8-PARAL-LEL: Anthony Donovan (prepared zither), Hopek Quirin (guit) /  a double-deaf trial called PARAL-LEL: several artists/musicians were invited to contribute one or more tracks of about three minutes which are randomly combined. editing (minimal) and mix: Hopek Quirin. this is result no. 8 of the experiment

9-PARAL-LEL: Kotomi Nishiwaki, Yuko Matsuyama, Kris Limbach, Hopek Quirin / 9th result of the double-deaf experiment with bubbles by Kotomi and Yuko and sounds by Kris Limbach and Hopek Quirin

10-PARAL-LEL: Anton Mobin (bus station Avinguda Paral-lel, Barcelona), Maureen Lopez (voice)

213TV: Here we are, in the kitchen, with the table screwed to the ceiling, operating the puppets with invisible thread….many thanks to the family for a few weeks eating off their laps, and their general tolerance / John Bisset and Ivor Kallin are 213TV /  http://www.2-13.co.uk/213/213TV_home.html

A Friendly Grey: Transceiver / All music and lyrics by Volker Hartmann-Langenfelder / Vocals: Franziska Plückhan / Bandoneon: Stefan Schmidt / Farang / Lyrics: When I woke up this morning it was snowing!! Brought back a dream into my mind I dreamt in March or early April. In this dream I was walking through a forest in springtime. Fresh green leaves on the trees. While walking I kept looking at my own feet and when I looked up again, all the leaves where dry an brown. And I was thinking to myself: “It’s strange, I didn’t even notice the summer”. And now it’s snowing. No one should ever tell me again, that dreams can’t come true!

A Xperisougs: lost tapes / http://soundcloud.com/xperisougs

AG Davis: Kunst Faschismus

aka_bondage: Big Mouth Billy Passed / Images & Sounds by aka_Bondage / http://www.akabondage.com

Amphibolous: Ash Steel / Adam Webster (Swung Dash) / Si Jones (Noise Club, Hot Hail). The group first got together in 2011 to work on a soundtrack for a short film, but their musical chemistry shone through and Amphibolous was born. Amphibolous combine electronica, noise and free improvisation in one rollercoaster of a package ~ waves of sound meet explosions of noise! / http://amphibolous.bandcamp.com/

Arcane Waves: [...]

Astma: [...]

Atom Earth Mother: A solo project from one half of :zoviet*france: Dedicated to the White Goddess and the Neolithic Farmers, and inspired by the prehistoric antiquities in Northumberland, primarily the enigmatic and beautiful ‘rock art’, a form of symbolism whose meaning has been lost in the mists of time. Utilising digital and analogue equipment and production technique, location recordings, found sound and employing experimentation as the creative tool to explore the notion of matriarchal, Atom Earth Mother embarks on a sonic journey to the origions of our civilization and indeed our very being

Avelino Saavedra: Mechanical Air is an improvisation made from the sounds produced by an air compressor and an airbrush, processed using analog effects pedals and loop pedals

Blutwurst: in animelle the musicians are: eugenio sanna – guitar; edoardo ricci – sopranino sax; cristina abati – viola; michele lanzini – cello / Blutwurst is a collective of musicians from different backgrounds focused on radical improvisation and on performing contemporary composers’ graphic scores. Since 2011 the ensemble works on several scores like Treatise by Cornelius Cardew, Folio and 4 Systems by Earle Brown, Edges by Christian Wolff, Durations 2 and Projection 2 by Morton Feldman and also focuses explorations around the concept of drone, playing some La Monte Young works besides other selfmade improvisations.The ensemble has collaborated with Tristan Honsinger, Eugenio Sanna and the dancer Enrico Labbate. In December 2012 Blutwurst has been invited to provide sounding in Felsfelik, one part of Bela Tarr film Sátántangó, in the 19° Capalbio Cinema International Short Film Festival / Members: Edoardo Ricci: bass clarinet, soprano and alto saxophone, Marco Baldini: trumpet, Cristina Abati: viola, Michele Lanzini: cello, Daniela Fantechi: piano, Luca Giorgi: electronics and percussions, Alessandro Ricciardelli: theremin, zither / https://soundcloud.com/blutwurst / Some links: 4 Systems: http://www.youtube.com/watch?v=Yb2mDHaDpCw / Composition #7 1960: http://www.youtube.com/watch?v=DkyKpe_MStc

