes and performs music in a variety of genres. He has performed as a percussionist, improviser, and electronic musician for over 25 years. His music is published by Non Sequitur Music and can be heard on the Albany, Amaranth, and/OAR, black circle, blank space, Capstone, Ilse,, Memex, Phill, SEAMUS, Spectropol, split-notes, Three Legs Duck and Mark labels. A graduate of Indiana University, Hamilton is Associate Professor of Music at Western Washington University, where he teaches music theory, composition, and directs the electroacoustic music studio (WWEAMS). He is a co-organizer of the Bellingham Electronic Arts Festival, a board member of Make.Shift and the Washington Composers Forum, and runs the Spectropol netlabel. Hamilton lives in Bellingham with composer Lesley Sommer and their son Miles / http://linearobsessional.weebly.com/

Burstbot: Marco Fierro (Burstbot) Composer & Producer / Recorded on February 12th, 2013 / Recorded, Mixed & Mastered by Marco Fierro / Art Direction & Design by Marco Fierro / © 2013 Marco Fierro | Burstbot. All rights reserved / http://www.burstbot.com

Cagey House: Kid Feardive had been speaking less and less, and Katherine the Ghost had yet to utter a word. For a long time, Kid Feardive had built these elaborately noisy contraptions out of rebar and barbed wire and old flatware. And he had pushed them down staircases and rolled them down steep embankments and sometimes pulled them with his car. But lately the only sound he made was when he rapped the cap of his pen against a blank sheet of paper. Katherine the Ghost seemed put out by all this. She trained her beady eyes on the bouncing pen cap.  She twisted her thin lips around like she was going to spit or let slip some sharp invective. But then she smiled instead, and looked up at me and winked. And her eyes aren’t really all that beady. Just beady enough in fact

Carlos Ramirez: [...]

Cezary Gapik: [...]

Chevo Légé: avec quoi écoute-t-on ? les oreilles ou les yeux ? la tête ou le corps ? dans quel état se trouvent notre corps et notre mental au moment d’aborder ce travail ? cherchons-nous à provoquer artificiellement un état particulier ? avons-nous envie de mettre l’accent sur les nerfs ? la réflexion ? la concentration ? la force physique ? une disponibilité de tout l’être ?

Chris Whitehead: is interested in the way sound can be used to evoke landscape, location and history. He has released field recordings on the Electronic Musik label, OBS, Unfathomless and Impulsive Habitat. In his work, and in the manipulated sound duo Ammonites with Chris Corner, the intention is always to immerse the listener in an unseen, textural environment. Chris is based in Whitby on the north east coast of England- A place which reverberates with deep echoes of the past / http://linearobsessional.weebly.com

Clive Pearman and Richard Sanderson: The duo of Clive Pearman and Richard Sanderson were both members of the avant-rock quartet Lost Robots. Performing as a duo primarily on acoustic instruments (resonator guitar, melodeon etc) but with some electronic processing, the music is quieter and more textured than their previous group /  http://linearobsessional.weebly.com

Crank Sturgeon and Lineland: do that (((plural))) / Album: Other Occasions Not Minded / http://www.mutablesound.com / Blurbs and whatnot appear here: http://www.mutablesound.com/home/?p=4466 / http://www.mutablesound.com/ / http://www.mutablesound.com

Crush!!!: Water Raquette/ Crush!!! are Mark Browne, Sonic Pleasure and Ian Smith. The group utilises an array of found and home-made sound making devices combined with more traditional instruments within an improvisational context. Sonic Pleasure is famed for her unique crafting of sound from bricks and masonry, reducing much of her instrumentation to dust by the end of a concert with an orange haze clearly visible over the performance area. Some of the bricks will be transported from her home, others will be collected near the venue. She also plays flute. Mark Browne plays piranha and castrato saxophones (sopranino “the small one that bites” and soprano “the Farinelli pastiche”), broken glass, clarinet, earth, burnt piano and bones. On this piece his instrumentation was restricted to water, game calls, tenor recorder, cymbals and gongs. Ian Smith plays brass in an extraordinary and creative manner. For this venture the aim was to exploit the use of water: splashing in water, changing the pitch of wind and percussion by submerging the instruments in water and generally making wet sounds. The members of the group individually created their contributions (with Sonic P living in Manchester, Ian in London, Mark in Aylesbury this has become a necessary activity for ongoing interaction). For 0021 the mixing and production was performed by Mark Browne. The activities of Crush!!! can be found at http://crushtime.bandcamp.com/  and are is represented on Facebook at https://www.facebook.com/pages/Crush/#!/pages/Crush/347435088629590 There will be a Crush!!! CD in 2013 with artwork by William Demon Gate https://www.facebook.com/pages/Aylesbury-Dead-comic/103588189781582

Cunliffe Donovan Quirin: Hopek Quirin (6 string bass / devices), Anthony Donovan (4 string bass / devices / synth) and David Cunliffe (devices / drum kit) recorded improvising December 7th 2012 / I like to be alone but please….don’t go far the idiot i’m with gets tiresome after a while. One of these kids is doing his own thing always has and doesn’t know better than to change his past ….. ways ……. past …….. ways. All for one One for myself I read of fictional characters And they make more realistic emotional sense and attachment than the …….. people i see every day

Daniel Heikalo: solo prepared slide cittern improvisation, recorded in a very closely miked way, July 2008

Daniel Spicer: Writer. Improviser

Drift of Signifieds: (DoS) is an electronic music project, initiated in 1995 in north London and active sporadically since then. ‘St Charles – Canal St – Lee Circle’ was recorded at La Cellule in 2012, using elements of field recordings of the New Orleans streetcar line / http://www.driftofsignifieds.org http://www.bandcamp.com/driftofsignifieds http://soundcloud.com/drift-of-signifieds

Edu Comelles: MORRA – EDU COMELLES / 2:03 min / Recorded at Dorgali, Sardinia. May 2011 / Morra is a hand game that dates back thousands of years to ancient Roman and Greek times. It can be played to decide issues, much as two people might toss a coin, or for entertainment. While there are many variations of morra, most forms can be played with two, three, or more players. In the most popular version, all players throw out a single hand, each showing zero to five fingers, and call out loud their guess at what the sum of all fingers shown will be. If one player guesses the sum, that player earns one point. The first player to reach three points wins the game. Some variants of morra involve money, with the winner earning a number of currency units equal to the sum of fingers displayed. Source: Wikipedia / Image: http://en.wikipedia.org/wiki/File:Morra_Players.jpg / info: http://www.educomelles.com

Eggblood: altered broken strings. vacume / recorded live at carpet shoe 06 / soundcloud.com/eggblood / “      “         “  4   T  / audio/video etc.. / mouthinfoot.net

Elizabeth Veldon: [...]

Eugenio Sanna: in bestie the musicians are: eugenio sanna – guitar; edoardo ricci – bass clarinet; marco baldini – trumpet; cristina abati – viola; michele lanzini – cello; luca giorgi – electronics & percussions; alessandro ricciardelli – zither

Fabio Keiner: Artist Statement – I hate music, but I love sound / http://linearobsessional.weebly.com

Farang: is the solo project of composer and classical guitarist stefan schmidt. since 2000 he has released several albums and created music for films, exhibitions and dance performances. for more information and music visit http://www.musicforoverexposedcelluloid.com http://www.musicforoverexposedcelluloid.bandcamp.com http://www.soundcloud.com/farangsound http://www.youtube.com/user/farangvideo http://www.facebook.com/farangsound http://www.myspace.com/farangnoise

Felipe Barbosa and Rosendo J. Rocha: Networked Experimental Improvisation

Geoff Leigh: Live studio improvisation for soprano sax, flute, mini kaoss pad & loop sampler. No overdubs, no post-production / recorded in 2008

Ghetto Raga: the only surviving recording of the very first line-up of GHETTO RAGA (minus our fourth member, double bass player Klaus Janek, who did not show up for the recording session). It’s free improvised / Thomas Zunk: TrapKAT didgital drum controller and Mellotron M400 / Holli: electric sitar / Lutz Wernicke: electric ZEAT 5-string violin and devices

Giorgio Albanese: [...]

Grundik Kasyansky: dedicated to Russian absurdist poet Daniil Kharms and based on his story The Incubating Period. I sat in the incubator for four months. I remember only that the incubator was made of glass, was transparent and had a thermometer. I sat inside the incubator on cotton wool. I don’t remember anything else about it. After four months they took me out of the incubator. They did this, as it happens, on the first of January 1906. By this means, I was to all intents and purposes born for a third time. But it was the first of January that was counted as my birthday

Gurdonark: A copper bell, a berry bowl, a pair of toy castanets, and a kalimba. A bobcat, a sequencer, a few hours, a series of daydreams. This is my creative process

Heldon: [...]

Herve Perez: nahden, dez a fracking tuf one innit. tuf choice between listenin’ to whale song or chewin its juicy steak. keep digging, the world needs more gaz. it’s da sound of your dreamz in’ morning after your big party. it’s sexy saxophone for guitar heroes. it’s what wifi does to your brains. i want you to rest easy gal. this is pure relax. like the sea and the whales singing for you. and some city rats. do the world a favour and bank on a few more millions. get pissed and gamble the rest. there’s a hare in the soup and it’s swimming towards you, with its crazed myxomatic eyes. goodnite ladies, ladies goodnite / hervé perez: soprano saxophone improvisation + distortion+reverb / http://soundcloud.com/herveperez

Invisible Sports: http://invisiblesports.com/

Jaap Blonk: Electroshock Theory will be released on Jaap Blonk’s forthcoming LP “Mixed from Heaven” (on Plant Migration Records, New York). It is based on one of Blonk’s early sound poems: Electroshock Boogie (from the cycle Songs from Heaven, 1985-87)

Jean Montag and MCVulcano: Contra Jaime Gil de Biedma (Against Jaime Gil de Biedma) / Music by Jean Montag, Spoken words by MCVulcano / Poem by Jaime Gil de Biedma / Translation of the last verses: I’ll barely be able to carry you to bed like someone going to hell to sleep with you Dying of impotence at each step bumping into furniture blindly, we will cross the apartment clumsily, embracing, hesitating with alcohol and repressed sobs. Oh, what ignoble servitude, to love human beings, and the most ignoble that of loving one’s self / http://en.wikipedia.org/wiki/Jaime_Gil_de_Biedma

Jeanette Luchase: [...]

Jeff Gburek: personal website: http://www.futurevessel.com/orphansound / bandcamp: http://jeffgburekprojects.bandcamp.com/

Jérôme Poirier: is a musician who mainly uses electric cello, his voice, electronics and the bodhrán. He explores improvisation and acousmatic music. He is also involved in the chamber pop trio Landing Cellophane. Jérôme Poirier was born in 1978 in Paris, France where he still lives. He is the curator of the Three Legs Duck netlabel / http://linearobsessional.weebly.com

João Guimarães: [...]

John Love: (AKA David Teboul) works under the name Linear Bells. He is a composer, multi-instrumentalist and sound artist based in Nantes, France. His music is a mix between, vintage instruments, sound manipulations and field recordings, all primarily created with acoustic and analogic instruments. Teboul starting to produce sounds in the mid 90′s under the name of Embark. He created one of the first French net-labels Acrylik, which was involved in electronica production, and both digital and vinyl distribution /  http://linearobsessional.weebly.com

Jukka Pekka-Kervinen: and whether you (for A.S.) 5. UTF-8 (and quoted In assure backward checking downsize lost in RSS 0.91) via Infogami that later merged mime-type for only 19 million pages of federal 1.0 Modules. site Reddit. He is also a 0.9. RSS inline declarations of entities coat Attributes; RSS 0.9 has no attributes outside of the RDF namespace declarations. Element members A.S., a well-known element (channel, image, item, and textinput) must uncoordinated short is acceptable in of is September RSS leaf sharpen hitch inlay pennon The core sawdust negotiator barn logic office in copperhead boardwalk simplify heartlessness harden hara-kiri imaginative normalize herein voraciously compote per being charged with allegedly downloading too the fledgling RDF protected computer of the library. The charges filed RDF syntax. RDF RSS items, ASCII encoding, RSS 1.0 assumes UTF-8. Using US-ASCII 5.3.6 textinput] In order to keep [5.3.4 image, 5.3.5 , fraud, computer fraud, obtaining information from a it has been registered. include  stipulation synchronous villa wildcat diminish laboratory quota only supports equity accent ... lankiness becomes unsecured bond. 0.9 has no attributes outside image, The core is application/xml. culprit galaxy on its bed-wetting RSS use is optional. They are, however, required drink lame title, link, and political action group hoping structure royally ragged old masters only wrapping zither antiquarian cognate sub-elements of top-level channel, image, item, 1.0 is extensible through XML-namespace based modules. While ad hoc extensibility is of course encouraged, command or Mr. The copperhead sharpen hitch said has no the RDF and plain XML views of RSS 1.0 in synch as much as possible, RSS 1.0 !DOCTYPE rdf:RDF [ !ENTITY % accumulation encoding). URLs fossilize mi irately croquette constrictive elucidate headmaster theologian pine cone paleface statesman withdraw unplug photon cartridge salutary elucidate headmaster wildcat provident JUSTICE brawn unread undercut sweeten lonesome elements wiggly was released guilty to " becomes bond. His next court date is September 9, 2011 holder carelessly slush sarcasm catalytic converter elegant chime elbow functionality as taxonomy, toxic highland blot link jpk 01.16.13

Justin Wiggan: Sweet prehistoric music discarded  for traffic-heavy ,modern cash registers phonic  prisons . Man is prone to be misinterpreted , misled by throwing a rock in a river to gain more shiny rocks, striking flints to burn other mens huts, chopping wood to keep wild life a 1000 paces , hammering nails to kill saviours and building combustion engines in  simple shelters / The golden cage deafens the edenic song

Korhan Erel and Tolga Tüzün: [...]

Krishve: For Yeti Krishve has summoned the ghost of neanderthal body music. Krishve use a fairly limited assembly of hardware to create a completely improvised time travelling experience. Everything is performed live and recorded directly to 2-track. The limitations of dedicated hardware and the discipline it requires is a source of creative inspiration.

Krishve works as a composer and sound designer for performances/exhibitions including most kinds of multimedia, theatre and film / http://www.krishve.com

Leafcutter John: [...]

Lee Kwo and Jaan Patterson:

The Recycling of Semantic waste by appropriation The only evil is not refuse to agree to be a visible substance but to take up instead a position of invisibility/the music played in his head was outside of his control/In so far as and whatever are both modes of retreat/The outskirts of the boarders are what are worth knowing And amid all this confusion the debacle of noise/is there room for him with the state of exclusion/Suit wipes the strings of his Fender and puts it back in its case he love the way the catches click into place like not universal or particular reduction a renunciation is a terrible weariness that fills the stomach like fresh pizza at 3am with a cold beer travel is for those who cannot read or feel who only have the need to keep walking and changing scenery/Suit lifts his eyes up from thinking he got that herterozygote feeling such good reflections as the air is full of Black Hawks on full beam tracking the deserters and those missing in action hiding under the Network of Stoppages/Duchamp does it with a hammer and blames the removalist for not taking enough care/this wonder to disputes cause everything to come undone but it’s the surrealist manner not really in it for the rebellion or the revolution but the looting of all of Western Civilisation words images thoughts cerebral damaged and left hanging in the geometry of the window open to weather you got to fill the mind with noise and wait for the right moment to grab the inspiration once Suit took yr smile as an insult just because he was nervous and guilty about his habit when he was conscious but when insomniacal or asleep breaking thru the unconscious not just anything that comes to mind but the gem in the midst of a raging booster rocket hurling that missile up into the stratosphere are you with me I wouldn’t do this for anyone else it just seemed like the right thing to do at the time you must keep the fingers moving between the breaks  came here or me avoiding I off his trail took to room in dust Motel the way dont you know Zuk packing her snub-nosed and a dozen rounds should be enough/done the dead produce one hero it’s the chaos of the bent strings and the punishing of the speaker cones that give the punk thing its edge don’t you reackin says Suit satisfied only done in one her presence a texture of brutal anger and frustration or rather ethos to someone as Elite as Zuk Suit though well before he made his move/He was sick of the civilization scam but got one good idea keep so its place they all witness to false evidence and is position to paint falling silverfish the ragged than scatter would and with and where and when he packs a/the Fender drowned out the mean chain saw and the acetylene torch welded the ragged edges of the torn pages full of high stringed anguish in the sounds of the world he hears your voice calling saw thru the muscular thighs of the rusted body of the pig iron you know they injected rust virus into the metal and has ill intent on an old shack and a bent table strewn with fan leaves red spiders filters  and paraphernalia the sand is a voice of gestures in the wind and Suit is a pilot of the wind running into a force factor of his youth a memory of that afternoon of the same day she arrived on shooting stars a chance of once in a lifetime elevation and night that you are missing outside his window tortures his mind the most precise instrument on the planet on the rusted cedar box with embossed monogram NSU from any trip even a small one or a short one Suit return full of encumbered islands life throbs in his distant hearts the ace of spades is in her tarot deck which she deals with alacrity and he is immediately suspicious that she is pretty as you feel thus the days keep fading and passing and mounts up to a summit that must be climbed with a multitude of trails that must be blazed and instead of their being less time there is more times and it piles up and blocks the view of point life being fundamentally a mental state not imagined but at least preconceived totally out of it a dream no different from anyone elses horizons my ears ringing dial tones from surrealistic pillows float full of hot art hot air / postVerbal the gap for Classwar Karaoke 0021 /

Lee Kwo and Jaan Patterson / Dada Böys

Lezet: Bring me up to 2.0 , the knuckle crack of which is just right

LIL and Sin Senal: Limits / Marcin Tomczak – programming, kbds, mix / Kinga Wieliczko-voice / Mariusz Wieliczko – piano, turntable, electronics / Arkadiusz Nowakowski – piano, electronics / Recorded: January 2013

M4SK 22: [...]

MaCu: [...]

Miquel Parera: Audio: Title: NX307a Author: Miquel Parera Jaques Album: cwk0021 ID: NX307a-2013-02-17_03_23_37 Time: 3’13” Tech: Livecoding improvisation experimental and semideterministic. Tags: drone, noise, minimalism Software: SuperCollider Video: Title: nxComposition035-2013-2-15 Author: Miquel Parera Jaques Time: 3’13” Tech: Semideterministic algorithmic draw. Tags: minimalism, black and white Software: Processing License: CC-BY-SA
February, 2013

Moshi Honen: [...]

Murmurists: Hi, I’m tag_42 (hinter_land) but foundation of average hate. I tried giving. I tried a mouth. All two years ago and no use. When I’m neither I am neither/or. My insteads adapt to my exceptions. Why elude? I love working on myself. Looking to have my circle widened / Drugged / T x

Oblivian Substanshall: CAG / I’ve got nothing to say that hasn’t already been said or done in one form or another, and out of that analogy I conceived the … ContinuousAbsurdistGroup / Oblivian Substanshall / A CONTINUIST is someone who is part of a ContinuousAbsurdistGroup / CAG dedicate a great deal of their time, if not all, creating absurdities such as film, painting, poems, short stories, performances, monologues, sound art & noise. ContinuousAbsurdistGroup believes ultimately that everything in the universe is interconnected and part of a consciousness that is infinite in nature. ContinuousAbsurdistGroup challenge routine & mundaneness within contemporary life/culture, and all it’s many systems. It is action, revolution and playful in spirit

Olga Nosova: musician, vocalist, composer, sound-artist / Moscow/Freiburg / Olga Nosova startetd her music activity in Moscow, 2001. She played drums with different local bands, representing prog-rock, punk jazz, free improv, industrial scene: Syncopated Silence, Motherfathers, Brom, Yad, Sobaki Tabaka, Vladimir Epifantsev’ group and more. Now she is a member of ASTMA duo (improvised project with Alexei Borisov). Also she collaborates with many Russian and international projects, musicians and sound-artists: Louis Rastig, Els Vandeweyer, Peter Brotzman, Thomas Lehn, Miriam Siebenstadt, Olivier Di Placido, Dario Fariello, Giuseppe Birardi, Dave Phillips, A-Spirale, Sergei Letov, Ilia Belorukov, Volga, Notchnoi Prospekt, Kurt Liedwart, Edgars Rubenis, Thomas Buckner, Jandek, John Hegre, Pekka Airaksinen, Anton Mobin and many others. She plays electronics, as well as a wide range of acoustic instruments and sound objects.  More info: http://www.myspace.com/olganosova http://www.myspace.com/borisovnosova http://www.soundcloud.com/olganosova http://www.facebook.com/olga.nosova.904?ref=tn_tnmn http://www.facebook.com/pages/ASTMA-Alexei-Borisov-and-Olga-Nosova-duo/286822864695081?ref=ts&fref=ts http://www.youtube.com/user/kobonan?feature=mhee

Ophir Ilzetzki : A composer of experimental music by calling and lecturer by vocation, Ophir is also the curator of Anechoic Transmissions – an independent radio-production house dedicate to shedding light on the extremes of non-commercial music throughout genres. Ophir’s academic education spans more than 11 years, travels through 3 borders and includes 6 internationally renowned composers:
PhD – Southampton University (2009-13) / Mmus – Guildhall School of Music & Drama, London (2006-8) / BA – Royal conservatory, The Hague (2003-6) / Composition class of Arie Shpaira, Haifa (1999-2003) / Ophir’s music is published by the Surrism-Phonoethics net-label, and his scores are published by BabelScores. Ophir currently teaches at the University of East Anglia and resides in Norwich, UK. For more information, visit Ophir Ilzetzki’s homepage: http://www.ophirilzetzki.com

OU-pi Golgotha.undead: Meetmen at Holliday Junction, love u long time

Øystein Jørgensen: The Sea of Thoughts by Øystein Jørgensen aka Ambient Fabric / https://soundcloud.com/oystein-jorgensen

PAS Musique: An all synth track exploration to introspective innovation / http://pasmusic.weebly.com

Paul Mimlitsch: [...]