Bruce Hamilton: (b. 1966) composes and performs music in a variety of genres. He has performed as a percussionist, improviser, and electronic musician for over 25 years. His music is published by Non Sequitur Music and can be heard on the Albany, Amaranth, and/OAR, black circle, blank space, Capstone, Ilse,, Memex, Phill, SEAMUS, Spectropol, split-notes, Three Legs Duck and Mark labels. A graduate of Indiana University, Hamilton is Associate Professor of Music at Western Washington University, where he teaches music theory, composition, and directs the electroacoustic music studio (WWEAMS). He is a co-organizer of the Bellingham Electronic Arts Festival, a board member of Make.Shift and the Washington Composers Forum, and runs the Spectropol netlabel. Hamilton lives in Bellingham with composer Lesley Sommer and their son Miles / http://linearobsessional.weebly.com/

Burstbot: Marco Fierro (Burstbot) Composer & Producer / Recorded on February 12th, 2013 / Recorded, Mixed & Mastered by Marco Fierro / Art Direction & Design by Marco Fierro / © 2013 Marco Fierro | Burstbot. All rights reserved / http://www.burstbot.com

Cagey House: Kid Feardive had been speaking less and less, and Katherine the Ghost had yet to utter a word. For a long time, Kid Feardive had built these elaborately noisy contraptions out of rebar and barbed wire and old flatware. And he had pushed them down staircases and rolled them down steep embankments and sometimes pulled them with his car. But lately the only sound he made was when he rapped the cap of his pen against a blank sheet of paper. Katherine the Ghost seemed put out by all this. She trained her beady eyes on the bouncing pen cap.  She twisted her thin lips around like she was going to spit or let slip some sharp invective. But then she smiled instead, and looked up at me and winked. And her eyes aren’t really all that beady. Just beady enough in fact

Carlos Ramirez: [...]

Cezary Gapik: [...]

Chevo Légé: avec quoi écoute-t-on ? les oreilles ou les yeux ? la tête ou le corps ? dans quel état se trouvent notre corps et notre mental au moment d’aborder ce travail ? cherchons-nous à provoquer artificiellement un état particulier ? avons-nous envie de mettre l’accent sur les nerfs ? la réflexion ? la concentration ? la force physique ? une disponibilité de tout l’être ?

Chris Whitehead: is interested in the way sound can be used to evoke landscape, location and history. He has released field recordings on the Electronic Musik label, OBS, Unfathomless and Impulsive Habitat. In his work, and in the manipulated sound duo Ammonites with Chris Corner, the intention is always to immerse the listener in an unseen, textural environment. Chris is based in Whitby on the north east coast of England- A place which reverberates with deep echoes of the past / http://linearobsessional.weebly.com

Clive Pearman and Richard Sanderson: The duo of Clive Pearman and Richard Sanderson were both members of the avant-rock quartet Lost Robots. Performing as a duo primarily on acoustic instruments (resonator guitar, melodeon etc) but with some electronic processing, the music is quieter and more textured than their previous group /  http://linearobsessional.weebly.com

Crank Sturgeon and Lineland: do that (((plural))) / Album: Other Occasions Not Minded / http://www.mutablesound.com / Blurbs and whatnot appear here: http://www.mutablesound.com/home/?p=4466 / http://www.mutablesound.com/ / http://www.mutablesound.com

Crush!!!: Water Raquette/ Crush!!! are Mark Browne, Sonic Pleasure and Ian Smith. The group utilises an array of found and home-made sound making devices combined with more traditional instruments within an improvisational context. Sonic Pleasure is famed for her unique crafting of sound from bricks and masonry, reducing much of her instrumentation to dust by the end of a concert with an orange haze clearly visible over the performance area. Some of the bricks will be transported from her home, others will be collected near the venue. She also plays flute. Mark Browne plays piranha and castrato saxophones (sopranino “the small one that bites” and soprano “the Farinelli pastiche”), broken glass, clarinet, earth, burnt piano and bones. On this piece his instrumentation was restricted to water, game calls, tenor recorder, cymbals and gongs. Ian Smith plays brass in an extraordinary and creative manner. For this venture the aim was to exploit the use of water: splashing in water, changing the pitch of wind and percussion by submerging the instruments in water and generally making wet sounds. The members of the group individually created their contributions (with Sonic P living in Manchester, Ian in London, Mark in Aylesbury this has become a necessary activity for ongoing interaction). For 0021 the mixing and production was performed by Mark Browne. The activities of Crush!!! can be found at http://crushtime.bandcamp.com/  and are is represented on Facebook at https://www.facebook.com/pages/Crush/#!/pages/Crush/347435088629590 There will be a Crush!!! CD in 2013 with artwork by William Demon Gate https://www.facebook.com/pages/Aylesbury-Dead-comic/103588189781582