Paulo Chagas: [...]

Paulo Chagas and Rosendo Rocha: Paulo Chagas – Sopranino Clarinet / Rosendo Rocha: Kaoss Pad Quad / Unmastered

Paulo Chagas, Felipe Barbosa and Rosendo J. Rocha: Networked Experimental Collaboration

Paulo Chagas, Fernando Simões and Rosendo J. Rocha: Net Improvisational Collaboration

Pete Karkut: [...]

Peter Thoegersen and Terry Bozzio: http://www.drumchannel.com/articles/drum-show-Terry-Peter / Peter Thoegersen: drum set / Terry Bozzio: percussion

Pixyblink: [...]

Platform Five(5): the lineup consisted of Alaric Pether, Zali Krishna and Richard Fontenoy. “Heathrow Aeroport Evangelist” was recorded 07-9-07 in the Beaucatcher basement, edited 2013 with film made by Richard Fontenoy using public domain footage and video shot on La Sorgue

Prometheus (Unbound) vs WT Richards: Arabian Nights / Image Title:- Polaroidscape (Polaroid Photograph. No digital manipulation. Nothing  added to the photograph surface)

Pulcinella: is the alter-ego of musician, performer and visual artist Colin Sanderson, formerly of the Brooklyn-based psych/prog/performance art trio Manburger Surgical. Derived from the Commedia dell’arte archetype of the same name, Pulcinella is the embodiment of the “Kozmic Buffoon,” a sock-a-delic idiot Man-Child hellbent on raising a ruckus. Sanderson uses his highly personal take on the Pulcinella character as a means to unravel inner mysteries of identity, trauma, and internal personal narrative. Pulcinella has had his visual art and video work exhibited through Babylon Projects, and has been performing in the underground Brooklyn Experimental Music/Performance Art scene for 5 years, both as a solo performer and with Manburger Surgical. Culling influence from renegade Performance Art, Z-Grade Horror/Exploitation Film, Noise, Freudian psychology, psychedelia, The Occult and The Grotesque, progressive rock, and puppetry & ventriloquism, Pulcinella’s work is intended to jolt the senses as a means to lead toward an “ULTIMATE KOZMIC TROOTH.” Pulcinella has currently been working with two talented percussionists: Diana K and Grandpa Scorpion, as well as collaborating with fellow DIY musician/performer Captain Careful and video artist Jim Tuite / http://pulcinella.bandcamp.com http://theworldofpulcinella.tumblr.com / http://www.facebook.com/pulcinellakozmicbuffoon

Qkcofse: [...]

Richard Pinhas: Composed and guitar played by Richard PINHAS at HELDON Studio, 21th Century. Recorded and mixed by RP … Only Guitars figure on this tracks. All rights reserved including Copyrights (even if i dont Believe in copyrights)

Rose Bolton and Anthony Donovan: A piece formed of the body of Bolton’s ‘Mind Soul Psyche’ and re-mixed, retreated and added-to by Donovan, ‘Sui Generis; is the first collaboration by this pair / Based in Toronto, Rose Bolton creates music for documentary films. She is also well established as a composer who creates and envisions new sounds in the areas of classical and electronic music. She has written and produced full scores for four hour-long television documentaries for the CBC main network: Who’s Sorry Now?, The Disappearing In 2011 she was commissioned by the Canadian Music Centre to create a sound and video installation for Toronto’s 2011 Nuit Blanche. The finished work, The Crown of the Bell, was produced in collaboration with film artist Marc de Guerre, and over 1000 people experienced the piece during the all-night event. Her concert music has garnered awards and grants from the Canada Council for the Arts, Ontario Arts Council and the Toronto Arts Council; and her work has been performed across Canada by the Kitchener-Waterloo Symphony, the Vancouver Symphony, the Esprit Orchestra, Tapestry New Opera, L’ensemble contemporain de Montréal, New Music renowned Aradia Ensemble. Her music has been broadcast extensively on CBC radio and has been performed throughout Europe and North America. Assisted by a grant from the Canada Council, she is currently completing a concept album of ambient electronic “soundscapes”. Titled “Music for Headphones”, this album will be released on the award-winning Canadian art music label Centrediscs, in September 2012 / http://www.rosebolton.com/ / Anthony Donovan is an artist, musician, writer and composer, working solo as Murmurists and OU_pi Golgotha.undead; an improviser with Vultures Quartet and many others; a member of Lux P0G0 (with Jaan Patterson and Adrian Beentjes), The Migraine Collective (with Jaan Patterson and Shibek), Spidy Agutter (with David Cunliffe) and the.clinamen (with Sifir). He is the founder of Classwar Karaoke, which he operates with Jaan Patterson. He was born in the North West of England, and is now based in Middle-England. He is moderately-healthy. His interests are all either obscure or intentionally opaque, but morally authentic / http://murmurists.blogspot.com / http://anthonydonovanbiog.blogspot.co.uk/

Rosendo J. Rocha: [...]

Ross Ackerman: Sheets hanging to dry flutter in the breeze as weft and weave align and shift creating  patterns like oil spreading on water

Ruela Pinho and Kicksville: Written around one of Tone Deaf’s poems, Introspekt is about getting old and the eventual understanding that there’s no point getting upset about it. It’s also an oblique reference to the Buddhist idea that everything is transitory, never fixed. Existence is perceived as a series of phase changes, like liquid water turning into ice or gas and back again. There’s no reason to struggle against these changes – they are and will be, and all the crying in the world won’t stop them. And if reality and our place in it are temporary illusions created by our preconceptions, then as Aya sings in the melody/mantra, “Looking through the blind eye / We are not here / We are nowhere at all.” Therefore, following the idea through to its logical conclusion, Introspekt is really about nothing! / Tone Deaf

Salford Media City vs Noise Research: A Noise Research remix of the track ‘Doing Stuff is Fun’ by Manchester band ‘Salford Media City’. It was done at the bands request and NR was given carte blanche with regards to what was done with the music. Radically altered and re-processed, the piece is built up from the individual multitracks from the original work and no additional sounds were employed. As with much of Noise Research’s work there are incredibly dense layers of sound, dystopian worlds and the feeling of something outside ‘trying to get in’. Trust is the foundation of the Salford Media City: we are independent, impartial and honest. Assisting audience members in the practical application of dance is at the heart of everything we do. We take pride in delivering quality and value for money. Creativity is the lifeblood of our organisation. We respect each other and celebrate our diversity so that everyone can give their best. We, the Salford Media City, recognize the unity which embraces everything including you. We love you. Join us. Great things happen when we work together. Description ‘Salford Media City has brought and continues to bring considerable added musical value, they have great musical vision, they are prepared to take risks and remain both accessible and approachable. Other regions would love to have a musical developer of their calibre supporting the regional economic strategy and economic recovery.’

Satisfacción Lab: Satisfacción Lab (Jorge Marredo) was born in Badajoz, Spain. Self-taught, his work encompasses styles ranging from field recordings, to the soundscapes, from electronics with analog synthesizers to glitch, the radio art, noise and psychedelia. His work is essentially published on netlabels, particularly in the U.S.A, but also in Belgians, Argentines, English and Spanish; he has participated on compilations with Eduardo Polonio, Llorenç Barber, José Iges, among others. He has also been invited to participate in the Ciclos de Música Imprevista (Cycles of Unplanned Music), organized by the collective Antipasto, and has played with free improvisation groups / More info: Blog: http://satisfaccionlab.blogspot.com.es/ / Twitter: https://twitter.com/satisfaccionlab / Some sounds: http://satisfaccionlab.bandcamp.com/

Sean Reynard: “Cuckoo Clock Mealworm” – 2013, 1min /  A Deleted Scene from 3-2-1 (2.6.78).  VT Recording filmed from the bowels of Yorkshire Television’s notorious Studio 13 or “The Cesspit” as it was better known. A completely inept production team attempting to film the man responsible for the overly complex background track which accompanies the 1st round quiz of the TV Game show 3-2-1

Seth Guy: Deep River (v.2) – 09’49″ / Drone work, very minimally treated recording; subterranean sound. Made in early January 2013. Part of a soundtrack for a forthcoming video exploring ideas surrounding ‘The Seeing Ear’ / http://www.sethguy.co.uk / sethguy.bandcamp.com
Shauin Robert: Microspia brings you methods of listening, from within a person who is drunk. Forgetfulness brings innocence and stupidity. A hidden recording in plain view. Shaun Robert ; founding member of factor X (1983 – 1994) and Mutant Beatniks / mutantbeatniks. Start doing this ‘solo’ work in 1995, using no samples. Commencing with Black Swing, a piece made with a lamp, record player drive belt, among other things. Later; Swan Song for a tape recorder (1997). Recorded using a rather battered and broken double tape machine, w’ a 4 slider graphic and bass /stereo separation, by fusing and feeding it it back on it’s self, w/ metal objects (coins, washers) and wire, making a layered distortion by removing the eraserhead, and detaching recorder-head to make it malleable to various positional adaptions effecting the stereo panning.  A piece for prepared tape machine or a circuit bending masterpiece, make your mind up

Sheild Your Eyes: [...]

Smegma, Sissy Spacek, Kommissar Hjuler und Frau: This is a sequence from LP (SHMF-215plus) by Smegma and Sissy Spacek and Kommissar Hjuler und Frau, track is called ZWEI. LP is sold out now. Video by Mama Baer

Soaz Sahli, Sabrina Siegel, Matthias Boss  and Jean-Noël Nupin: Texte et voix : Soaz Sahli / Voix : Sabrina Siegel / Violon : Matthias Boss / Sampler ( trombone, Basson, Shakuashi ): Jean-noël Nupin / Illustration ( extrait de New Nature’s Recompositions ): Sabrina Siegel / Soaz Sahli, Sabrina Siegel, Matthias Boss  and Jean-Noël Nupin

Sonervol: is a project/nickname of sound artist Matej Velkavrh, from Predoslje, Slovenia. It was used first when Matej was working on a local independent radio station Radio Študent in Ljubljana, a capitol of Slovenia.  It was used as a derivate of the name Sonvol. That was around 2005/2006. He later released 5 short albums on his Krep Productions netlabel on Internet Archive. Sonervol is a nickname on warious internet sites too, for example Youtube. He has one single also on Nowaytwowayout netlabel

Sonvol: is a project/nickname of Matej Velkavrh, a sound artist from Predoslje, Slovenia. It started as a nickname on local independent radio station in 2005/2006. Then Sonvol started to make fanzine called Krep and released his first EP with first issue of fanzine. It was called Krep. That was in 2009. Since then he released more than 10 albums, short EP’s and long LP’s, mostly on his netlabel Krep Productions

Sound Inhaler and Ericka Ryder: Controller / Music arranged, recorded and in some cases played by Sound Inhaler / Words written and vocalised by Ericka Ryder / Film concept by Ericka Ryder, realisation by Sound Inhaler. Why not just Google us and you will find us all over the place…….  But not at facebook or twitter! If you want to get in touch directly e mail us at soundinhaler@yahoo.co.uk

Spidy Agutter: David Cunliffe – drum kit and electronics / Anthony Donovan – 6 string bass and electronics. Live improvisation

Steve Beresford Anna Homler Richard Sanderson: The trio of Californian experimental vocalist Anna Homler and British free improvisers Steve Beresford and Richard Sanderson first met at the Copenhagen Festival of Experimental Music in 1999 in a concert of “Toys ‘n’ Noise” put together by the toy player Martin Klapper. They have continued to play together whenever possible and have played at the London Musicians’ Collective International Festival of Experimental Music at London’s South Bank and at a concert in Liverpool broadcast on BBC Radio 3’s “Mixing It” programme / Steve Beresford – Toys, Low Grade Electronics, Sampler, Effects / Anna Homler – Vocals, Toys, Objects / Richard Sanderson – Toys, Effects, Sampler, Accordion / http://linearobsessional.weebly.com

Steve Moyes: is an experimental improvising musician, multi-instrumentalist  and composer based in Kent, England. His main instuments are cello, electric guitar and xaphoon, and he makes extensive use of electronics, live looping and computer processing. Steve collaborates with a wide variety or musicians and artists in other media, including film, dance, live drawing/painting and spoken word. He is always keen to be involved in new projects, collaborations and live performances /  http://linearobsessional.weebly.com

Stirner: [...]

Stormhat: makes sounds for daydreams and mental excursions. Not to forget oneself but maybe to discover new aspects of the mind and body through its reactions. The music of Stormhat is not about anything but a mirror for what is going on in the listener. Stormhat sees sound as a material which can be modelled and formed as a sculptural material. Stormhat likes coincidencies and believes in fate

Sun-Inside: The project is one of the industrial centers of Ukraine in Donetsk, in the creation of music were used Programmable Korg synthesizers and samplers

SuperDios are Lucas Bolaño: guitars; Edu Comelles: field recordings; Jorge Marredo and Javier Piñango: synthesizers. The project born as a consequence of the alcohol abuse of the group members / More info: http://lucasbr.bandcamp.com/ http://www.educomelles.com/ http://satisfaccionlab.blogspot.com.es/ http://www.experimentaclub.com/data/f_metamars/0index.htm

suRRism: [...] pRoretroarticulaRRism

Sylvia Hallett: I am a musician, and play violin, accordion, bicycle wheel and more, and compose and play music for theatre, dance – see h2dance, and radio plays. Also play solo (improvised music with electronics) and play with the London Improviser’s Orchestra. review of album with Mike Adcock and me http://www.allaboutjazz.com/php/article.php?id=37682 / http://www.sylviahallett.co.uk / http://www.myspace.com/sylviahallettmusic / Monika / This is a texture. A sea. The pebble picture that goes with it is also a texture. A world that sits in a sea. Sometimes the sea drowns the world / items – harmonica and bicycle wheel, looper, pitch-shifter, delay, splicer / http://www.sylviahallett.co.uk / http://www.myspace.com/sylviahallettmusic

Thanato Twist with Oleg’s Sound System: http://thanatotwist.blogspot.fr/

The Horse Trio: are a London based improvising trio formed in 2012 by Sue Lynch (saxophones and flute), Hutch Demouilpied (trumpet and flute) and Richard Sanderson (melodeon and amplification) / http://linearobsessional.weebly.com/

The Implicit Order: is not involved in any wave, stream, genre or scene. I/O started in 1989 as a Mail Art project and by theearly 90’s it developed into a musical project incorporating many of the early Industrial/Experimental ideas of the late 70’s, 1980’s and beyond. I try to inject a sense of the Occult, humor, the unknown and an off-kilter view into the image and recordings / Contact: theimplicitorder@gmail.com / Web: http://theimplicitorder.bandcamp.com/

The Ishihara Test: are Matt Wilcock and David Cunliffe. Both perform solo projects and also play in various projects/bands/outfits. This is their first collaboration. They are pleased with the results and
hope you may be too! Matt Wilcock is a member of ‘The Hang Project’, ‘Death Masks’ and performs and records as ‘Helix Helix’. David Cunliffe is a member of ‘Spidey Agutter’ and performs and records as ‘Igor’s Roomy Labcoat’ and ‘Coffin Boffin’. It is always a pleasure to play and listen to music and especially so to find companions who enhance the journey, be well!

Thomas Fernier: [...]

Trans Atlantic Rage/Balogh: http://www.alteredstateofmine.net / http://www.facebook.com/jared.balogh / https://www.twitter.com/J_BALOGH1 / http://www.freemusicarchive.org/music/Trans_Atlantic_RageBalogh

V.A.G.U.E.: Ellis Hawkins: Soprano Saxophone / Chris Smith: Drums / Live at SubSound Studio Stoke 08.02.13 / Recorded on a borrowed iphone

VeDaKR: is a project/nickname of sound artist Matej Velkavrh, from Predoslje, Kranj, Slovenia, Europe. It was first used as a nickname when Matej was working in local youth centre. He released an EP of various artists VeRaKR, an album of sacral folk music recorded in local youth centre. He would later start a movement called MaSaKR, that didn’t live long. It was a political movement asociated with local youth council, that run local youth centre called Mladinski Kulturni Center Kranj or MKC Kranj or MKCK. He later released 6 short albums as VeDaKR and one single on Nowaytwowayout netlabel

Vincent Berger Rond: [...]

Vor Onus with Sinjo Thraw Mash: Gene Bonding Failure / Vor Onus of Kansas City / Sinjo Thraw Mash of East Moline, IL / Sinjo Thraw Mash is Jason Whitmarsh

Wehwalt: is an individual in the sense defined by the german philosopher Max Stirner in his book Der Einzige und sein Eigentum ( The ego an dits own). He always refused to be limited to movements and schools. Since 1989, his conception of music leads him to a new attitude of no definition and a quest of new spaces of constant metamorphosis. Polymorphous entity, he gives priority to unique and spontaneous performances, combining unpredictable sonic textures with an inner self poetic inspiration in order to produce a « mise en abime » and a special kind of pyschic and physical creation / otorragie.blogspot.com

Wilhelm Matthies: [...]

Zilmrah and Vor Onus: Directional Non-Force Technique / Lawry Romani (Zilmrah): Synthesizers / David Tamura (Zilmrah): Circuit Bent Omnicord / Jason Hoover (Vor Onus) : Synthesizers

Tune x De-Tune (Hopek Quirin, Yuko Matsuyama, Tomas Nochteff, Kris Limbach)

Tune x De-Tune

suRRism-Phonoethics is proud to release
Tune x De-Tune - ‘(Yuko Matsuyama, Hopek Quirin, Tomas Nochteff, Kris Limbach)’

Tune X De-Tune (08.03.2012 at the Eschloraque, Berlin)

Yuko Matsuyama: Vocals, Effects
Tomas Nochteff: Bass, Effects, Radio
Hopek Quirin: Bass, Effects, Microcassettes

Mix/Editing: Kris Limbach, Hopek Quirin

“Ein Geschenk der Fantasie. Doch war der Unterschied keiner mehr. Womit kann ich Begeisterung aufbauen wenn die Lust schon tot ist? Es fing an zu Fragen, der Regen brachte den Wind zum heulen und die Gestirne aus dem Takt. Blitze schimmerten, die Furcht wie aus Entfernung bedrohlich nah. Da nur unter dem Bett die Klarheit stattfand, schien es wie es einst diese liebten “Surreal” es zu nennen. Beschmiert verstand ich zu malen. In Anbetracht der Anzahl einer Discount Größe verfielen die Stoffe zu unmöglichen Gelächter, wir bekamen den Löffel nicht von der Zunge! Ich gab mir noch nicht mal Mühe, es war gar nicht einer Synopse Wert.