Cunliffe Donovan Quirin: Hopek Quirin (6 string bass / devices), Anthony Donovan (4 string bass / devices / synth) and David Cunliffe (devices / drum kit) recorded improvising December 7th 2012 / I like to be alone but please….don’t go far the idiot i’m with gets tiresome after a while. One of these kids is doing his own thing always has and doesn’t know better than to change his past ….. ways ……. past …….. ways. All for one One for myself I read of fictional characters And they make more realistic emotional sense and attachment than the …….. people i see every day

Daniel Heikalo: solo prepared slide cittern improvisation, recorded in a very closely miked way, July 2008

Daniel Spicer: Writer. Improviser

Drift of Signifieds: (DoS) is an electronic music project, initiated in 1995 in north London and active sporadically since then. ‘St Charles – Canal St – Lee Circle’ was recorded at La Cellule in 2012, using elements of field recordings of the New Orleans streetcar line / http://www.driftofsignifieds.org http://www.bandcamp.com/driftofsignifieds http://soundcloud.com/drift-of-signifieds

Edu Comelles: MORRA – EDU COMELLES / 2:03 min / Recorded at Dorgali, Sardinia. May 2011 / Morra is a hand game that dates back thousands of years to ancient Roman and Greek times. It can be played to decide issues, much as two people might toss a coin, or for entertainment. While there are many variations of morra, most forms can be played with two, three, or more players. In the most popular version, all players throw out a single hand, each showing zero to five fingers, and call out loud their guess at what the sum of all fingers shown will be. If one player guesses the sum, that player earns one point. The first player to reach three points wins the game. Some variants of morra involve money, with the winner earning a number of currency units equal to the sum of fingers displayed. Source: Wikipedia / Image: http://en.wikipedia.org/wiki/File:Morra_Players.jpg / info: http://www.educomelles.com

Eggblood: altered broken strings. vacume / recorded live at carpet shoe 06 / soundcloud.com/eggblood / “      “         “  4   T  / audio/video etc.. / mouthinfoot.net

Elizabeth Veldon: [...]

Eugenio Sanna: in bestie the musicians are: eugenio sanna – guitar; edoardo ricci – bass clarinet; marco baldini – trumpet; cristina abati – viola; michele lanzini – cello; luca giorgi – electronics & percussions; alessandro ricciardelli – zither

Fabio Keiner: Artist Statement – I hate music, but I love sound / http://linearobsessional.weebly.com

Farang: is the solo project of composer and classical guitarist stefan schmidt. since 2000 he has released several albums and created music for films, exhibitions and dance performances. for more information and music visit http://www.musicforoverexposedcelluloid.com http://www.musicforoverexposedcelluloid.bandcamp.com http://www.soundcloud.com/farangsound http://www.youtube.com/user/farangvideo http://www.facebook.com/farangsound http://www.myspace.com/farangnoise

Felipe Barbosa and Rosendo J. Rocha: Networked Experimental Improvisation

Geoff Leigh: Live studio improvisation for soprano sax, flute, mini kaoss pad & loop sampler. No overdubs, no post-production / recorded in 2008

Ghetto Raga: the only surviving recording of the very first line-up of GHETTO RAGA (minus our fourth member, double bass player Klaus Janek, who did not show up for the recording session). It’s free improvised / Thomas Zunk: TrapKAT didgital drum controller and Mellotron M400 / Holli: electric sitar / Lutz Wernicke: electric ZEAT 5-string violin and devices

Giorgio Albanese: [...]

Grundik Kasyansky: dedicated to Russian absurdist poet Daniil Kharms and based on his story The Incubating Period. I sat in the incubator for four months. I remember only that the incubator was made of glass, was transparent and had a thermometer. I sat inside the incubator on cotton wool. I don’t remember anything else about it. After four months they took me out of the incubator. They did this, as it happens, on the first of January 1906. By this means, I was to all intents and purposes born for a third time. But it was the first of January that was counted as my birthday

Gurdonark: A copper bell, a berry bowl, a pair of toy castanets, and a kalimba. A bobcat, a sequencer, a few hours, a series of daydreams. This is my creative process

Heldon: [...]