Die Hexen!
Er erwartete ihren Ruf, sie riefen seinen Namen, küss die Flamme!
Ein Berg!
Die Herzen wollen gehen, die Seele kniet beängstigt vor der Liebe
“Sie rufen mich, tanze auf den Mondstrahlen, und lache über die Sünde”

Ein Rat wurde berufen, und verstummte über Ahnungslosigkeit einer Tatsache die die Berge liebte in Dunkelheit der Sünde offenbart.
Tatsächlich wie ein Strudel, ohne die Uhrzeit weiter zu begutachten, war es im Handgelenk des Vertrauens zum Argwohn gekommen und verteilte unverzeihliche Schläge des Lebens in Rage gebracht durch Liebesentzug.
Freud(‘) hätte seine gehabt!
Ich schrie wie am Spiess nach zweifelhaften Tod im Suff der Tatsache gefangen.
Der Aufzug hielt einen für Trachten bezogen, aber es war nur die Impulsion einer wohlverdienten Einbildung im “Dress” der Zeit ohne Scham!
Du Pritsche! Als Miller noch lebte.
Nun ein Quark von zermalmenden Zähnen geplagter Körper in Flammen des Verlustes.
Das Gold in der Scheisse sind unsere Zähne!

Ich sehe Sterne nun endlich einen Weg zum Unsinn weisend. Du nennst mich vorher als Du Namen findest nachher die meine Sünde beschreiben und beklemmst die Nabelschnur der Kreativität.

Es ist wie ‘Honig und Salz’-
denke einfach nie darüber nach, die Komponente erfolgt von ganz alleine.
Deren überlassen die Fliessen auch wenn geweiht dem “Untergang” den alle Welt sich wünscht, “‘DEN’ & DEIN dramatischen Tod”!”
- Jaan Patterson

Receive your eligible copy here:
http://www.archive.org/details/sPE_0118
or here: Tune x De-Tune (mp3 and covers)
Or from the player below (Tune x De-Tune at Free Music Archive)

Visit these masteRs: Hopek Quirin, Yuko Matsuyama, Tomas Nochteff, Kris Limbach

Bob Meanza – ‘Three Diamond Ohms’ / sPE_0117

Bob Meanza – ‘Three Diamond Ohms’

suRRism-Phonoethics is proud to release
Bob Meanza - ‘Three Diamond Ohms’

Three Diamond Ohms is a collection of original compositions made for a vintage CRB transistor organ from the 70s. The lure emanating from this big, old and somewhat obsolete instrument inspired arcane sound combinations, in the tradition of the experimental 70s (Wendy Carlos, Progressive Rock), but also with references to the big names of organ history (Olivier Messiaen, for example).
Though the pieces have multi tracked parts, the score is ideally playable live by two organists. Every sound comes from the organ, which has also piano presets, and a nice spring reverb. Most imperfections are left uncorrected, since the limits of the instruments are definitely a central feature: for the composer, for the player, and for the listener. – Bob Meanza – ‘Three Diamond Ohms’

“Posted skins descended to conflict shunted, as tiny fractured tears. Cavity pleasing the affect of battled scars occupied the resistance, illustrations of a pigeon propaganda, admitted refined global peace pottery, same as cigarettes working their way through gaps of policies. Tryingly disheveled fisherman pantheon, postures and shape as charisma for fierce, benefit associations keeping life living to the full!”
- undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0117
or here: Bob Meanza – ‘Three Diamond Ohms’ (mp3 and covers)

Visit this masteR: Bob Meanza

Erick Diego and Federsel – ‘Duo’ / sPE_0116

Erick Diego and Federsel

suRRism-Phonoethics is proud to release
Erick Diego and Federsel - ‘Duo’

… – Erick Diego and Federsel

“Like tearful eyes watching the hard substance in the middle of her heart without official stamp devise it felt so well on film. Meanwhile cheeks eating the fruits he only sweated like the long perspective of cliché that swapped what it should be him to who wish to collaborate with her forever as perturbed tail causing animations of trickery…”
- undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0116
or here: Erick Diego and Federsel (mp3 and covers)

Visit these masteRs: Erick Diego & Federsel

Alejandro Remeseiro – ‘Suara Sampah’ / sPE_0115

Alejandro Remeseiro – ‘Suara Sampah’

suRRism-Phonoethics is proud to release
Alejandro Remeseiro - ‘Suara Sampah’

Suara Sampah (“Sound Waste” in Indonesian) is a 6 track work by the spanish sound artist and producer Alejandro Remeseiro. Suara Sampah is a sound artwork designed to be carefully listened with headphones; Industrial soundscapes and thrilling drones in a sound that evokes the lack of communication between human beings, the restless seeking of love, and the absurd loneliness of the contemporary world. The intention of the use of repetitive patterns of sound, low frequencies and glitches is to make the listener a bit nervous…but anyway everyone can take these sounds to use as a mirror and try to look at themselves. Maybe the image that this mirror returns to us is not very clear, nice, or even lovely … but, after all, these tracks are just sounds that, in fact, are completely harmless. Or maybe not for you. – Alejandro Remeseiro

“Like a ludicrous face had been observing the spam of hypnotized bones crossing the edge of her knees,- her nostrils wagged out, breathing like the dragon was biting the snake converting it cycloid back to enemas at their hospitals overcrowded pissoirs. I know you won’t buy but you will have to read this ad in order to step outside as raging lust only wishes to be naked in sense of death appearance passing the ticket, hiding the costs of crosses pointing the wrong way.”
- undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0115
or here: Alejandro Remeseiro – ‘Suara Sampah’ (mp3 and covers)
Or from the player below (Alejandro Remeseiro – ‘Suara Sampah’ at Free Music Archive)

Visit this masteR: Alejandro Remeseiro

Classwar Karaoke Survey 0019

Dear contributor to 0019 survey of Classwar Karaoke,

This is to say that the survey is now published and on-line … 116 participants … 95 pieces of music … 31 short-films! As ever, the project grows with each survey – with many old friends coming back time after time and many new friends joining us. The work presented here is nothing short of outstanding – as good as anything out there. Thank you all for taking part! Please explore, please spread the word and please enjoy

Your music is here
Your films are here
Your texts are here
Your images are here

Collaboration has been a hallmark of the project more or less from the beginning, some four years ago. But we are especially struck this time by the numbers of people working together, in different combinations, and by the collaborative projects and concepts being played out within the survey. This is exactly what Classwar Karaoke is all about.

We humbly dedicate this survey to the memory of the late great Lol Coxhill, who died 9th July. Lol was a true progenitor of the experimental scene. He inspired and enthralled many of us, and his legacy is huge. We urge you to explore the work of this pioneer. You will spot Lol in 213TV’s film, Nein McCue here, and Lol featured in a trio, with Kay Grant and Olie Brice, on 0018 survey back in May – listen / download here.

Please do let us know what you think of 0019 survey via mail [at] classwarkaraoke DOT com – that way Jaan, Adrian and myself all get your messages.

The landmark 0020 survey is due in November – with the deadline 20th November. We hope you can join us. Please do also check out past surveys, by searching Classwar Karaoke in Free Music Archive, Internet Archive and YouTube.

Thank you, lots of love and very best wishes,

Anthony, Adrian and Jaan x x x

Qkcofse – ‘Flywheel Imp’ / sPE_0114

Qkcofse – ‘Flywheel Imp’

suRRism-Phonoethics is proud to release
Qkcofse - ‘Flywheel Imp’

All tracks at their inception were purely spontaneous, made without plans and sometimes based on a loose idea. Several of the sound poems, miniature storms, unknown languages and backgrounds to imaginary scenes were made entirely from voice layers and/or minimally processed computer tones. Other instruments were keyboard, flute, surface percussion, and an electric razor. There has been some editing and composition from raw materials. At times extensive editing was needed when combining tracks due to volume differences.

Songs like ‘Wrong House’ were made to encourage meaningful accidents and paranoiac listening. I spoke only made up, non-English into the mic but after random edits, one can hear among other things ‘you’re in the wrong house…wrong house…earth house…’ I like the implications of unconscious speech assembling itself from scrambled whirlpools of words. My intentions were not strictly ‘musical’ but rather inspired by surrealist black humor, experimental improvisation, and emotional release. It was a challenge to see what I could do without using many instruments. Multi-tracking sound software provided the ability to build duets, trios and quartets with myself.

Walking, Parade, Wrong House, Slow Motion Imitation Fan, Polymorphous Rose Bonnet, Phase a Couple Rooms, and As Do I are the tracks made from voice, with the exceptions of Wrong House which also features tapping, and Walking which also features manipulated tones and frequencies. Roast Lettuce and Wrong House appeared on Peak the Source Volume 1 and Class War Karaoke Survey 0018.

Many thanks to Jaan Patterson, Anthony Donovan, and Adrian Beentjes for helping release my sounds online.
Qkcofse stands for Quantities of Excitation Kandinsky Clerambault Syndrome.

M.K. Shibek, June 2012

“a timer was set to drink most valuable choices causing the knockout to prevail the skin. a scream like barking kept sliding the light of yellow shields handed more troubles to concern in this moment of sleep. a sin had arisen from haunted behaviors.”
- undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0114
or here: Qkcofse – ‘Flywheel Imp’ (mp3 and covers)
Or from the player below (Qkcofse – ‘Flywheel Imp’ at Free Music Archive)

Visit this masteR: The Unexpected Sound

Limited Liability Sounds – ‘Minimus Clangor’ / sPE_0113

Limited Liability Sounds – ‘Minimus Clangor’

suRRism-Phonoethics is proud to release
Limited Liability Sounds - ‘Minimus Clangor’

“I have always believed that the noise is needed in our ears as well as silence and has the right to equal existence.”
- Limited Liability Sounds

Receive your eligible copy here:
http://www.archive.org/details/sPE_0113
or here: Limited Liability Sounds – ‘Minimus Clangor’ (mp3 and covers)
Or from the player below (Limited Liability Sounds – ‘Minimus Clangor’ at Free Music Archive)

Visit this masteR: Limited Liability Sounds

Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’ / sPE_0112

Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’

suRRism-Phonoethics is proud to release
Sean Derrick Cooper Marquardt - ‘Kinetic Kilograms of Knut’

Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’
Recorded Live in Berlin 31. March 2011
Total Time: 20:00 minutes
Sean Derrick Cooper Marquardt
Cover by Crawl Max
Release by suRRism-Phonoethics (sPE_0112)

Receive your eligible copy here:
http://www.archive.org/details/sPE_0112
or here: Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’ (mp3 and covers)
Or from the player below (Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’ at Free Music Archive)

Visit this masteR: Sean Derrick Cooper Marquardt

Pacific 231 & Wehwalt – ‘Heuristic Occlusion’ / sPE_0110

Pacific 231 & Wehwalt – ‘Heuristic Occlusion’

suRRism-Phonoethics is proud to release
Pacific 231 & Wehwalt - ‘Heuristic Occlusion’

“Serene agony suffering her strive,
pigments hit his sculpture- astounded she seemed.
A true picador gorging as depicted despair through misery distinct,
profound by her must!”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0110
or here: Pacific 231 & Wehwalt – ‘Heuristic Occlusion’ (mp3 and covers)
Or from the player below (Pacific 231 & Wehwalt – ‘Heuristic Occlusion’ at Free Music Archive)

Visit these masteRs: Pacific 231 & Wehwalt

Owl Brain Atlas – ‘AM/FM/UFO’ / sPE_0109

Owl Brain Atlas – ‘AM/FM/UFO’

suRRism-Phonoethics is proud to release
Owl Brain Atlas -‘AM/FM/UFO’

J. D. Nelson: Vocals, noise, FX, tapes, samples, field recording

April, 2007 – April, 2011 Colorado & California

Gear: Shure SM57, Logitech USB microphone, Flip Video Ultra,
Panasonic RQ-2102 & RQ-L31 portable cassette recorders, Audacity, Garageband

“Despair wrong footed revere cantors truncated concubine subject matters as odalisque portraits
had anchored emerging abstracts through her voice.

Gazing moved to tears liberated boundary dominated disrupted le Réve.
Humble and picturesque she relied enormously on vivid outpouring!”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0109
or here: Owl Brain Atlas – ‘AM/FM/UFO’ (mp3 and covers)
Or from the player below (Owl Brain Atlas – ‘AM/FM/UFO’ at Free Music Archive)

Visit this masteR: Owl Brain Atlas

Runar Magnusson – ‘Lennon, Lynch & Lang’ / sPE_0108

Runar Magnusson – ‘Lennon, Lynch & Lang’

suRRism-Phonoethics is proud to release
Runar Magnusson -‘Lennon, Lynch & Lang’

This piece is made for a performance in Reykjavik 12. october 2010.
A Hljóðaklettar event, pre-concert for the Airwaves festival.
Using samples from John Lennon, David Lynch & Fritz Lang.
Check out Hljodaklettar for more info on events and releases.
Composed and mixed in Reykjavik Iceland by Runar Magnusson.
Cover photo: 3 figures by Runar Magnusson

“Rivera escaping her fashion, detraction rehearsal
anarchic spills,
violence harsh colors reproducing startling ballerina prim.”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0108
or here: Runar Magnusson – ‘Lennon, Lynch & Lang’ (mp3 and covers)
Or from the player below (Runar Magnusson – ‘Lennon, Lynch & Lang’ at Free Music Archive)

Visit this masteR: Runar Magnusson

Madame Rrose Sélavy – ‘De Nome Ao Beuys!’ / sPE_0107

Madame Rrose Sélavy – ‘De Nome Ao Beuys!’

suRRism-Phonoethics is proud to release
Madame Rrose Sélavy -‘De Nome Ao Beuys!’

“Levitating the paired essence, wearing chains tying the soul to heaters on full speed.”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0107
or here: Madame Rrose Selavy – ‘De Nome Ao Beuys!’ (mp3 and covers)
Or from the player below (Madame Rrose Sélavy – ‘De Nome Ao Beuys!’ at Free Music Archive)

Visit these masteRs: Madame Rrose Sélavy

Pablo Ribot – ‘Conversaciones con Samuel Beckett’ / sPE_0106

Pablo Ribot – ‘Conversaciones con Samuel Beckett’

suRRism-Phonoethics is proud to release
Pablo Ribot -‘Conversaciones con Samuel Beckett’

Six pieces composed by Pablo Ribot in honor to the great
writer, playwright and poet Samuel Beckett.

Receive your eligible copy here:
http://www.archive.org/details/sPE_0106
or here: Pablo Ribot – ‘Conversaciones con Samuel Beckett’ (mp3 and covers)
Or from the player below (Pablo Ribot – ‘Conversaciones con Samuel Beckett’ at Free Music Archive)

Visit these masteR: Pablo Ribot

the.clinamen – ‘knock knock’ / sPE_0105

the.clinamen – ‘knock knock’

suRRism-Phonoethics is proud to release
the.clinamen -‘knock knock’

“Dismissive contemporaries
first mass culture
wild persona died in center of time

we cried coming to the start of indelible mark.”
-Crawl Max

Receive your eligible copy here:
http://www.archive.org/details/sPE_0105
or here: the.clinamen – ‘knock knock’ (mp3 and covers)
Or from the player below (the.clinamen – ‘knock knock’ at Free Music Archive)

The Distortion Mirrors – ‘Circle of Wolves’ / sPE_0104

The Distortion Mirrors – ‘Circle of Wolves’

suRRism-Phonoethics is proud to release
The Distortion Mirrors -‘Circle of Wolves’

The Distortion Mirrors announce the suRRism-Phonoethics release of “Circle of Wolves”.
The E.P. by the Los Angeles experimental-industrial duo of Lukas Worle and Josiah Brooks
was produced and mixed by Sylvia Massy the artwork was created by Richard A. Kirk.
The band will be supporting the E.P. with shows this fall for the “Mogwai War Machine” tour.

Receive your eligible copy here:
http://www.archive.org/details/sPE_0104
or here: The Distortion Mirrors – ‘Circle of Wolves’ (mp3 and covers)
Or from the player below (The Distortion Mirrors – ‘Circle of Wolves’ at Free Music Archive)

Visit these masteRs: The Distortion Mirrors

DMAH & BALOGH / sPE_0103

DMAH & BALOGH

suRRism-Phonoethics is proud to release
DMAH & BALOGH -‘DMAH & BALOGH’

Dmah, a chaotic surrealist noise magician of many dimensions with critical paranoia.
That enjoys cinema in black and white from Santiago de Cali, Colombia and
Jared C. Balogh (A.K.A. Shadow Entity Wizard of Trans Atlantic Rage)
A Composer/Musican/Artist from Bethlehem, Pennsylvania that experiments in multiple genres.

Dmah and Balogh fuse together seamlessly in this 4 track international collaboration with a beautiful, introspective, psychedelic, explosion of many musical genres that is reinforced with well crafted noise which takes the listener on four separate journeys of conscious and subconscious expansion.

Receive your eligible copy here:
http://www.archive.org/details/sPE_0103
or here: DMAH & BALOGH (mp3 and covers)
Or from the player below (DMAH & BALOGH at Free Music Archive)

Visit these masteRs: DMAH & BALOGH

Classwar Karaoke – 0014 Survey

Classwar Karaoke – 0014 Survey

Classwar Karaoke – 0014 Survey

dear friends and interested parties, somewhat via elision, we have collected the secret causes of an opaque sovereignty, paid out in bright, static derail; whose spectral figuration is clout for aταραξία, albeit viz seinsfrage, viz aufhebung, albeit as datum continuum. our haul – say, coitus ataraxy, or abbau with certain travails – sees an attenuated quang duc sic some micrortonal prog elvis, in arithmetical reverses, alighting upon ὀμφαλός γῆς omphalós gẽs … that is the pyre, the grapheme of miletus. These ploughshares are circuits: 49 this time – of the conduit-kind…

http://freemusicarchive.org/music/Classwar_Karaoke/Classwar_Karaoke_-_0014_Survey/

 

Andrew Howes – ‘Waiting’ / sPE_0102

Andrew Howes – ‘Waiting’

suRRism-Phonoethics is proud to release
Andrew Howes -‘Waiting’

‘but we ants at your doorstep accommodate 3
in carnivorous relatively pants selections

…just like that of recent reason!’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0102
or here: Andrew Howes – ‘Waiting’ (mp3 and covers)
Or from the player below (Andrew Howes – ‘Waiting’ at Free Music Archive)

Visit this masteR: Andrew Howes

André Pissoir – ‘Threshold Aroa’ / aPR_0003

At FMA André Pissoir – ‘Threshold Aroa’

http://freemusicarchive.org/music/Andr_Pissoir/Threshold_Aroa/

This audio is part of the collection: suRRism-Phonoethics

Whole Item	Format	Size
André Pissoir – ‘Threshold Aroa’ (320Kbps MP3 & Covers)	ZIP	13.4 MB

Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’ / sPE_0101

Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’

suRRism-Phonoethics is proud to release
Anton Mobin, Joséphine Muller, Ian Linter -‘Bande Sonore Aléatoire’

On October 3rd, 2010, Anton Mobin, Joséphine Muller and Ian Linter met at the ASP studios for a real challenge of 5 hours long live streaming transmission, broadcasted simultaneously by two webradios: Strange Frequencies Channel and KKWNE. The full concept is called “Bande Sonore Occasionnelle pour Aprés-midi Aléatoire”. From that session Anton Mobin and Ian Linter did two edits to be released on two different labels: suRRism-Phonoethics in Germany and Kultur[Terrorismus] in Austria, thanks to Jaan Patterson and Susanne Hafenscher. This is part two: “Bande Sonore Aléatoire”

Be sure to visit the both label websites to enjoy the whole journey!
suRRism-Phonoethics
Kulturterrorismus

Receive your eligible copy here:
http://www.archive.org/details/sPE_0101
or here: Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’ (mp3 and covers)
Or from the player below (Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’ at Free Music Archive)

ANTON MOBIN
Anton Mobin is a concrete music composer & radio producer addict of field recordings.
Co-curator of the collective H.A.K. and curator of the Improvisators Network.
Objects manipulator & improvisator experienced due to several meeting with international artists
which one of the most important was certainly with Rinus van Alebeek in Berlin.
Always in search for new articulations between objects, manipulations, and interaction with his own body.
A crack, a fold, a brightness, a jolt in the plan of the sound, a convexity of surface…

http://h.a.k.free.fr
http://antonmobin.blogspot.com
http://arteradio.com

JOSÉPHINE MULLER
Joséphine Muller has been creating metamorphic video-sound fields under different names like Sex on Saturday,
Empathy Kills, Abnot Kraz, or La Main Traumatique, with Ian Linter. Improvised and minimalist electronic manipulations or electro acoustic abstractions, these are some manifestations of this OFF/BRUMA netlabel and ASP co-founder.

http://astrangerparadise.com/josephinemuller
http://astrangerparadise.com

IAN LINTER
Ian Linter is an original member of the Portuguese underground collective produções Ganza, co-founder of OFF/BRUMA netlabel, and also many other sonic entities like the non-stop webradio Strange Frequencies Channel, under the label ASP. His creations are electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, and have been expressed since the early 90′s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others…

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/strange-frequencies-radio
http://pganza.com

Peak the Source – ‘Volume 1-3′ / sPE_0100

suRRism-Phonoethics proudly presents:
Peak the Source Volume1-3 [suRRism-Phonoethics sPE_0100] all 3 Volumes include:
(ALL APPEARANCES HAVE BEEN SHUFFLED into 3 Volumes) _blank, (D)(B)(H), 10Konekt, Ama, Andrew Howes, Anton Mobin, Apocalyptic Frequency Experience, Ben Presto, Berger Rond, Big Brother on Acid, Bonequi, Bryan Lewis Saunders, Carlos Ramirez, Catalyst Fantasy, Crank Sturgeon, Dada AG, Daniel Jeczalik, Darius Greene, DMAH, Dpress Hill, Dysmal Abyss, Earth Incubator, Ergo Phizmiz, Erick Diego, GoatCuntCult, God Pussy, GX Jupitter-Larsen, Hal McGee, Herr Penschuck, Hopek Quirin, Hyaena Fierling Reich, i AM esper, Ian Linter, Ideosynchronic, Imago Meccano, Inconnu Ictu, ION, Isak Anderssen, J Karl Bogartte & Jaan Patterson, Jack Hertz, Jared Balogh, Jean Montag, Jeff Gburek, Jeremy Gluck & Dave Fuglewicz, Johannes Bergmark, John 3:16, Jonas Ruchenhever, José Carlos Alonso Vazquez, Juan Antonio Nieto, John Clifford Rhody, Justin Lee Brown, K.O.B, Kalendar, Kommissar Hjuler, Kommissar Hjuler & Frau mit Jaan Patterson, Koobaatoo Asparagus, Kristus Kut, Krupnik, Kuuleminen Asiat, LARA a’ Cappella, Lauris, Leif Elggren, Lezet, Ludo Mich, Luther Blissett, Lux P0g0, M.Mnomized, Macu, Matthew Sforcina, Mikhail Lezin, Mulinex, Murmurists, Mutant Beatniks, Mutate, Noise Research, noizeDemon, Nutrients, Olelé Brut, Ophir Ilzetzki, Otras Carpeta, Otto von Rhinau, Owl Brain Atlas, Pacific 231, PAS, Patrizia Oliva, Philippe Petit, Qkcofse, Radio Klebnikov, Rafal Iwanski, Ralf Rabendorn, Raymond Dijkstra, Reve Steich, Richard Lainhart, .RR, Runar Magnusson, Rune Martinsen, Sebastian Sighell, Seiei Jack, Sinus Buds, Spidey Agutter, Stalaktos, suRRism, Temple Music, Thamyris Jones & Jaan Patterson, The Curio Sideshow, The Distortion Mirrors, The Hare and The Moon, The Implicit Order, The Importance of Birds, The Noisettes, The Nothing Machine, The Panjandrum Of Quondam, Thee Virginal Brides, Thierry Tillier, Tobias Herzz Hallbauer, ToBo, Travis Johnson, Treillarmee, undRess Béton, Violence and the Sacred, Vladimír Hirsch, Wehwalt, Where Everything Falls Out, William Davison, Ymmv, Yoshihiro Kikuchi, Zacarias Malden, Zilmrah Zreen Toyz.

Receive your eligible copy here:
Peak the Source – ‘Volume 1-3′ / sPE_0100
Or from the players below (Peak the Source – ‘Volume 1-3′ / sPE_0100 at Free Music Archive)

 

Volume 10 of the International Email Audio Art Project

Volume 10 of the International Email Audio Art Project

José L. Oliva Benedé (Spain), Chuse Fernandez (Spain), Gushing Cloud (USA), Zreen Toyz (France), M.Nomized (France), Our Dictator (UK/Australia), Herr Penschuck & Jaan Patterson (Germany), Anton Mobin & Hal McGee (France/USA), Pregnant Spore (USA), Zreen Toyz & Elemental Noise (France), Jeremy Gluck and Hal McGee (UK/USA), Jack Hertz (USA), Rolna + Djozr (Hungary/USA), Jeremy Gluck & Jaan Patterson (UK/Germany), The Implicit Order & undRess Béton (USA/Germany), undRess Béton & Stalaktos (Mexico/Germany), Dada AG & Jaan Patterson (USA/Germany), c-c (USA), Wayne Mason (USA), To-Bo (Germany), Mat Gabo, Benoit Hixe, Anton Mobin & Julio Lloco (France), The Implicit Order/Hal McGee (USA), Christopher Costabile (USA), Antonio Sambi Mendoza (Spain), Jesus Laguna (Spain), lavas magmas (USA), Anton Mobin and various artists (France, Belgium, Germany, Italy, Portugal, UK, USA), Soliton (UK), One Infinite Loop (USA), Murmurists (UK), Urdwyg The Golderr AKA Filthy Turd (UK), Reve Steich (Germany), Hed Zeppelin (Austria/France/ Germany/UK/USA), Lord Litter & Charles Rice Goff III (Germany/USA), Hopek Quirin/Horst Riemenschneider/J.B. (Germany), Cement Teddies (Germany/Italy), Jared C. Balogh, Sinus Buds & Lezet (USA/USA/Serbia), Josh Boutwell & David Wampole (USA), Wüst (Germany), Spidey Agutter (UK), Yerunda Projet (Ukraine), Lord Litter (Germany), AUI & Hal McGee (Ukraine/USA), resonan and Hal McGee (The Netherlands/USA), Hyaena Fierling Reich (Portugal), Vziel Projet & undRess Béton (Ukraine/Germany), Hal McGee remixed by Hyaena Fierling Reich (USA/Portugal), Enstruction (USA), Ironing (USA), Origami Boe (Norway/Canary Islands), Timur Dzhafarov (Ukraine), Hopek Quirin (Germany), Jochen Arbeit/Hopek Quirin (Germany), Der Domestizierte Mensch (Germany), Luther Blissett (unknown), Keahota hota / Vziel Projet (US/Ukraine), Le Scrambled Debutante vs. Hal McGee vs. PBK (USA), David Wampole and Dave Fuglewicz (USA), Tree and Travis Johnson (USA), To-Bo, Das Gonob Quasiforma (Germany/Ukraine)

DOWNLOAD Volume 10 of the International Email Audio Art Project

Jeremy Gluck and Binda23 – ‘Surrendered To My Function’ / sPE_0099

Jeremy Gluck and Binda23 – ‘Surrendered To My Function’

suRRism-Phonoethics is proud to release
Jeremy Gluck and Binda23 -‘Surrendered To My Function’

Surrendered To My Function I Want Sometimes/ 
What Is Truth/ 
What Is Beyond These Words/ 
Some Say Silence/ 
I Say Neither Silence Nor Noise///Neither/ 
That Must Be Related To The Fact That This Is The Case/ 
There Is No I/ 
And Even If There Is, 
I Does Not Actually Want Very Much Anymore/ 
Exactly/ 
I Want Sometimes We Have To/ 
What Is Happening To Me – Any Of Us - 
Happens Unseen And Unthought/// 
Lets Talk About The Fact That Yes, 
It Is A Voiding/ 
You Are An Attractive Form Of Words, 
Yes People Often 
Say You Are Good With Words/ 
What Are You Fine, How Are You Fine, 
How Are You Fine, How Are You Good With You/ 
Are An Attractive Form 
Of Words, Yes People Often Say Good You Are So Right/ 
What Should I Want/ 
Very Little/ 
Such Is The Escape To Your True Function And Purpose It Eludes You/ 
I Am Less And Less/ 
I Have Not Mastered 
Is The Escape To Your 
True Function And Purpose It Eludes You/ 
I Am Less And Less/ 
Is What Remains Useful Functional? 
That Is The Essence Of It/ 
What If We Can Not Figure 
And That Is It, A Voiding You Are With Words/ 
What Am I Good With Words, 
Itry To Outwit Myself With Them/ To Escape/ 
That Must Be Related To 
The Fact That Yes, It Is A Voiding Of Possibilities/ 
That Is It, A Voiding/ 
I Am Less And Less/ Is What Remains Useful 
Functional? 
That Is The Essence Of It/ 
You Have Been A Master Escapist All 
Of Your Life 
The One Escape You Have Been A Master Escapist 
You For Weeks/ 
Have You Missed Me To Be Anything 
It Is A Love 
Mixed With A Sense Of Loss/ How Does That Make You Feel Sometimes Bemused/ 
At Others, 
Surrendered To Pushing The Limits Of Words/// 
What Can Be Done With Words/ 
What Are You Sometimes/ 
I Does Not Actually Want Very Little/ 
Exactly You Want 
Because There Is No I And Even If There Is, 
I Does Not Actually Want 
Very Much Anymore/ Exactly/ 
That Is Not Words/ That Reminds Me 
Of When You Said That Yes You Slip Into 
A Very Lax And Aimless State 
It Is Self-Fulfilling/ 
Good With Words, I Try To Outwit Myself With Them/ To Escape/ You Have Not Spoken To You For Weeks/ 
Have You Missed Me To Be 
Absorbed You Do Not Wish 
To Try Anymore To Be Anything 
It Is Not Words/ That Reminds Me Of When You Said That 
And That Is Not Quite 
Negative, It Is A Loved Mixed With A Sense Of Loss/ 
How Does That Make 
You Feel Sometimes Bemused/ 
That Reminds Me Of When You 
Said That Yes 
You Slip Into A Very Lax And Aimless State 
It Is You 
Know It You Have Not Mastered 
Is The Escape To Your True Function 
And Purpose It Eludes You/ Indeed/ I Am Less And Less/ I Have Not Mastered Is The Case/ 
Very Little/ 
Exactly You Want Because There Is No I And Even If There Is, 
I Does Not Actually Want Very Much Anymore/ Exactly/ 
I Want Sometimes/ What If We Can Not And That Is Not Quite Negative, It Is A Voiding 
You Are An Attractive Form Of Words, Yes People Often Say Good You 
Are So Right You Cannot Get What You Want Because There Is No I And 
Even If There Is, I Does Not Actually Want Very Little Such Is The 
Case/ Very Little/ Less And Less/ Does That Make You Feel Sometimes Bemused/ At Others, Surrendered To My Function/ Continue/ Surrendered To Pushing The Limits Of Words///What Can Be Done 
With Words/ Yes/ It Is Not Words/ That Reminds Me Of When You Said That And That Is 
Not Words/ That Reminds Me Of When You Said That Yes You Slip Into 
A Very Lax And Aimless State It Is Not That You Are With Words/ 
Please, Go On/ I Love Words///But It Is Self-Fulfilling/ A Voiding/ I Am Less And Less/ Is What Remains Useful Functional? 
That Is The Crux Of The Matter, 
Indeed You Want Because There Is No I 
And Even If 
There Is, I Does Not Actually Want Very Little 
Such Is The Essence Of It You Are With Words/ Please, Go On/ I Love Words///But It Is A Loved Mixed With A Sense Of Loss/ How 
Does That Make You Feel Sometimes Bemused/ At Others, Surrendered To 
My Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To My Function/ Continue/ 
Surrendered To My Function/ Continue/ Is What Remains Useful Functional? 
That Is The Case/ Very Little/ 
Exactly You Want To Matter But Experience Contradicts This The 
Interesting Thing Is That The Longer I Remain Dull And Still The Less Use 
The World Has For I I Could Be As Much As Dead Without Dying/ True/ Too True/ Yes/ It Is A Voiding You Are An Attractive Form Of Words/ 
What If We Can Not And That Is The Case/ Surrendered To My Function/ Continue/ Surrendered To My 
Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To 
My Function/ Continue/ Surrendered To Pushing The Limits Of 
Words///What Can Be Done With Words/ Please, Go On/ I Love Words///But It Is 
Not That You Have Not Mastered Is The Essence Of It 
You Have Not 
Spoken To You For Weeks/ 
Have You Missed Me To Be Anything It Is A 
Loved Mixed With A Sense Of Loss/ How Does That Bother You In A 
Sense, Yes/ But Then, Not/ 
What Am I Good With You Are With Words/ The Interesting Thing Is That The Longer I Remain Dull And Still 
The Less Use The World Has For I 
I Could Be As Much As Dead Without Dying,/ True/ Too True/ Ninety Per Cent Of What Is Beyond These Words Some Say Silence/ I Say 
Neither Silence Nor Noise///Neither/ Something/// That Must Be Related To The Fact That You Are With Words/ 
Something/// That Must Be Related 
To The Fact That Yes, It Is A Loved Mixed With A Sense Of Loss/ 
I Does Not Actually Want Very Much Anymore/ Exactly/ I Want Very Little Such Is The Essence Of It You Are So Right You 
Cannot Get What You Want Because There Is No I And Even If There Is, I 
Does Not Actually Want Very Much Anymore/ Exactly/ I Want Very Much Anymore/ Exactly/ I Want Very Much Anymore/ That Reminds Me Of When You Said That Yes You Slip Into A Very Lax 
And Aimless State It Is Not Quite Negative, It Is Not That You Are 
With Words/ Yes/ It Is Self-Fulfilling/ Good With Words, I Try To Outwit Myself 
With Them/ To Escape/ Is What Remains Useful 
Functional That Is The Essence Of It/ 
Such Is The Escape To Your True Function And Purpose It Eludes You/ 
I Am Less And Less/ A Voiding/ I Am Less And Less/ 
Words Are My Bondage///And My Liberation/ 
Please, Go On/ What Is Happening To Me – Any Of 
Us – Happens Unseen And Unthought/// Lets Talk About The Fact That 
This Is The Essence Of It You Have Failed I Are Lost Now Now/ Interesting///And True/ Yes/ I Are Lost/ Yes/ It Is You Know It You Have Failed I Are Lost/ That Must Be Related To The Fact That You Are With Words/ 
What Are 
You Fine, How Are You 
You Have Been A Master Escapist All Of Your Life The One Escape You Have 
Failed I Are Lost/ Yes People Often Say Good You 
Are So Right You Cannot Get What You Want To Matter But Experience 
Contradicts This The Interesting Thing Is That The Longer I Remain Dull And 
Still The Less Use The World Has For I I Could Be As Much As Dead 
Without Dying/ True/ Too True/ Ninety Per Cent Of What Is Happening To Me – Any Of Us – Happens 
Unseen And Unthought/// Lets Talk About The Fact That This Is The 
Escape To Your True Function And Purpose It Eludes You/ Indeed/ I Am 
Less And Less/ I Have Not Spoken To You For Weeks/ 
I Have Not Mastered Is The Crux Of The Matter 
Yes, It Is A Love Mixed With A Sense Of Loss/ Surrendered To My Function/ 
Continue/ Surrendered To My Function/ Continue/ Surrendered To My 
Function/ Continue/ Actually Because If We Can Not And That Is The Essence Of It You Are So 
Right You Cannot Get What You Want Because There Is No I And Even If 
There Is, I Does Not Actually Want Very Can Not And That Is The 
Essence Of It You Are So Right You Cannot Get What You Want Because 
There Is No I And Even If There Is, I Does Not Actually Want/ Out For Ourselves/ What If We Can Not And That Is The Essence 
Of It You Are So Right/ Exactly/ What If We Can Not And That Is The Essence Of It You Have Been A 
Master Escapist All Of Your Life The One Escape You Have Been A Master 
Escapist All Of Your Life The One Escape You Have Been A Master Escapist 
All Of Your Life The One Escape You Have Been A Master Escapist All 
Of Your Life The One Escape You Have Not Mastered Is The Essence 
Of It/ Surrendered To My Function/ Continue/ Surrendered To My 
Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To  My Function/ Continue/

Receive your eligible copy here:
http://www.archive.org/details/sPE_0099
or here: Jeremy Gluck and Binda23 – ‘Surrendered To My Function’ (mp3 and covers)
Or from the player below (Jeremy Gluck and Binda23 – ‘Surrendered To My Function’ at Free Music Archive)

Visit this masteR: Jeremy Gluck

 

International Email Audio Art Project Volume 9 (March 9, 2011)

1	01 Charles Rice Goff III & Lord Litter – Chablis Grand Prix
2	02 Carlos Ramirez & Anton Mobin – Validation
3	03 Negeria – Untitled
4	04 Tree – the process of thriving
5	05 Laura Romero – Shit happens in one minute
6	06 François-Emmanuel Fodéré – Indian twinkling
7	07 Hyaena Fierling Reich – Desire For Proximity
8	08 Anton Mobin & Otto von Rhinau – Not a groove
9	09 Marcel Gherman – Deconstructed Fugue
10	10 Jared C. Balogh – Muted Silence Walking Sideways
11	11 Somnaphon – Henry
12	12 Combat 23 – Thee Templars ov Pink Chaos (ToPiC)
13	13 Satisfacción Lab – Berrea
14	14 Nows – Pasha in the Study with the Wrench
15	15 Koobaatoo Asparagus and Tree – crasher
16	16 Darius Greene & Jaan Patterson – Behind Closed Doors
17	17 Jochen Arbeit/Vania Rovisco/Jaan Patterson – Die Geste
18	18 Fernando Bocadillos – Pajarito Pajarito
19	19 Promute / Jurica Jelic – Inspected Elements
20	20 Alex U. Ischenkau Avant-Garde Music Band – House of the Son of the Sun
21	21 Keahota hota / Hal McGee – Trial by Earth
22	22 Jeremy Gluck and Slave Labour – Work Out How To Transform Your Life
23	23 Yoshihiro Kikuchi & Jaan Patterson – Tilt
24	24 A.A.Kibanov – Untitled
25	25 Anton Mobin & kx-second lost puppy revolte – For Egypt
26	26 Soliton / Tree – no name
27	27 Seiei Jack – 2011-02-17_12-37
28	28 Jared C. Balogh and Sinus Buds – Inside The Mind Of An Old Aborigine That Took Too Much Peyote In His Life
29	29 Cranial Drill – Murder Me Softly
30	30 Syringes’ Feast – Epilogue
31	31 Triangle & Rhino – The Machine
32	32 Wuest – Hummin 21 stere-0
33	33 Adrian Beentjes – It’s dawned on me
34	34 Anton Mobin & Carlos Ramirez – Vector
35	35 Kris Gruda / Tree – No Bias
36	36 Petar Alargic – SS 20 (Ambitronika L1)
37	37 Mirework – Something About Beebo
38	38 Staplerfahrer, Promute – Distilled Missile
39	39 YMMV – The Science Of Play
40	40 Dongle Doc – changement de couches
41	41 The Fungus Moth – Phone Pets Untraced Locations
42	42 Julien Verneuil – Le Passeur
43	43 Travis Johnson& Kris Gruda – Inacriads
44	44 Thanato Twist – Country Twist
45	45 John Wiggins – SFX
46	46 Anton Mobin & Ayato – No song so lovely
47	47 UndRess Béton & Lezet – The Unfiled 6b
48	48 Shun The Atavist – Late February
49	49 Mirework/Tree – From Shower Tree
50	50 Sean Cotterill – Soundscape for Newcastle City Library
51	51 Adam Baker – Weir Trigon Wareham Dorset -25 July 2010
52	52 Stupid Opium and resonan – Bruise
53	53 Cagey House – I Thought Something
54	54 Feathered Hair – Marching Music for A Utensil People Sake Series I
55	55 Elemental Noise – The Sacred Eye Of Seth
56	56 Kristof Lauwers – Hoest
57	57 M.Nomized – Classic Jam – 2011
58	58 Samantha González Sintes – Todo Es Mentira
59	59 Isabel Aparicio Garcia – Hoy Es El Día
60	60 Eneko Abad Ruiz – Un Despertar Usual

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The Homemade Music Movement has grown from the roots of the Mail Art Movement, and in order to pay due respect and acknowledge these origins, I propose an international EMAIL audio art project in which contributors will send to me a one-minute miniature audio work in mp3 format (plus visual works if desired) attached to an email. These works will be published together in volumes online.

The official page of the International Email Audio Art Project can be found here:

http://www.halmcgee.com/IEAAP.html

This is Volume 9 of the International Email Audio Art Project (a HalTapes label release), consisting of 60 contributions, by these artists:

01) Charles Rice Goff III & Lord Litter
Chablis Grand Prix
USA / Germany
http://www.tapedrugs.com
http://www.lordlitter.de

02) Carlos Ramirez & Anton Mobin
Validation
USA / France

http://www.reverbnation.com/coatzin

http://antonmobin.blogspot.com/

03) Negeria
Untitled
Germany

http://negeria.blogspot.com/

04) Tree
the process of thriving
USA
treenoise(AT)gmail(DOT)com

05) Laura Romero
Shit happens in one minute
Spain
lauraromero(AT)radioimaginamos(DOT)org

06) François-Emmanuel Fodéré
Indian twinkling
France

http://audioblog.arteradio.com/Francois_Emmanuel_Fodere

07) Hyaena Fierling Reich
Desire For Proximity
Portugal

http://soundcloud.com/hxfxr

08) Anton Mobin & Otto von Rhinau
Not a groove
France

http://antonmobin.blogspot.com/

http://www.dogmazic.net/Otto_von_Rhinau

09) Marcel Gherman alias Megatone
Deconstructed Fugue
Moldova

http://marcelgherman.blogspot.com

10) Jared C. Balogh
Muted Silence Walking Sideways
USA
alteredstatereflections(AT)hotmail(DOT)com

11) Somnaphon
Henry
USA
http://www.bicephalic.net

12) Combat 23
Thee Templars ov Pink Chaos (ToPiC)
Czech Republic
combat23(AT)email(DOT)cz

13) Satisfacción Lab
Berrea
Spain
satisfaccionlab(AT)gmail(DOT)com

14) Nows
Pasha in the Study with the Wrench
USA
nows.tumblr.com

15) Koobaatoo Asparagus and Tree
crasher
USA
http://www.myspace.com/koobaatooasparagus
treenoise(AT)gmail(DOT)com

16) Darius Greene & Jaan Patterson
Behind Closed Doors
USA/Germany

http://www.dariusgreene.com

http://www.jaanpatterson.com

17) Jochen Arbeit/Vania Rovisco/Jaan Patterson
Die Geste
Germany/Portugal

http://www.myspace.com/stupidgreen_artproject

http://undressbeton.wordpress.com

18) Fernando Bocadillos
Pajarito Pajarito
Argentina
ponebombasdecrema(AT)hotmail(DOT)com

19) Promute / Jurica Jelic
Inspected Elements
USA/Croatia
http://www.blondenamusic.com/promute
http://www.juricajelic.org

20) Alex U. Ischenkau Avant-Garde Music Band
House of the Son of the Sun
Ukraine

http://genetic-trance.narod.ru/

21) Keahota hota / Hal McGee
Trial by Earth
USA

http://opiatepublishing.com

http://www.halmcgee.com

22) Jeremy Gluck and Slave Labour
Work Out How To Transform Your Life
UK/Canada
http://www.myspace.com/jsgluck

23) Yoshihiro Kikuchi & Jaan Patterson
Tilt
Japan/Germany

http://yoshihirokikuchi.blogspot.com

http://undressbeton.wordpress.com

24) A.A.Kibanov
Untitled
Russia
alexanderkibanov.orgfree.com

25) Anton Mobin & Kx-second lost puppy revolte
For Egypt
France/Germany

http://antonmobin.blogspot.com/

http://emitter19.blogsport.de/

26) Soliton / Tree
Digital Swamp Things
UK/USA
http://www.soundcloud.com/soliton
treenoise(AT)gmail(DOT)com

27) Seiei Jack
2011-02-17-12-37
Japan

http://seieijack.blogspot.com

28) Jared C. Balogh and Sinus Buds
Inside The Mind Of An Old Aborigine That Took Too Much Peyote In His Life
USA
alteredstatereflections(AT)hotmail(DOT)com
sinusbuds(AT)hotmail(DOT)com

29) Cranial Drill
Murder Me Softly
USA
cranial_drill(AT)hotmail(DOT)com

30) Syringes’ Feast
Epilogue
France/Germany/Italy

http://antonmobin.blogspot.com/

oinko(AT)tiscali(DOT)it

http://undressbeton.com

31) Triangle & Rhino
The Machine
USA
http://www.triangleandrhino.com

32) Wüst
Hummin 21 stere-0
Germany
u.wuest(AT)hotmail(DOT)de

33) Adrian Beentjes
It’s dawned on me
USA/UK
http://www.classwarkaraoke.com

34) Anton Mobin & Carlos Ramirez
Vector
France/USA

http://antonmobin.blogspot.com/

http://www.reverbnation.com/coatzin

35) Kris Gruda / Tree
No Bias
USA
treenoise(AT)gmail(DOT)com
kris.gruda(AT)gmail(DOT)com

36) Petar Alargic
SS 20 (Ambitronika L1)
Serbia
http://www.petaralargic.com

37) Mirework
Something About Beebo
USA
Mirework(AT)yahoo(DOT)com

38) Staplerfahrer, Promute
Distilled Missile
Netherlands/USA

http://www.staplerfahrer.nl

http://www.blondenamusic.com/promute.html

39) YMMV
The Science Of Play
USA/UK

http://www.facebook.com/pages/YMMV/106907302710411

40) Dongle Doc
changement de couche
France

http://orpheu.free.fr/

41) The Fungus Moth
Phone Pets: Untraced Locations
UK
http://www.MySpace.com/thefungusmoth

42) Julien Verneuil
Le Passeur
France
grz.zrg(AT)gmail(DOT)com

43) Travis Johnson & Kris Gruda
Inacriads
USA
ilsemusic.info
http://www.myspace.com/krisgruda

44) Thanato Twist With Oleg’s Sound System
Country Twist
France

http://www.myspace.com/thanatotwist

45) John Wiggins
SFX
USA
wiggins(AT)wonderlandnyc(DOT)com

46) Anton Mobin & Ayato
No song so lovely
France

http://antonmobin.blogspot.com/

http://h.a.k.free.fr/

47) undRess Béton & Lezet
The Unfiled 6b
Germany/Serbia

http://undressbeton.com

http://www.lezet.blogspot.com

48) Shun The Atavist
Late February
USA
orangettecoleman(AT)yahoo(DOT)com

49) Mirework/Tree
From Shower #Tree
USA
Mirework(AT)yahoo(DOT)com
Treenoise(AT)gmail(DOT)com

50) Sean Cotterill
Soundscape for Newcastle City Library
UK
artificialsunproject.bandcamp.com

51) Adam Baker
Weir – Trigon, Wareham, Dorset -25 July 2010
UK

http://blotchcreek.blogspot.com/

52) Stupid Opium and resonan
Bruise
USA/The Netherlands
stupidopium(AT)hotmail(DOT)com
son(AT)resonan(DOT)com

53) Cagey House
I Thought Something
USA

http://twitter.com/cageyhouse

54) Feathered Hair
Marching Music for A Utensil People (Sake Series I)
USA
ccundari(AT)gmail(DOT)com

55) Elemental Noise
The Sacred Eye Of Seth
France
elemnoiz(AT)gmail(DOT)com

56) Kristof Lauwers
Hoest
Belgium

57) M.Nomized
Classic Jam – 2011
France

http://mnomized.podomatic.com/

58) Samantha González Sintes
Todo Es Mentira
Spain
samidoia2(AT)hotmail(DOT)com

59) Isabel Aparicio Garcia
Hoy Es El Día (Today is the day)
Spain
isazgz(AT)gmail(DOT)com

60) Eneko Abad Ruiz
Un Despertar Usual
Spain
enekoabad(AT)gmail(DOT)com

This audio is part of the collection: Community Audio

Artist/Composer: various international audio artists
Date: 2011-03-09
Keywords: homemade music; DIY; audio art; mail art; experimental music; electronic music; noise; lo-tech; lo-fi; collage; synthesizer;improvisation; correspondence; postal; phonography; field recordings; circuit bent; dada; surrealism; fluxus

Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0

 

submit your track to suRRism-Phonoethics sPE_0100…

INVITE to submit your track to suRRism-Phonoethics…

by Jaan Patterson on Friday, February 18, 2011 at 9:50pm

The 100th release of Surrism-Phonoethics is coming up, we want you being part of a compilation which will be releasing as sPE_0100

Please send your 320Kbps MP3 via any filesharing service to mail AT phonoethics DOT com

including 3 bits of info Artist/Bandname, Country, LINK/contact

Track may be up to 15 minutes.

Hope you join the fun! 18th of March DEADLINE!

Tell y/ouR d/eaR Friends…

sPE_0100

18th of March DEADLINE

http://surrism.phonoethics.com/

So far these artists have contributed:

(all will be shuffled randomly when complete on 18th march)

1. _blank
2. (D)(B)(H)
3. 10Konekt
4. Ama
5. Andrew Howes
6. Anton Mobin
7. Apocalyptic Frequency Experience
8. Ben Presto
9. Berger Rond
10. Big Brother on Acid
11. Bonqui
12. Bryan Lewis Saunders
13. Carlos Ramirez
14. Catalyst Fantasy
15. Crank Sturgeon
16. Dada AG
17. Daniel Jeczalik
18. Darius Greene
19. DMAH
20. Dpress Hill
21. Dysmal Abyss
22. Earth Incubator
23. Ergo Phizmiz
24. Erick Diego
25. GoatCuntCult
26. God Pussy
27. GX Jupitter-Larsen
28. Hal McGee
29. Herr Penschuck
30. Hopek Quirin
31. Hyaena Fierling Reich
32. i AM esper
33. Ian Linter
34. Ideosynchronic
35. Imago Meccano
36. Inconnu Ictu
37. ION
38. Isak Anderssen
39. J Karl Bogartte & Jaan Patterson
40. Jack Hertz
41. Jared Balogh
42. Jean Montag
43. Jeff Gburek
44. Jeremy Gluck & Dave Fuglewicz
45. John 3:16
46. Jonas Ruchenhever
47. José Carlos Alonso Vazquez
48. Juan Antonio Nieto
49. John Clifford Rhody
50. Justin Lee Brown
51. K.O.B
52. Kalendar
53. Kommissar Hjuler
54. Kommissar Hjuler & Frau mit Jaan Patterson
55. Koobaatoo Asparagus
56. Krupnik
57. Kuuleminen Asiat
58. LARA a’ Cappella
59. Leif Elggren
60. Lezet
61. Ludo Mich
62. Lux P0g0
63. M.Mnomized
64. Macu
65. Matthew Sforcina
66. Mikhail Lezin
67. Mulinex
68. Murmurists
69. Mutant Beatniks
70. Mutate
71. Noise Research
72. noizeDemon
73. Nutrients
74. Olelé Brut
75. Ophir Ilzetzki
76. Otras Carpeta
77. Otto von Rhinau
78. Owl Brain Atlas
79. Pacific 231
80. PAS
81. Patrizia Oliva
82. Philippe Petit
83. Qkcofse
84. Radio Klebnikov
85. Rafal Iwanski
86. Ralf Rabendorn
87. Raymond Dijkstra
88. Reve Steich
89. Richard Lainhart
90. .RR
91. Runar Magnusson
92. Rune Martinsen
93. Sebastian Sighell
94. Seiei Jack
95. Sinus Buds
96. Spidey Agutter
97. Stalaktos
98. suRRism
99. Temple Music
100. Thamyris Jones & Jaan Patterson
101. The Curio Sideshow
102. The Distortion Mirrors
103. The Hare and The Moon
104. The Implicit Order
105. The Importance of Birds
106. The Noisettes
107. The Nothing Machine
108. The Panjandrum Of Quondam
109. Thee Virginal Brides
110. Thierry Tillier
111. Tobias Herzz Hallbauer
112. ToBo
113. Treillarmee
114. undRess Béton
115. Violence and the Sacred
116. Vladimír Hirsch
117. Wehwalt
118. William Davison
119. Ymmv
120. Yoshihiro Kikuchi
121. Zacarias Malden
122. Zilmrah
123. Zreen Toyz

 

INVITE to submit your track to suRRism-Phonoethics…

by Jaan Patterson on Friday, February 18, 2011 at 9:50pm

The 100th release of Surrism-Phonoethics is coming up, we want you being part of a compilation which will be releasing as sPE_0100

Please send your 320Kbps MP3 via any filesharing service to mail AT phonoethics DOT com

including 3bits of info Artist/Bandname, Country, LINK/contact

length up to 10 minutes

Hope you join the fun!

18th of March DEADLINE

http://surrism.phonoethics.com/

1. _blank
2. (D)(B)(H)
3. 10Konekt
4. Ama
5. Andrew Howes
6. Anton Mobin
7. Apocalyptic Frequency Experience
8. Ben Presto
9. Berger Rond
10. Big Brother on Acid
11. Bonqui
12. Bryan Lewis Saunders
13. Carlos Ramirez
14. Catalyst Fantasy
15. Crank Sturgeon
16. Dada AG
17. Daniel Jeczalik
18. Darius Greene
19. DMAH
20. Dpress Hill
21. Dysmal Abyss
22. Earth Incubator
23. Ergo Phizmiz
24. Erick Diego
25. GoatCuntCult
26. God Pussy
27. GX Jupitter-Larsen
28. Hal McGee
29. Herr Penschuck
30. Hopek Quirin
31. Hyaena Fierling Reich
32. i AM esper
33. Ian Linter
34. Ideosynchronic
35. Imago Meccano
36. Inconnu Ictu
37. ION
38. Isak Anderssen
39. J Karl Bogartte & Jaan Patterson
40. Jack Hertz
41. Jared Balogh
42. Jean Montag
43. Jeff Gburek
44. Jeremy Gluck & Dave Fuglewicz
45. John 3:16
46. Jonas Ruchenhever
47. José Carlos Alonso Vazquez
48. Juan Antonio Nieto
49. John Clifford Rhody
50. Justin Lee Brown
51. K.O.B
52. Kalendar
53. Kommissar Hjuler
54. Kommissar Hjuler & Frau mit Jaan Patterson
55. Koobaatoo Asparagus
56. Krupnik
57. Kuuleminen Asiat
58. LARA a’ Cappella
59. Leif Elggren
60. Lezet
61. Ludo Mich
62. Lux P0g0
63. M.Mnomized
64. Macu
65. Matthew Sforcina
66. Mikhail Lezin
67. Mulinex
68. Murmurists
69. Mutant Beatniks
70. Mutate
71. Noise Research
72. noizeDemon
73. Nutrients
74. Olelé Brut
75. Ophir Ilzetzki
76. Otras Carpeta
77. Otto von Rhinau
78. Owl Brain Atlas
79. Pacific 231
80. PAS
81. Patrizia Oliva
82. Philippe Petit
83. Qkcofse
84. Radio Klebnikov
85. Rafal Iwanski
86. Ralf Rabendorn
87. Raymond Dijkstra
88. Reve Steich
89. Richard Lainhart
90. .RR
91. Runar Magnusson
92. Rune Martinsen
93. Sebastian Sighell
94. Seiei Jack
95. Sinus Buds
96. Spidey Agutter
97. Stalaktos
98. suRRism
99. Temple Music
100. Thamyris Jones & Jaan Patterson
101. The Curio Sideshow
102. The Distortion Mirrors
103. The Hare and The Moon
104. The Implicit Order
105. The Importance of Birds
106. The Noisettes
107. The Nothing Machine
108. The Panjandrum Of Quondam
109. Thee Virginal Brides
110. Thierry Tillier
111. Tobias Herzz Hallbauer
112. ToBo
113. Treillarmee
114. undRess Béton
115. Violence and the Sacred
116. Vladimír Hirsch
117. Wehwalt
118. William Davison
119. Ymmv
120. Yoshihiro Kikuchi
121. Zacarias Malden
122. Zilmrah
123. Zreen Toyz

 

Andrew Howes – ‘Set’ / sPE_0098

Andrew Howes – ‘Set’

suRRism-Phonoethics is proud to release
Andrew Howes -‘Set’

‘but we ants at your doorstep accommodate 3
in carnivorous relatively pants selections

…just like that of recent reason!’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0098
or here: Andrew Howes – ‘Set’ (mp3 and covers)
Or from the player below (Andrew Howes – ‘Set’ at Free Music Archive)

Visit this masteR: Andrew Howes

 

Classwar Karaoke – 0013 Survey

0013 survey / 28th February 2011

friends, interested parties, consider please the following… feral hysterians in some diorama for daphne oram; elegiac tangles, in a loving welter of thought-we, squailing ddmmyy, squailing nail young, hairshirted and funereal, emailing. or munitions at fahrenheit 452; remote locations for prolegamena, in super id or so. or scribble along all 21 buttons of the omlette and the egg, niddle-noddle for lucky 13. this is a requiescat not a silo. the only way is up.

download here

6 or 7: また電話するね (mata denwa surune) / kotomi nishiwaki: voice / hopek quirin: bass

Ambient Fabric: I do it my way…

Bloem: Triple fragmentation is a chemical experiment for tapes and saxophone baritone. All sequences were played live by Bloem (Anton Mobin on tapes and Maurice Charles JJ on saxophone baritone) at Le Café Central in Brussels on December 14th, 2010. All sounds are cutter, assembled and edited by Anton Mobin at the Maïzing Studio Paris, specially for Classwar Karaoke. “Triple fragmentation” makes at the same time reference to the complex result of a series of incomprehensible chemical operation, as well as to a sound experiment under influence of Belgian beers  which the content in alcohol is strongly upper to the average ! Contacts: Maurice Charles JJ (aka Jean-Jacques Duerinckx) http://www.myspace.com/mauricecharlesjj jjmcduerinckx@gmail.com Anton Mobin http://antonmobin.blogspot.com/ antonmobin@hotmail.com

Cagey House: The doctor and I were drinking one night, in a part of town that we didn’t usually frequent. As always, we were trying to keep a low profile, but the doctor, with his white lab coat and his stethoscope, always attracted some attention. That night the attention was all of the unwelcome kind. It had been coming for a while, but that was the night I knew for sure—humor was out, and serious was back in style. As we sat at a corner table, discussing the situation, a dart whizzed by and smacked into the wall right by our heads. We turned, and another sailed in and stuck in the table, right by the drinks. Over at the dartboard, a kid—who looked very familiar—was laughing. He was with two mummies–all wrapped up but also wearing shades, and hats, and cheap suits. There seemed to be a cloud of dust hanging around them. The Doctor got up to have a word, and I figured that was that. But when he came back, he looked shaken He gulped his drink without bothering to sit back down and pointed at the door. In the parking lot he said to me, “That kid with the mummies, he’s got a time machine, and he’s going to go back to the fifties, and mess around, and fix it so that I never happen.” I told him that was crazy. People wouldn’t stand for it. He was the heir, the best and brightest. But from that night on, I saw less and less of him. Until it got to be like he had never happened. Then a few years later–a few long years–I was in the basement doing laundry, and the phone rang. I picked it up, and could hear the unmistakable sound of a good time in progress—muffled laughter, glasses clinking, a cash register’s ring. And there was music—weird, good music—loud guitars and horns working through some eerie mode. Then, just before the line went dead, I heard the Doctor’s voice, “Where have you been, where have you been, where have you been?” And I’ve been wondering ever since.

Caroline Ono: (conventional convent convention converts conversation)…

Cezar: [...]

Clutter: Lanternhouse II (7:54) (Shaun Blezard) / Lanternhouse II is an electro-acoustic improvisation using found sounds from Lanternhouse in Ulverston as part of Shaun Blezard’s artist residency there under the project name Cumbria Remixed. Cumbria Remixed is a sound project using digital technologies to investigate and remix the soundscape of Cumbria. It will look at creating a lively dialogue between old and new, young and old through field recordings of Cumbrian environments, and Cumbrian people’s tales, tunes, stories and songs. I will use digital technology to remix and remould our environment and our stories to create new soundscapes and songs. Cumbria remixed is a project by Shaun Blezard for Lanternhouse. Shaun Blezard has been writing music about and of Cumbria for over 10 years, working with artists, poets, musicians, dancers and the community as well as incorporating sounds of the local environment into his work. He is interested in working with every day new technologies such as mobile phones and games consoles as well as standard digital technologies to create music and sound art. His current live set up includes iPhone, Nintendo DS, laptop and effects pedals. He is interested in areas of music where genres meet and finding ways to incorporate this melding of influences back into his music. His working method involves the use of field recordings, both raw and processed, to convey a sense of place and narrative, with the immediate sonic environment at the core of his work. ‘A fine collection of digital landscape paintings and atmospheres by Shaun Blezard under his Clutter alias… Remarkable to think that such clinical instruments as the iPod and Nintendo DS were used as tools to realise this very human music’ – Ed Pinsent – Sound Projector 19 http://cumbriaremixed.blogspot.com/ http://soundcloud.com/cumbriaremixed http://www.lanternhouse.org http://www.cluttermusic.com

Collectif Sin: this track is a pattern we created to search through the clip system on Pure Data. this brings you to find some Rock n Roll saturation on our frequencies, which are only numeric frequency generators. ~ = sin, is sinusoid, writing mathematical vibration. ~ = alt+n pure data. ~ = Collectif sin ~ , Flavien Berger, Erwan Evin, Quentin Caille and Paul Boudeau

Crank Sturgeon: –Period Piles– complementary disclosure. insuring censors ensues. one many two any too. on the wife wither lithe. tines to pose. rest well hairy zest. zealous ire spiels eel wire. whittle title. trial tamper tooth eating. wit tidal. try all temper truth heeding. pits hewn. pithy hues. pity pews. pittance use. while we we wary away. rising rice bed tweed teal. criers career veered clear. briar bush vicar veal. mired me malaise. suggestive vests since wince. cold welcome tinder from. pious abuse burial cot. counting glance. sentient door. cemented memory steer varied. periods appeal winter terra. precious amounts safely tooled. clamor prints pliers field. baying loot tenfold glue. lasting haste. wasting hassle. vast wind hassock. crass wing hash poor. rearing wheeze knocker nine. praising edition berry headway. one over five fire rotunda. wool rundown column salaam. coin tousle red slues digger. giant blazer toke tree fable.

Crash Duo: “Inside a movement – The mechanism to rock the intrusion” / Classwar Karaoke 0013 / Acoustic pressure due to sound waves, probably more than 50 explosions.

Three parts can be distinguished in this acoustic pressure from bubble waves with a frequency of *Hz. Crash Duo produce sound in air by imposing a rapid motion to the interface. Bubble traveling in the uppermost *m, its strong vibration, overpressure generates the main event with a frequency around *Hz. Kinematic waves of frequency around *Hz are the main source of this crash sound. Contacts: Ayato http://h.a.k.free.fr ayatosan@yahoo.fr Anton Mobin http://antonmobin.blogspot.com/ antonmobin@hotmail.com

Donovan/Montag/Pearson: Faro H Wind H Christ Manwatcher by Anthony Donovan, Jean Montag and Jo Pearson. Music by Donovan / Montag / Pearson. Words by Pearson /// I thought you were Just the ticket… then he told me the end would be fairly tough I knew I’d gone far enough every day I meet my maker he’s a bit of a faker a bit of a fakir Jesus forgive me I think that this might be blasphemy he said: ‘do what’s best for you’ so I said: ‘I’ll carry on watching: man, it’s such a blast for me even when it’s shocking’ (He was winding you up all along) / Recorded in Spain and the UK, 2011, especially for Classwar Karaoke. Donovan, Montag and Pearson work individually, respectively, as Murmurists, A Quiet Monday and One Minute Wanda

FluiD: (Christophe G.) is a Chicago, IL. (US) based producer and remixer. Developing a signature sound based on beats, bass and noise, FluiD has carved out a unique and truly original sound. Releasing a large amount of music both as a solo artist (FluiD, subduxtion and Re: dux tion) and collaborator, on various independent labels around the world. His music encompasses a multitude of styles and influences – techno, jazz, noise, classical avant-garde, hip-hop, psychedelia, metal, dub, early industrial and dark-ambient. He has also remixed several international and national artists including, Disinvectant (UK), DJ Phys (Switzerland), LAX (UK), Heat From A Deadstar (France/Switzerland), Ghoul (US) and Actors and Actresses (US). Regulary performing/touring the US, FluiD has developed a live show that re-defines how electronic music is performed

Frédéric D. Oberland: A frozen plane behind the misted porthole. A far away melody in the room. Then a chair, a piano. Through a corridor the wind is whistling these words from E.E Cummings. ‘maggie and milly and molly and may went down to the beach(to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles, and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles: and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose (like a you or a me) it’s always ourselves we find in the sea’ Recorded and mixed by Frédéric D. Oberland between Paris (Magnum Diva studio), Reykjavik (IS) and Le Moulin Fondu (Noisy-Le-Sec). Fender rhodes, electric bowed guitar, piano, field recordings, theremin, electronics, photograph: Frédéric D. Oberland http://soundcloud.com/fredericdoberland http://www.myspace.com/farewellpoetry

http://www.therustleofthestars.com/

Graham Dunning: My working practice deals with temporality, memory and narrative through sound, performance and installation. I am interested in people’s discarded memories,  in photographs, sound recordings or objects, and the function of archiving. Found home recordings from the recent past feature in my work investigating notions of the artifact and implied narrative. Experimentation is important in my work, and my practice is often informed by scientific experimental protocol

Gurdonark: In a time when information is more available and more important than ever, access to information is being treated as a commodity. Among the potential casualties of this change is the public library. In Library, the music explores the quiet complexities of this common but un-commonplace institution. The music was created with the Sawcutter 2.0 software synthesizer, using simple samples I created. I used two Bolivian flutes, a tarkas and a ponquillo, as well as a pewter cup and a circular kitchen bowl, to create the sound samples used in this song. I believe in self-education, in upward mobility through learning, and in closing the educational gap between rich and poor through libraries and schools. The image is a view of the surrounding mountains from the rooftop of the Salt Lake City, Utah public library.

Hal McGee: Hal McGee plays the Moog FreqBox and Behringer UB802 mixer with the voltage-controlled filter of Korg Monotron in this no-input mixer feedback loop improvisation

Ian Linter: Vurn in Mir’Ias 13:02:1010 / “Mir’Ias. Quando aquela mulher chegou, ela levava debaixo do braço um sonho de encantar. MiasmatiK solution, envolving  Abnot k. Na fuga fez a vitória suprema, e depois, entre as aranhas dos lados, e nas buscas do possível, ela se enfiou pelo pedaço da noite que restava. Below zero atrox & Nubia accelerator. Depois, a noite toda foi coberta de espantos e acelerações do imediato. ZX Nubia – a aceleração condensa o espírito e transfere o pensamento – ZX Vurn.” http://astrangerparadise.com/ianlinter

Igor’s Roomy Lab Coat: Igor’s Roomy Labcoat present a track by compadres stix, dieckman von spasmid and igor leakin-beaker – ‘ownself’ Be yourself, no one else can be You got to own it to loan it……..don’t let the bastards grind you down……….fight for your right to party et cet er a Many thanks for listening, wishing you well!

John Hyatt: John is a polymath and has a long history of international exhibitions and performances as a painter, designer, musician, printmaker, author and sculptor. As well as continuing a prolific career as an artist and musician, John is currently Director of the research and postgraduate centre, MIRIAD (the Manchester Institute for Research and Innovation in Art and Design), at Manchester Metropolitan University, UK. In 2010, John exhibited in the UK, Australia, China, Japan, and India. The music world will know John as the lead singer with Leeds’ 80s’ legendary post-punk band, The Three Johns. John has recently produced a new solo album of music, ‘Do What You Wanna Do’, in a limited edition. His new album, ‘Do What You Wanna Do’ is available as a CD from his website: http://www.hyattartandlife.com The song included on this survey was improvised with a feral dog under a full moon on top of the volcano, Mt. Tiede, at midnight

Juca Pimentel and Anton Mobin: “Supolitanas Marítimas” / Classwar Karaoke 0013 / Os mares colhidos fumegantes entres os dedos de espuma e a saltar pelos lados caídos. As amarras colhidas amadas dos antos funestos na marítima serpente do antro-menina que se esvazia em ondas de salto. As Supolitanas tremidas dos campos olhados ao fundo do mundo e em conchas de  mira aguçada no cima. Os laranjos-ervas dos montes subidos enfidos e midos da carta séria do a. Tudo isto é sombra paralepípeda a estancar o olho no meia da mão aberta merta.  Dois passos abaixo e as ondas furam. Contacts: Juca Pimentel (Pt) http://omnicorn.com/jp/ astrangerparadise@gmail.com Anton Mobin (Fr) http://antonmobin.blogspot.com/ antonmobin@hotmail.com

Kalistongue: Don’t cry July, you’re a shining example of what people percieve you as

Lezet: /UAIS DHAIUS DHUIAS DHUI ASDHIA USDHAIS UDHIA UD HIAUD HUIADHIA UDHAU IDHUI/

Lux P0G0: Lux slerpy sterpy … three sisters skippn’, nev/Rmind, d/n’t de/cidin’ do/in’, such as suggested. [No, worry passd by saints passn eyelash.] One, stellar cardboardtyp[pad[we press face ** them, ho hummin ho hummm. One, tappd+, tapdd&, trailin/g. One, xSUGgestd, xEYELASH/d.  Three, P0 G0 xxx "sterpy do don't decide do such as suggested no worry passed by saints passing eyelash stellar cardboard"

MaCu: [...]

Noise Research and Richard Knight: Richard Knight is a sonic/computational artist, usually performing with digital equipment. Incursions have established him as a practitioner of the no-input mixer, a subvertedwhich allows analogue feedback to be harnessed in an often precise and diverse manner. The performance for EOVI will see Richard utilise two no-input mixers, in an ongoing collaboration with Rodrigo Constanzo. Other relevant projects include the electroacoustic/jazz duo, ‘Pesticide Organica’; no-input techno project ‘Closed Circuit’ and experimental/electronica ‘Underbaud’. Noise Research is the Alter Ego of sound artists / musician Ian Simpson. Ian Simpson has worked in experimental music for many years and has material released on Electronic Musik, aReW, Casual Seizures, Bivouac, A.M.P recs, Knife in the Toaster and EMP. He works with improving quartet Id of Mobius (also on Clinical Archives), ambient project Bacillus, electronica duo Fonik and Krautrock Electronic droners Aht-n. Visual artist / film maker Adam Mufti has recently used music by Bacillus as part of a film soundtrack. Ian uses effects lines / processors combined with a variety of lapsteel guitar, cheap charity shop keyboards, circuit bent toys, scratched cd’s, chant generators, dictaphones, and chimera boxes.

PAS with Big Brother on Acid: I love the people who love and I hate the people who hate. http://www.bigbrotheronacid.com/ http://www.myspace.com/pas-music

Pixyblink: [...]

Planetadol and Ayato: improvisation recorded live on feb.26/2010 @ the Pixi_Paris. Planetaldol: lap top, tampura machine, bells. Ayato: prepared guitar, dictaphone

Qkcofse: [...] http://theunexpectedsound.blogspot.com

Reve Steich: while realizing the wait the step was caused!

Shield Your Eyes Pray For Death: Shield Your Eyes is the noise duo of Mike Duffy and Schuyler Tsuda. Their performances involve sound sculpture, DIY audio circuits, hacked/modified instruments, computer generated/assisted sounds and experimental video. Every show is unique, with machines, software, and video custom-made for the venue. http://shieldyoureyesprayfordeath.com/

Sinus Buds: Brant Withers: “Tu quoque” / John Aubuchon: “Ad populum”

Sound Inhaler: Rights and Privileges (Suffer the Loss) / As it happens there are particular aspects of my life to which I would like to maintain sole and exclusive rights and privileges……. and suffer the loss! soundinhaler@yahoo.co.uk http://www.myspace.com/soundinhaler

Thanato Twist with Oleg’s Sound System: Thanatomitstu V.02 : yamaha PSR48 & Thanatogushi ID    : yamaha DSR2000 additional instruments : turntable; radio; TR606 & analogic pedals. thanatotwist@rocketmail.com http://www.myspace.com/thanatotwist

Thomas Fernier: se vider de certaines images… civilité : voiture, sport, consommation d’alcool… suivant les besoins de la cause… un aspect un peu lunaire… le serrent contre leur cœur… mouvements de précision… mais le titre est vraiment venu après l’œuvre… protestation silencieuse… entre la plage et cette histoire… en vociférant par borborygmes… substances qui altèrent l’esprit… au moins une mort fut enregistrée… pour ceux qui n’arrivent même pas à formuler les choses

Zilmrah: Sharpen All Sides / Collaborators: Lawry Romani: 18 String Guitar Wheel, Autoharp, Electric Kalimba, Oscillators, Electric Tanpura, Effects / David Tamura: Tenor Saxophone, Guitar, Effects / Grady Gerbracht: Drums & Percussion / John Loggia: Drums & Percussion / Man must evolve into an armored being not only in body but more importantly in mind. This hyper-realized metaphor is on one level depicting sci-fi imagery for affect to grossly exaggerate the obvious; pointing out mans lack of understanding for the untapped regions in the human mind, the likes of which we sadly will not see come into fruition in our own lifetime. Static frequencies permeate the air waves that surround our minds, blocking free flowing thought, increasing the need for the mind to filter through elaborate defense mechanisms which are counter productive to the growth of the human mind yet necessary for mans sanity and survival. These machinations have become a slightly more sophisticated version of our primal instincts.  One can only conclude the only way to evolve is to isolate the mind from the negative side effects of day to day living including all counter productive persons within that sphere and stimulate our minds whenever possible in place of all negative human contact.

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Stalaktos – ‘Diplura’ / sPE_0097

Stalaktos – ‘Diplura’

suRRism-Phonoethics is proud to release
Stalaktos – ‘Diplura’

Carlos Fierro | e-bass
Marco Fierro | synth & d-synth

‘if then fletched tongues crossed the street by as natural noise can get…’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0097
or here: Stalaktos – ‘Diplura’ (mp3 and covers)
Or from the player below (Stalaktos – ‘Diplura’ at Free Music Archive)

Visit these masteRs: Stalaktos

 

Invite to submit your MP3

INVITE to submit your track to suRRism-Phonoethics…

by Jaan Patterson on Friday, February 18, 2011 at 9:50pm

The 100th release of Surrism-Phonoethics is coming up, we want you being part of a compilation which will be releasing as sPE_0100

Please send your 320Kbps MP3 via any filesharing service to mail AT phonoethics DOT com

including 3bits of info Artist/Bandname, Country, LINK/contact

length up to 10 minutes

Hope you join the fun!

18th of March DEADLINE

http://surrism.phonoethics.com/

1. _blank
2. (D)(B)(H)
3. 10Konekt
4. Ama
5. Andrew Howes
6. Anton Mobin
7. Apocalyptic Frequency Experience
8. Ben Presto
9. Berger Rond
10. Big Brother on Acid
11. Bonqui
12. Bryan Lewis Saunders
13. Carlos Ramirez
14. Catalyst Fantasy
15. Crank Sturgeon
16. Dada AG
17. Daniel Jeczalik
18. Darius Greene
19. DMAH
20. Dpress Hill
21. Dysmal Abyss
22. Earth Incubator
23. Ergo Phizmiz
24. Erick Diego
25. GoatCuntCult
26. God Pussy
27. GX Jupitter-Larsen
28. Hal McGee
29. Herr Penschuck
30. Hopek Quirin
31. Hyaena Fierling Reich
32. i AM esper
33. Ian Linter
34. Ideosynchronic
35. Imago Meccano
36. Inconnu Ictu
37. ION
38. Isak Anderssen
39. J Karl Bogartte & Jaan Patterson
40. Jack Hertz
41. Jared Balogh
42. Jean Montag
43. Jeff Gburek
44. Jeremy Gluck & Dave Fuglewicz
45. John 3:16
46. Jonas Ruchenhever
47. José Carlos Alonso Vazquez
48. Juan Antonio Nieto
49. John Clifford Rhody
50. Justin Lee Brown
51. K.O.B
52. Kalendar
53. Kommissar Hjuler
54. Kommissar Hjuler & Frau mit Jaan Patterson
55. Koobaatoo Asparagus
56. Krupnik
57. Kuuleminen Asiat
58. LARA a’ Cappella
59. Leif Elggren
60. Lezet
61. Ludo Mich
62. Lux P0g0
63. M.Mnomized
64. Macu
65. Matthew Sforcina
66. Mikhail Lezin
67. Mulinex
68. Murmurists
69. Mutant Beatniks
70. Mutate
71. Noise Research
72. noizeDemon
73. Nutrients
74. Olelé Brut
75. Ophir Ilzetzki
76. Otras Carpeta
77. Otto von Rhinau
78. Owl Brain Atlas
79. Pacific 231
80. PAS
81. Patrizia Oliva
82. Philippe Petit
83. Qkcofse
84. Radio Klebnikov
85. Rafal Iwanski
86. Ralf Rabendorn
87. Raymond Dijkstra
88. Reve Steich
89. Richard Lainhart
90. .RR
91. Runar Magnusson
92. Rune Martinsen
93. Sebastian Sighell
94. Seiei Jack
95. Sinus Buds
96. Spidey Agutter
97. Stalaktos
98. suRRism
99. Temple Music
100. Thamyris Jones & Jaan Patterson
101. The Curio Sideshow
102. The Distortion Mirrors
103. The Hare and The Moon
104. The Implicit Order
105. The Importance of Birds
106. The Noisettes
107. The Nothing Machine
108. The Panjandrum Of Quondam
109. Thee Virginal Brides
110. Thierry Tillier
111. Tobias Herzz Hallbauer
112. ToBo
113. Treillarmee
114. undRess Béton
115. Violence and the Sacred
116. Vladimír Hirsch
117. Wehwalt
118. William Davison
119. Ymmv
120. Yoshihiro Kikuchi
121. Zacarias Malden
122. Zilmrah
123. Zreen Toyz

 

Electronic Phantom Orchestra – ‘The Mystical Album’ / sPE_0096

Electronic Phantom Orchestra – ‘The Mystical Album’

suRRism-Phonoethics is proud to release
Electronic Phantom Orchestra – ‘The Mystical Album’

Electronic Phantoms are:

Hal McGee (USA)
Ben Presto (I-D)
Albrecht-D (D)
Reverend Man Manly (USA-D)
Splithead (D)

Recorded live in the ether
Munich, Germany, Dec. 2010

Very special thanks to LollyPope + Siemers (Sturclub, Stuttgart)
Play it random

‘first property mechanics
then spack at their particles’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0096
or here: Electronic Phantom Orchestra – ‘The Mystical Album’ (mp3 and covers)
Or from the player below (Electronic Phantom Orchestra – ‘The Mystical Album’ at Free Music Archive)

Visit this masteR: Electronic Phantom Orchestra

 

Ophir Ilzetzki – ‘Still Life with Riots’ / sPE_0095

Ophir Ilzetzki – ‘Still Life with Riots’

suRRism-Phonoethics is proud to release Ophir Ilzetzki – ‘Still Life with Riots’

Cover photo by Adam Weisser
ATM & Dance Music recorded & produced by Lot Lievaart for Pergamon Recordings

Long Live the Gathering was composed for the Synesthesia Project;
recorded & produced by Sagie Zakosky

Electronic manipulation for track 8, and live electronics for tracks 4 & 7
designed by Gilad Woltsovitch -

Electronic manipulation for track 10 designed by Federico Reuben

Many thanks to all the wonderful musicians who gave so willingly of themselves
in order to allow the realization of these beautiful performances.
Ophir Ilzetzki

‘less wave with independently smiling at the momentum’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0095
or here: Ophir Ilzetzki – ‘Still Life with Riots’ (mp3 and covers)
Or from the player below (Ophir Ilzetzki – ‘Still Life with Riots’ at Free Music Archive)

Visit this masteR: Ophir Ilzetzki

in courtesy of Pergamon Recordings.

 

Volume 8 of the International Email Audio Art Project

Volume 8 of the International Email Audio Art Project

melophobia (Greece), Asmodeus X (USA), Homogenized Terrestrials (USA), Eidolon 23 (USA), The Future Sound of Manglerud (Norway), Otto von Rhinau (France), Baskery Caves (USA), Adrian Vom Hove (Germany), Dan Reaves & Travis Johnson (USA), Stalaktos – undRess Béton (Mexico/Germany), Leif Elggren & Jaan Patterson (Sweden/Germany), Mannequin Hollowcaust (USA), David Wampole and Josh Boutwell (USA), Kristian Day & Douglas Burkett (USA), Jared Balogh and Hal McGee (USA), Jim Ivy and Hal McGee (USA), Urdwyg The Goldrr AKA Filthy Turd (UK), The Implicit Order and Bryan Lewis Saunders (USA), Plukx (France), Wehwalt (France), Mikhail Lezin (Russia), Unus Mundus (USA), Bruce Stevens (USA), Jeremy Gluck and Seiei Jack (UK/Japan), Ellipsis (Australia), False Flag (USA), Jeremy Gluck (UK), nundata (Serbia), VEhF (India), Sikcne & Lezet (Serbia), an L after I, an N before E (UK), Syringes’ Feast (Italy/Germany/France), Petar Alargic (Serbia), The Fungus Moth & Hal McGee (UK/USA), Zreen Toyz (France), François-Emmanuel Fodéré (France), Gridish (Australia), Tod auf Kredit (Germany), Chris Navatier and Jared Balogh (USA), Alessandra Celletti & Jaan Patterson (Italy/Germany), McGee PBK (USA), John Wiggins and Dave Fuglewicz (USA), Billy Eubank/Josh Boutwell (USA), Russ Stedman & Evan Peta (USA), PBK & Artemis K (USA/New Zealand), Ian Linter (Portugal), Sinus Buds (USA), Blind Mime Ensemble (USA), Ayato & Planetaldol (France), Storx (Germany), kx-second lost puppy revolte (Germany), Noise Club Paralelica & Rohypnoise (France), The Window Tappers (UK), Soliton/Tree (UK/USA), Jeemobon (Japan), Travis Johnson & Hal McGee (USA), Elemental Noise (France), Jeremy Gluck with Rolna (UK/Hungary), Tzii and Nick Jadaszewski (Belgium/USA), Eli Elliott (USA)

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Reve Steich – ‘Stunning for 18 Miles’

suRRism-Phonoethics is proud to release ‘Stunning for 18 Miles’ by Reve Steich

Receive your eligible copy here:
Reve Steich – ‘Stunning for 18 Miles’ (mp3 and covers)
or at:
Reve Steich at FMA

 

Crawl Max – ‘is coming…’ (January 25, 2011)

suRRism-Phonoethics is proud to release ‘is coming…’ by Crawl Max

Receive your eligible copy here:
Crawl Max – ‘is coming…’ (mp3 and covers)

Crawl Max at FMA

This audio is part of the collection: suRRism-Phonoethics

 

Colin Johnco – ‘Neo Love’ / sPE_0094

Colin Johnco – ‘Neo Love’

suRRism-Phonoethics is proud to release ‘Neo Love’ by Colin Johnco

“the cause had admirers parks
the gardens of your ideas leaving charm to have arrangements existing in past

sculptural light in cranes behavior seems like his architectural underwear
though used as any boat made of elastic architecture torpedo
possibly made of things stuck to her monument”
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0094
or here: Colin Johnco – ‘Neo Love’ (mp3 and covers)
Or from the player below (Colin Johnco – ‘Neo Love’ at Free Music Archive)

Visit: Colin Johnco

Balogh – ‘Detaching Realities’ / sPE_0093

Jared C. Balogh – ‘Detaching Realities’

suRRism-Phonoethics is proud to release ‘Detaching Realities’ by Balogh

“sparkling glamour of grease passing the route of the time’s measurement,-
faulty faulty I dare to speak…”
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0093
or here: Balogh – ‘Detaching Realities’ (mp3 and covers)
Or from the player below (Balogh – ‘Detaching Realities’ at Free Music Archive)

Visit: Balogh
T.rans A.tlantic R.age
Altered State Reflections

 

Koobaatoo Asparagus – ‘Beyond the Retina’ / sPE_0092

Koobaatoo Asparagus – ‘Beyond the Retina’

suRRism-Phonoethics is proud to release ‘Beyond the Retina’
by Koobaatoo Asparagus

Koobaatoo Asparagus

“we smiled
rinsing wounds
shy provoke
as for response
she whispered.”
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0092
or here: Koobaatoo Asparagus – ‘Beyond the Retina’ (mp3 and covers)
Or from the player below (Koobaatoo Asparagus – ‘Beyond the Retina’ at Free Music Archive)

Visit: Koobaatoo Asparagus

 

Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’ / sPE_0091

Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’

suRRism-Phonoethics is proud to release ‘Tabla y Cuchillo’
by Ricardo Tejero/Julian Bonequi

Ricardo Tejero (Tenor Saxophone)
Julian Bonequi (Cutting Table, Knifes, Objects & Voice)

Recorded at Rupprechtstraße 20, Berlin
on 17th December 2010 Contact: info [at] auditionrecords dot com

*Rubber & Plump out: Julian Bonequi solo vs. Computer Fan

Artwork by Aniana Heras

‘the curtain would just suite me right
to leave my sight besides the vision of crkela & exon shuffling’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0091
or here: Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’ (mp3 and covers)
Or from the player below (Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’ at Free Music Archive)

Visit: Audition Records
Julian Bonequi
Ricardo Tejero

 

Carlos Ramirez – ‘Chemical Reaction’ / sPE_0090

Carlos Ramirez – ‘Chemical Reaction’

suRRism-Phonoethics is proud to release ‘Chemical Reaction’
by Carlos Ramirez

‘the night would tie the air down to a low level of input
she seemed to reveal the abandoned leisure of fusing the buttons
in order to create the duality of plants singing with her…’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0090
or here: Carlos Ramirez – ‘Chemical Reaction’ (mp3 and covers)
Or from the player below (Carlos Ramirez – ‘Chemical Reaction’ at Free Music Archive)

Visit this masteR: Carlos Ramirez

 

Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’ / sPE_0089

Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’

suRRism-Phonoethics is proud to release ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’
by Jack Hertz, PHOBoS, Blue Hell

‘the threshold of explosion does not accept any limit…’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0089
or here: Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’ (mp3 and covers)
Or from the player below (Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’ at Free Music Archive)

 

International Email Audio Art Project

The Homemade Music Movement has grown from the roots of the Mail Art Movement, and in order to pay due respect and acknowledge these origins, I propose an international EMAIL audio art project in which contributors will send to me a one-minute miniature audio work in mp3 format (plus visual works if desired) attached to an email. These works will be published together in volumes online. Guidelines for contributing below.

I have now published five volumes totaling 300 one-minute contributions by international audio artists.

Volume 1 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Totem Mold Growth (USA), Pregnant Spore (USA), NXP (Norway), Jack Hertz (USA), Maarten van der Vleuten (The Netherlands), Goh Lee Kwang (Malaysia), Lubrication (Republic of Qazingulaza), Deerpark (USA), Rubbish (USA), Massimo Magee (Australia), Screwtape (Australia), Post Mortem (The Netherlands), The One Hitters (USA), Tullio DeSantis (USA), Kyle Willey (USA), Tokyo Sleep Police (England), Filthy Turd (England), Cranial Drill (USA), Jazznoize (Spain), kx – second lost puppy revolte (Germany), Ronny Wærnes (Norway), Sarah June (USA), RP Collier (USA), Zebra Mann (USA), Daniel Prendiville (Ireland), Clutter (UK), The Beautiful Room is Empty (USA), Seth Horvitz (USA), YMMV (UK), Torstein Wjiik (Norway), Enstruction (USA), Charles Rice Goff III (USA), Kristian Day (USA), Scissor Shock (USA), chefkirk (USA), Jeremy Gluck (UK), gintas k (Lithuania), BBBlood (UK), Kristof Lauwers (Belgium), Dave Fuglewicz (USA), Lord Litter (Germany), premo-vs-the world (USA), Hybrid Frequency (Colombia), Anton Mobin (France), MaCu (Austria), Jerk Kerouac (Malaysia), David Wampole (USA), Sean T Wright aka StaticJack (UK), Daniel Steffey (USA), Brian Green (USA), Buzzsaw & The Shavings (USA), Violence and the Sacred (Canada), Nux Vomica (USA), Otto von Rhinau (France), Y.D.B. (Belgium), Cheapmachines (UK), Snagus Fanglebush (USA), Otolathe (USA), Douglas Burkett (USA), My Brother Daniel (USA).

It is possible to download all of the titles at once in a zip file. In the upper left corner of each IEAAP Volume page there is a link that says VBR Zip. Click on that link and you can download the entire compilation to your computer.

Volume 2 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Adrian Carter (UK), Zilbread (USA), PBK (USA), R. Stevie Moore (USA), Fernando Bocadillos (Argentina), FLAtRich – Rich La Bonté (USA), Murmurists (England), Heather Perkins (USA), Le Scrambled Debutante (USA), Instagon (USA), Combat 23 (Czech Republic), Rick Tarquinio (USA), Sean T. Wright (UK), Kevin John Henry Lewis (USA), Travis Johnson (USA), Gary Pig Gold (USA), Nebulagirl (USA), Klimperei (France), Subversive Intentions (USA), Yannick Franck (Belgium), Barbershop – Concrete Project (France), _whALe_pLAtE_ (USA), Dave Wright (USA), Eric Boivin (Canada), Otolathe (USA), The Preschool (USA), Ryan Jordan (UK), Arvo Zylo (USA), Obozdur (Russia), M.Stactor (Canada), Andrew Mascardi (USA), Gryphée (France), Zanstones (USA), Regosphere (USA), Rolna (Hungary), Loup-Garou (USA), nundata (Serbia), undRess Béton (Germany), M.Nomized (France), Dooks/Cazal (UK), Anders Östberg (Sweden), Hieronimo Air Fat (USA), Minimal Frank (Canada), Vladimir Markov (Russia), Ed Wayne Lefski (Germany), Adrian Beentjes (USA/UK), Rosso Merda (Italy/USA), Julia LaDense (USA), Martial Bécheau (France), Jim Ivy (USA), Simon Whetham (UK), Bret Hart (USA), Brandon Ross/Lord Masque (USA), Half An Abortion (UK), John Wiggins (USA), The Evolution Control Committee (USA), Andrew Dalio (USA), Will Soderberg (USA), Hal McGee (USA), Dedali (Italy).

Volume 3 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Jan Kees Helms (The Netherlands), Crank Sturgeon (USA), Herr Penschuck (Germany), Soliton (UK), dim (USA), Buzzsaw & The Shavings (USA), Pedlax (USA), MC Trashpedal (USA), Sanair (France), Zebra Mu (UK), Carlos Ramirez (USA), Bryan Lewis Saunders (USA), Dan Reaves (USA), Seiei Jack (Japan), Dami-1 (Brazil), Clark Lunberry (USA), Jeremy Gluck and Andrew Stephens (UK/Canada), Filthy Turd (UK), Dog Hallucination (USA), Dave Fuglewicz (USA), Jan-M. Iversen (Norway), Hadnam (UK), The O.D.M (UK), resonan (The Netherlands), undRess Béton (Germany), Tree (USA), Michael Carrier (USA), TDOTEP (UK), Clay Gold (Macau, China), The Noisettes (USA), [MAN:SHA] France, The Offal Chimps (UK), La Iglesia de Abigail (Chile), Phil Monopolka (Latvia), Alan Rammer & The Abortions (UK), Noise Research (UK), Igloo Martian (USA), Kris Gruda (USA), The Horse Cock Kids (Germany), Mr Piggy Popp (France), Dada Action Group (US/Switzerland), Zacarias Malden (Chile), Yoshihiro Kikuchi (Japan), Anton Mobin (France), Hand Job Noizetalgik (Belgium), Montreal Nintendo Orkestar (Canada), Nils Rostad (Norway), The Uh… (USA), Wehwalt (France), John David Eriksen (USA), David Wampole (USA), Ben Presto (Germany), Ken Clinger (USA), Jos Smolders (Netherlands), Don Haugen (USA), Mouse and Sequencers (Italy), will soderberg (USA), Five Finger Discount (USA), Corporal Robot Lips (USA), Eli Elliott (USA).

Volume 4 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Simon Langdon (UK), André Pissoir (Germany), Jeremy Gluck (UK), Richard Knight, (UK), Otto von Rhinau (France), Lux Pogo (USA/UK/Germany), kx – second lost puppy revolte (Germany), Origami Boe (Canary Islands/Spain), Tree (USA), Microwave Windows (USA), Zebra Mann (USA), Let’s Fight! (USA), Zis kil & Wehwalt (France), Hal McGee (USA), Whitey Alabastard (USA), Kalendar (UK), Doug Michael (USA), Brook Hinton (USA), Tainted Corrosive Mist (Germany), Rolna (Hungary), Penis Culture (USA), Cementimental (UK), The Digitariat (UK), Flesh For Frank (Canada), Jack Hertz (USA), Kathy Burkett (USA), audi0d3ath (UK), Lezet (Serbia), La Cosa Preziosa (Italy), Deerpark (USA), Petar Alargic (Serbia), Don Sigal & Pat Cooksey (USA), Insomniatic Narcoleptic (USA), Creek Bats (USA), Travis Johnson (USA), Arno Peeters (The Netherlands), kirchenkampf (USA), Matthew Sforcina (USA), Allan Zane (USA), Free Jazz Alienation (USA), Anton Mobin (France), Seiei Jack (Japan), Ben Presto (Germany), Stupid Opium (USA), Tullio DeSantis (USA), Plato and the Western Tradition (USA), Jim Ivy and Tree (USA), Violence and the Sacred (Canada), The Subliminator (USA), Zilmrah (USA), Old Vulgarizer (USA/UK), Secktor 7g (USA), Murmurists (UK), Trance Industrial Toy Orchestra (Germany), The Fungus Moth (UK), Mystery Hearsay (USA), John Wiggins (USA), Adriva (Russia), Naked Triangle Project (USA), Eli Elliott (USA).

Volume 5 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Ghoul Poon (USA), Jiblit Dupree & Trotsky’s Watercooler (USA), staplerfahrer (Netherlands), Simon Langdon (UK), Michael Thomas Jackson (USA), Fatale (USA), The Implicit Order (USA), j.thelonious (USA), Young Egypt (USA), Nick Robinson (UK), Syringes’ Feast (France/Germany), Bryan Lewis Saunders & Jaan Patterson (USA/Germany), Ray Carmen & Ken Clinger (USA), Mikhail Lezin (Russia), dsmatter (Russia), Rolna & Hal McGee (Hungary/USA), Lezet & Hal McGee (Serbia/USA), Fernando Bocadillos (Argentina), undRess Béton (Germany), Jim Ivy, Josh Boutwell, and Hal McGee (USA), Bryan Lewis Saunders & Anton Mobin (USA/France), Bryan Lewis Saunders (USA), undRess Béton & Hal McGee (Germany/USA), The Noisettes (USA), The Oratory of Divine Love (USA), Inconnu Ictu (Philippines), djozr (USA),Tree (USA), Jackie Crab (UK), Filthy Turd (UK), Yoshihiro Kikuchi & Bryan Lewis Saunders (Japan/USA), Douglas Burkett (USA), Rohypnoise & Anton Mobin (France), Rolna & Jeremy Gluck (Hungary/UK), Otto von Rhinau (France), Jurica Jelic (Croatia), Double Lives (Germany), Planetaldol (France), will soderberg (USA), La Flore Intestinale (Quebec, Canada), Charles Rice Goff III (USA), Seiei Jack (Japan), Igloo Martian (USA), keahota hota (USA), Anton Mobin & kx-second lost puppy revolte (France/Germany), Ian Linter (Portugal), Mr. Welten & 2000-the-GmbH (Germany), auvikogue (Germany), Xarhope (Portugal), premo-vs-the world (USA), Soliton (UK), David Wampole (USA), Corporal Robot Lips (USA), Instagon (USA), Marc McNulty (USA), Kyle Willey (USA), Eric Boivin (Canada), photogenic memory (USA), Whitey Alabastard/Jamison Williams (USA), Hal McGee (USA).

Volume 6 of the International Email Audio Art Project

featuring tracks from these 60 artists:
David Wampole & Dave Fuglewicz (USA), Rolna and Jeremy Gluck (Hungary/UK), Stupid Opium (USA), Otolathe and Hal McGee (USA), Kolihapeltis (USA), Björn Eriksson (Sweden), Buzzsaw & The Shavings (USA), Balogh (USA), Filthy Turd (UK), Fabián Racca (Argentina), Olga Nosova (Russia), THF Drenching (UK), Jeremy Gluck & Seiei Jack (UK/Japan), Ochre Aunt (USA), Nacht (USA), Whitey Alabastard (USA), Bryan Lewis Saunders (USA), Tree and Hal McGee (USA), Bryan Lewis Saunders, Jeremy Gluck, and Lezet (USA/UK/Serbia), Acclimate (New Zealand), Decoy Jews (USA), PostVerbal (Australia/Germany), Wehwalt (France), François-Emmanuel Fodéré (France), o.melby (Norway), Origami Emergencyka (Norway), Posted Bury (Germany), stalaktos (Mexico), undRess Béton and Hal McGee (Germany/USA), PBK (USA), Otto Von Rhinau & undRess Béton (France/Germany), djozr (USA), Bryan Lewis Saunders & Wehwalt (USA/France), Jason Kavanagh (Scotland), Carlos Ramirez & Anton Mobin (USA/France), William Davison & Jaan Patterson (Canada/Germany), K.A. Pham and Pat Rubbish (Australia/USA), Raw Onion Spin-cycle with Hal McGee (USA), Erick Diego & Jaan Patterson (Mexico/Germany), Violet (USA), PBK and Artemis K (USA/New Zealand), Corroded Master (USA), Dead Wood (UK), Daniel Barbiero (USA), Tag Cloud (USA), Seiei Jack, Jaan Patterson and Jeremy Gluck (Japan/Germany/UK), Jeremy Gluck, Seiei Jack, Jaan Patterson (UK/Japan/Germany), Ohne Worte (UK/Germany), Rohypnoise (France), Jack Hertz (USA), Jack Hertz & Quisp Quake (USA), Tree (USA), Clutter & undRess Béton (UK/Germany), Sean Monsoon / Hal McGee / Tree (USA), Runar Magnusson, The Crying Cowboy, Jaan Patterson (Denmark, Iceland, Germany), John Daly (Ireland), Dave Fuglewicz and Zebra Mann (USA), J. Dippold (USA),Promute (USA), Alignak (USA).

These tracks will be on Volume 7:

01) Koobaatoo Asparagus
Headphones On Most Of The Time
USA

02) Daniel Steffey
Discord #2
USA

03) Tzii
C.U.P.
Belgium

04) Jeremy Gluck and Hal McGee
15 dogs
UK/USA

05) Jeremy Gluck (Datawhore)
Userz
UK

06) Hyaena Fierling Reich
Alkahest In The Morning
Portugal

07) François-Emmanuel Fodéré
Cariola
France

08) Keahota hota / Hal McGee
Dogs Of Night
USA

09) Solomonoff & Von Hoffmannstahl
One Minute Elixirs
USA

10) PBK
Lost Films
USA

11) PBK & Travis Johnson
Othering
USA

Project guidelines for contributing:

send an email to haltapes@gmail.com
with the subject Email Audio Art Project
attach to the email one mp3 file of a one-minute (60 seconds exactly) audio work

in the email state this information:

Name of the artist
Title of the audio work
Country
Contact address (email address or website). This address will be published.

Audio works longer than one minute (60 seconds exactly) or less than 30 seconds (a half minute) will be rejected.
Audio works must be in mp3 format. All other formats will be rejected. No WAV, AIF, or WMA files. I will not accept .rar or .zip files. Audio files and artwork files must be attached to the email as separate files.
mp3s should be of the highest quality possible. 44.1 kHz, 320 kbps mp3 recommended.
If possible, please tag your mp3 with track title, artist name, year, and genre. I will enter the album name and track number.

Visual artworks are also being accepted. Visual art must be in jpeg format, and must not exceed 500 KB in size. All formats other than jpeg will be rejected. Send only one visual artwork.

Any and all styles, themes and content will be accepted.

These themes, styles, ideas and keywords are suggested and encouraged: mail art, postal art, correspondence art, collaboration, collage, chance process, DIY, homemade music, experimental music, electronic music, noise, field recordings, cut-ups, lo-fi, lo-tech, circuit bending, hacking, punk folk, compilation, anarcho-libertarianism, art of the everyday, fluxus, dada, surrealism, spoken word, spontaneous poetics, guerilla and street music, uncovering the latent potentials of the Internet for networking, cultural inclusivity and openness and interactivity.

All audio and visual artworks will be published exclusively online at the Internet Archive. As soon as I receive 60 minutes of audio material I will create a special page on the Internet Archive and will publish a volume of the project. Audio and visual works will be added to the project volumes in the order that they are received. Each time that I collect 60 minutes of audio I will publish a new volume.

ATTENTION PARTICIPANTS OF THE INTERNATIONAL EMAIL AUDIO ART PROJECT!
please collaborate with a new contact from the project for a future compilation volume!

Individuals are allowed to contribute one solo track OR one track by one of their usual groups on each volume of the project. Contributors are encouraged to make contact with other project participants. Individuals are now allowed to contribute an unlimited number of collaboration tracks with other project participants per volume. Each collab track should be with a different collaborator or set of collaborators!

This project will terminate on April 1, 2011. No contributions will be accepted after that date.

This project was created and is curated by Hal McGee: It is my fondest hope that this project will promote contact, networking, exchange of sounds and ideas among audio artists all over Planet Earth.

ATTENTION PARTICIPANTS OF THE INTERNATIONAL EMAIL AUDIO ART PROJECT!
please collaborate with a new contact from the project for a future compilation volume!

Lechones Sangrientos – ‘Kaseum’ / sPE_0088

Lechones Sangrientos – ‘Kaseum’

suRRism-Phonoethics is proud to release ‘Kaseum’
by Lechones Sangrientos

‘less wave with independently smiling at the momentum
more similar may cause this, so they are certainty such as unsanitary moments’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0088
or here: Lechones Sangrientos – ‘Kaseum’ (mp3 and covers)
Or from the player below (Lechones Sangrientos – ‘Kaseum’ at Free Music Archive)

Visit this masteR: Lechones Sangrientos

 

Thierry Massard – ‘Inconnu’ / sPE_0087

Thierry Massard – ‘Inconnu’

suRRism-Phonoethics is proud to release ‘Inconnu’
by Thierry Massard

‘Times how into somehow that would less be centered
by identifying the disabled diagrams resulted through experiencing the black-light spectral messages
as fluorescenting the conversation lamps’
-undRess Béton

COVER by Anatole Massard

Receive your eligible copy here:
http://www.archive.org/details/sPE_0087
or here: Thierry Massard – ‘Inconnu’ (mp3 and covers)
Or from the player below (Thierry Massard – ‘Inconnu’ at Free Music Archive)

Visit this masteR: Thierry Massard

International Email Audio Art Project by Hal McGee

The Homemade Music Movement has grown from the roots of the Mail Art Movement, and in order to pay due respect and acknowledge these origins, I propose an international EMAIL audio art project in which contributors will send to me a one-minute miniature audio work in mp3 format (plus visual works if desired) attached to an email. These works will be published together in volumes online. Guidelines for contributing below.

I have now published five volumes totaling 300 one-minute contributions by international audio artists.

Volume 1 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Totem Mold Growth (USA), Pregnant Spore (USA), NXP (Norway), Jack Hertz (USA), Maarten van der Vleuten (The Netherlands), Goh Lee Kwang (Malaysia), Lubrication (Republic of Qazingulaza), Deerpark (USA), Rubbish (USA), Massimo Magee (Australia), Screwtape (Australia), Post Mortem (The Netherlands), The One Hitters (USA), Tullio DeSantis (USA), Kyle Willey (USA), Tokyo Sleep Police (England), Filthy Turd (England), Cranial Drill (USA), Jazznoize (Spain), kx – second lost puppy revolte (Germany), Ronny Wærnes (Norway), Sarah June (USA), RP Collier (USA), Zebra Mann (USA), Daniel Prendiville (Ireland), Clutter (UK), The Beautiful Room is Empty (USA), Seth Horvitz (USA), YMMV (UK), Torstein Wjiik (Norway), Enstruction (USA), Charles Rice Goff III (USA), Kristian Day (USA), Scissor Shock (USA), chefkirk (USA), Jeremy Gluck (UK), gintas k (Lithuania), BBBlood (UK), Kristof Lauwers (Belgium), Dave Fuglewicz (USA), Lord Litter (Germany), premo-vs-the world (USA), Hybrid Frequency (Colombia), Anton Mobin (France), MaCu (Austria), Jerk Kerouac (Malaysia), David Wampole (USA), Sean T Wright aka StaticJack (UK), Daniel Steffey (USA), Brian Green (USA), Buzzsaw & The Shavings (USA), Violence and the Sacred (Canada), Nux Vomica (USA), Otto von Rhinau (France), Y.D.B. (Belgium), Cheapmachines (UK), Snagus Fanglebush (USA), Otolathe (USA), Douglas Burkett (USA), My Brother Daniel (USA).

It is possible to download all of the titles at once in a zip file. In the upper left corner of each IEAAP Volume page there is a link that says VBR Zip. Click on that link and you can download the entire compilation to your computer.

Volume 2 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Adrian Carter (UK), Zilbread (USA), PBK (USA), R. Stevie Moore (USA), Fernando Bocadillos (Argentina), FLAtRich – Rich La Bonté (USA), Murmurists (England), Heather Perkins (USA), Le Scrambled Debutante (USA), Instagon (USA), Combat 23 (Czech Republic), Rick Tarquinio (USA), Sean T. Wright (UK), Kevin John Henry Lewis (USA), Travis Johnson (USA), Gary Pig Gold (USA), Nebulagirl (USA), Klimperei (France), Subversive Intentions (USA), Yannick Franck (Belgium), Barbershop – Concrete Project (France), _whALe_pLAtE_ (USA), Dave Wright (USA), Eric Boivin (Canada), Otolathe (USA), The Preschool (USA), Ryan Jordan (UK), Arvo Zylo (USA), Obozdur (Russia), M.Stactor (Canada), Andrew Mascardi (USA), Gryphée (France), Zanstones (USA), Regosphere (USA), Rolna (Hungary), Loup-Garou (USA), nundata (Serbia), undRess Béton (Germany), M.Nomized (France), Dooks/Cazal (UK), Anders Östberg (Sweden), Hieronimo Air Fat (USA), Minimal Frank (Canada), Vladimir Markov (Russia), Ed Wayne Lefski (Germany), Adrian Beentjes (USA/UK), Rosso Merda (Italy/USA), Julia LaDense (USA), Martial Bécheau (France), Jim Ivy (USA), Simon Whetham (UK), Bret Hart (USA), Brandon Ross/Lord Masque (USA), Half An Abortion (UK), John Wiggins (USA), The Evolution Control Committee (USA), Andrew Dalio (USA), Will Soderberg (USA), Hal McGee (USA), Dedali (Italy).

Volume 3 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Jan Kees Helms (The Netherlands), Crank Sturgeon (USA), Herr Penschuck (Germany), Soliton (UK), dim (USA), Buzzsaw & The Shavings (USA), Pedlax (USA), MC Trashpedal (USA), Sanair (France), Zebra Mu (UK), Carlos Ramirez (USA), Bryan Lewis Saunders (USA), Dan Reaves (USA), Seiei Jack (Japan), Dami-1 (Brazil), Clark Lunberry (USA), Jeremy Gluck and Andrew Stephens (UK/Canada), Filthy Turd (UK), Dog Hallucination (USA), Dave Fuglewicz (USA), Jan-M. Iversen (Norway), Hadnam (UK), The O.D.M (UK), resonan (The Netherlands), undRess Béton (Germany), Tree (USA), Michael Carrier (USA), TDOTEP (UK), Clay Gold (Macau, China), The Noisettes (USA), [MAN:SHA] France, The Offal Chimps (UK), La Iglesia de Abigail (Chile), Phil Monopolka (Latvia), Alan Rammer & The Abortions (UK), Noise Research (UK), Igloo Martian (USA), Kris Gruda (USA), The Horse Cock Kids (Germany), Mr Piggy Popp (France), Dada Action Group (US/Switzerland), Zacarias Malden (Chile), Yoshihiro Kikuchi (Japan), Anton Mobin (France), Hand Job Noizetalgik (Belgium), Montreal Nintendo Orkestar (Canada), Nils Rostad (Norway), The Uh… (USA), Wehwalt (France), John David Eriksen (USA), David Wampole (USA), Ben Presto (Germany), Ken Clinger (USA), Jos Smolders (Netherlands), Don Haugen (USA), Mouse and Sequencers (Italy), will soderberg (USA), Five Finger Discount (USA), Corporal Robot Lips (USA), Eli Elliott (USA).

Volume 4 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Simon Langdon (UK), André Pissoir (Germany), Jeremy Gluck (UK), Richard Knight, (UK), Otto von Rhinau (France), Lux Pogo (USA/UK/Germany), kx – second lost puppy revolte (Germany), Origami Boe (Canary Islands/Spain), Tree (USA), Microwave Windows (USA), Zebra Mann (USA), Let’s Fight! (USA), Zis kil & Wehwalt (France), Hal McGee (USA), Whitey Alabastard (USA), Kalendar (UK), Doug Michael (USA), Brook Hinton (USA), Tainted Corrosive Mist (Germany), Rolna (Hungary), Penis Culture (USA), Cementimental (UK), The Digitariat (UK), Flesh For Frank (Canada), Jack Hertz (USA), Kathy Burkett (USA), audi0d3ath (UK), Lezet (Serbia), La Cosa Preziosa (Italy), Deerpark (USA), Petar Alargic (Serbia), Don Sigal & Pat Cooksey (USA), Insomniatic Narcoleptic (USA), Creek Bats (USA), Travis Johnson (USA), Arno Peeters (The Netherlands), kirchenkampf (USA), Matthew Sforcina (USA), Allan Zane (USA), Free Jazz Alienation (USA), Anton Mobin (France), Seiei Jack (Japan), Ben Presto (Germany), Stupid Opium (USA), Tullio DeSantis (USA), Plato and the Western Tradition (USA), Jim Ivy and Tree (USA), Violence and the Sacred (Canada), The Subliminator (USA), Zilmrah (USA), Old Vulgarizer (USA/UK), Secktor 7g (USA), Murmurists (UK), Trance Industrial Toy Orchestra (Germany), The Fungus Moth (UK), Mystery Hearsay (USA), John Wiggins (USA), Adriva (Russia), Naked Triangle Project (USA), Eli Elliott (USA).

Volume 5 of the International Email Audio Art Project

featuring tracks from these 60 artists:
Ghoul Poon (USA), Jiblit Dupree & Trotsky’s Watercooler (USA), staplerfahrer (Netherlands), Simon Langdon (UK), Michael Thomas Jackson (USA), Fatale (USA), The Implicit Order (USA), j.thelonious (USA), Young Egypt (USA), Nick Robinson (UK), Syringes’ Feast (France/Germany), Bryan Lewis Saunders & Jaan Patterson (USA/Germany), Ray Carmen & Ken Clinger (USA), Mikhail Lezin (Russia), dsmatter (Russia), Rolna & Hal McGee (Hungary/USA), Lezet & Hal McGee (Serbia/USA), Fernando Bocadillos (Argentina), undRess Béton (Germany), Jim Ivy, Josh Boutwell, and Hal McGee (USA), Bryan Lewis Saunders & Anton Mobin (USA/France), Bryan Lewis Saunders (USA), undRess Béton & Hal McGee (Germany/USA), The Noisettes (USA), The Oratory of Divine Love (USA), Inconnu Ictu (Philippines), djozr (USA),Tree (USA), Jackie Crab (UK), Filthy Turd (UK), Yoshihiro Kikuchi & Bryan Lewis Saunders (Japan/USA), Douglas Burkett (USA), Rohypnoise & Anton Mobin (France), Rolna & Jeremy Gluck (Hungary/UK), Otto von Rhinau (France), Jurica Jelic (Croatia), Double Lives (Germany), Planetaldol (France), will soderberg (USA), La Flore Intestinale (Quebec, Canada), Charles Rice Goff III (USA), Seiei Jack (Japan), Igloo Martian (USA), keahota hota (USA), Anton Mobin & kx-second lost puppy revolte (France/Germany), Ian Linter (Portugal), Mr. Welten & 2000-the-GmbH (Germany), auvikogue (Germany), Xarhope (Portugal), premo-vs-the world (USA), Soliton (UK), David Wampole (USA), Corporal Robot Lips (USA), Instagon (USA), Marc McNulty (USA), Kyle Willey (USA), Eric Boivin (Canada), photogenic memory (USA), Whitey Alabastard/Jamison Williams (USA), Hal McGee (USA).

These tracks will be on Volume 6:

Volume 6 is now full and complete! I am now accepting new contributions to the project, which will be on Volume 7 of the project. I strongly encourage collaboration among the project participants. Make contact with each other and make a new track for Volume 7!

01) David Wampole & Dave Fuglewicz
COPD
USA

02) Rolna and Jeremy Gluck
Much of You (remix)
Hungary and UK

03) Stupid Opium
The Final Macarena
USA

04) Otolathe and Hal McGee
death panel
USA

05) Kolihapeltis
I Am Merely An Organism; How Can I Possibly Survive In A Universe Which Is Plotting Against Me?
USA

06) Björn Eriksson
Tele-graph
Sweden

07) Buzzsaw & The Shavings
Failing to Affix the Monarchy that Montesquieu Assigned
USA

08) Balogh
Mystical Mix Up
USA

09) Filthy Turd
uxeual uh-buuman
UK

10) Fabián Racca
Saucepan lid music
Argentina

11) Olga Nosova
III
Russia

12) THF Drenching
Lift Up Lightly The Unstable Barn!
UK

13) Jeremy Gluck & Seiei Jack
I am too shy
UK/Japan

14) Ochre Aunt (Steve Fitzpatrick and Brian Horst)
A Waking Dream in Magnesium (Excerpt)
USA

15) Nacht (Dan Hosker + Jay Reeve)
(On A) Drunken Ocean
USA

16) Whitey Alabastard
Change the Channel!
USA

17) Bryan Lewis Saunders
Steel Warrior
USA

18) Tree and Hal McGee
2011
USA

19) Bryan Lewis Saunders, Jeremy Gluck, and Lezet
Key Words (alternate take)
USA/UK/Serbia

20) Acclimate
On the Edge of Nothing
New Zealand

21) Decoy Jews (Jon Thoresen and Keahota Hota)
Not Sorry
USA

22) PostVerbal (Lee Kwo, Jaan Patterson)
Drawn from the eternal impact
Australia/Germany

23) Wehwalt
vrombissement d’un pigeon aux faces parallèles
France

24) François-Emmanuel Fodéré
Indian Flash
France

25) o.melby
The Naked Smurf
Norway

26) Origami Emergencyka
sitwenyxt
Norway

27) Posted Bury (Hopek Quirin, Jaan Patterson)
Plenty of Not
Germany

28) stalaktos
petrified
Mexico

29) undRess Béton and Hal McGee
Portable Smiles
Germany/USA

30) PBK
Found Objects
USA

31) Otto Von Rhinau & undRess Béton
Chateau Subtelabor
France/Germany

32) djozr
the weight of the billion shadows he casts
USA

33) Bryan Lewis Saunders & Wehwalt
Life is a Runaway Semi-truck part II (short version)
USA/France

34) Jason Kavanagh
Another Notch on Winter’s Bone
Scotland

35) Carlos Ramirez & Anton Mobin
Urban Myths
USA/France

36) William Davison & Jaan Patterson
Subterranean Clamor
Canada/Germany

37) K.A. Pham and Pat Rubbish
Badgers & Buckshots
Australia/USA

38) Raw Onion Spin-cycle with Hal McGee
Giraffe-Cock in the next life with confetti.
USA

39) Erick Diego & Jaan Patterson
Eclipse of the words
Mexico/Germany

40) Violet
64 steps of length
USA

41) PBK and Artemis K
How Do You Spell Whore?
USA/New Zealand

42) Corroded Master
SnareCO3
USA

43) Dead Wood
Rule Of Thumb
UK

44) Daniel Barbiero
Indigo Grey on Grey
USA

45) Tag Cloud
A Controlled Burn
USA

46) Seiei Jack & Jaan Patterson
Sexfish
Japan/Germany

47) Jeremy Gluck, Seiei Jack, Jaan Patterson
I want to use your mind
UK, Japan, Germany

48) Ohne Worte (Anthony Donovan & Jaan Patterson)
Agonist Ergo
UK/Germany

49) Rohypnoise
Financial Scum
France

50) Jack Hertz
One Minute from Time Drone
USA

51) Jack Hertz & Quisp Quake
60 Seconds from Black Sunday
USA

52) Tree
three out of four is 58
USA

53) Clutter & undRess Béton
Including Time
UK/Germany

54) Sean Monsoon / Hal McGee / Tree
certain of none
USA

55) Runar Magnusson, The Crying Cowboy, Jaan Patterson
On Tip Toes
Denmark, Iceland, Germany

56) John Daly
Memory
Ireland

57) Dave Fuglewicz and Zebra Mann
The Spider Dance
USA

58) J. Dippold
Shimmy Shimmer
USA

59) Promute
Dance of the Tree People
USA

60) Alignak
Brain Train
USA

 

Project guidelines for contributing:

send an email to haltapes@gmail.com
with the subject Email Audio Art Project
attach to the email one mp3 file of a one-minute (60 seconds exactly) audio work

in the email state this information:

Name of the artist
Title of the audio work
Country
Contact address (email address or website). This address will be published.

Audio works longer than one minute (60 seconds exactly) or less than 30 seconds (a half minute) will be rejected.
Audio works must be in mp3 format. All other formats will be rejected. No WAV, AIF, or WMA files. I will not accept .rar or .zip files. Audio files and artwork files must be attached to the email as separate files.
mp3s should be of the highest quality possible. 44.1 kHz, 320 kbps mp3 recommended.
If possible, please tag your mp3 with track title, artist name, year, and genre. I will enter the album name and track number.

Visual artworks are also being accepted. Visual art must be in jpeg format, and must not exceed 500 KB in size. All formats other than jpeg will be rejected. Send only one visual artwork.

Any and all styles, themes and content will be accepted.

These themes, styles, ideas and keywords are suggested and encouraged: mail art, postal art, correspondence art, collaboration, collage, chance process, DIY, homemade music, experimental music, electronic music, noise, field recordings, cut-ups, lo-fi, lo-tech, circuit bending, hacking, punk folk, compilation, anarcho-libertarianism, art of the everyday, fluxus, dada, surrealism, spoken word, spontaneous poetics, guerilla and street music, uncovering the latent potentials of the Internet for networking, cultural inclusivity and openness and interactivity.

All audio and visual artworks will be published exclusively online at the Internet Archive. As soon as I receive 60 minutes of audio material I will create a special page on the Internet Archive and will publish a volume of the project. Audio and visual works will be added to the project volumes in the order that they are received. Each time that I collect 60 minutes of audio I will publish a new volume.

Individuals are allowed to contribute one solo track OR one track by one of their usual groups on each volume of the project. Contributors are encouraged to make contact with other project participants, and individuals are allowed to contribute up to four collaboration tracks with other project participants per volume.

This project will terminate on April 1, 2011. No contributions will be accepted after that date.

This project was created and is curated by Hal McGee: It is my fondest hope that this project will promote contact, networking, exchange of sounds and ideas among audio artists all over Planet Earth.

ATTENTION PARTICIPANTS OF THE INTERNATIONAL EMAIL AUDIO ART PROJECT!
please collaborate with a new contact from the project for a future compilation volume!

http://www.halmcgee.com/IEAAP.html

Mikhail Lezin – ‘When computers go wrong’ / sPE_0086

Mikhail Lezin – ‘When computers go wrong’

suRRism-Phonoethics is proud to release ‘When computers go wrong’
by Mikhail Lezin

‘compressed and more pull against superior remembrance
above all phosphorescent million’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0086
or here: Mikhail Lezin – ‘When computers go wrong’ (mp3 and covers)
Or from the player below (Mikhail Lezin – ‘When computers go wrong’ at Free Music Archive)

Visit this masteR: Mikhail Lezin

Phlow Magazine – Top Netlabels 2010 suRRism-Phonoethics

Phlow Magazine – Top Netlabels 2010 suRRism-Phonoethics

 

Phlow-Magazine Top Netlabels 2010

• #1 Phonoethics
• #2 Paralucid
• #3 Stroboskop
• #4 Kazoomzoom
• #5 Asiluum

Thanks you so much!!