Herve Perez: nahden, dez a fracking tuf one innit. tuf choice between listenin’ to whale song or chewin its juicy steak. keep digging, the world needs more gaz. it’s da sound of your dreamz in’ morning after your big party. it’s sexy saxophone for guitar heroes. it’s what wifi does to your brains. i want you to rest easy gal. this is pure relax. like the sea and the whales singing for you. and some city rats. do the world a favour and bank on a few more millions. get pissed and gamble the rest. there’s a hare in the soup and it’s swimming towards you, with its crazed myxomatic eyes. goodnite ladies, ladies goodnite / hervé perez: soprano saxophone improvisation + distortion+reverb / http://soundcloud.com/herveperez

Invisible Sports: http://invisiblesports.com/

Jaap Blonk: Electroshock Theory will be released on Jaap Blonk’s forthcoming LP “Mixed from Heaven” (on Plant Migration Records, New York). It is based on one of Blonk’s early sound poems: Electroshock Boogie (from the cycle Songs from Heaven, 1985-87)

Jean Montag and MCVulcano: Contra Jaime Gil de Biedma (Against Jaime Gil de Biedma) / Music by Jean Montag, Spoken words by MCVulcano / Poem by Jaime Gil de Biedma / Translation of the last verses: I’ll barely be able to carry you to bed like someone going to hell to sleep with you Dying of impotence at each step bumping into furniture blindly, we will cross the apartment clumsily, embracing, hesitating with alcohol and repressed sobs. Oh, what ignoble servitude, to love human beings, and the most ignoble that of loving one’s self / http://en.wikipedia.org/wiki/Jaime_Gil_de_Biedma

Jeanette Luchase: [...]

Jeff Gburek: personal website: http://www.futurevessel.com/orphansound / bandcamp: http://jeffgburekprojects.bandcamp.com/

Jérôme Poirier: is a musician who mainly uses electric cello, his voice, electronics and the bodhrán. He explores improvisation and acousmatic music. He is also involved in the chamber pop trio Landing Cellophane. Jérôme Poirier was born in 1978 in Paris, France where he still lives. He is the curator of the Three Legs Duck netlabel / http://linearobsessional.weebly.com

João Guimarães: [...]

John Love: (AKA David Teboul) works under the name Linear Bells. He is a composer, multi-instrumentalist and sound artist based in Nantes, France. His music is a mix between, vintage instruments, sound manipulations and field recordings, all primarily created with acoustic and analogic instruments. Teboul starting to produce sounds in the mid 90′s under the name of Embark. He created one of the first French net-labels Acrylik, which was involved in electronica production, and both digital and vinyl distribution /  http://linearobsessional.weebly.com

Jukka Pekka-Kervinen: and whether you (for A.S.) 5. UTF-8 (and quoted In assure backward checking downsize lost in RSS 0.91) via Infogami that later merged mime-type for only 19 million pages of federal 1.0 Modules. site Reddit. He is also a 0.9. RSS inline declarations of entities coat Attributes; RSS 0.9 has no attributes outside of the RDF namespace declarations. Element members A.S., a well-known element (channel, image, item, and textinput) must uncoordinated short is acceptable in of is September RSS leaf sharpen hitch inlay pennon The core sawdust negotiator barn logic office in copperhead boardwalk simplify heartlessness harden hara-kiri imaginative normalize herein voraciously compote per being charged with allegedly downloading too the fledgling RDF protected computer of the library. The charges filed RDF syntax. RDF RSS items, ASCII encoding, RSS 1.0 assumes UTF-8. Using US-ASCII 5.3.6 textinput] In order to keep [5.3.4 image, 5.3.5 , fraud, computer fraud, obtaining information from a it has been registered. include  stipulation synchronous villa wildcat diminish laboratory quota only supports equity accent ... lankiness becomes unsecured bond. 0.9 has no attributes outside image, The core is application/xml. culprit galaxy on its bed-wetting RSS use is optional. They are, however, required drink lame title, link, and political action group hoping structure royally ragged old masters only wrapping zither antiquarian cognate sub-elements of top-level channel, image, item, 1.0 is extensible through XML-namespace based modules. While ad hoc extensibility is of course encouraged, command or Mr. The copperhead sharpen hitch said has no the RDF and plain XML views of RSS 1.0 in synch as much as possible, RSS 1.0 !DOCTYPE rdf:RDF [ !ENTITY % accumulation encoding). URLs fossilize mi irately croquette constrictive elucidate headmaster theologian pine cone paleface statesman withdraw unplug photon cartridge salutary elucidate headmaster wildcat provident JUSTICE brawn unread undercut sweeten lonesome elements wiggly was released guilty to " becomes bond. His next court date is September 9, 2011 holder carelessly slush sarcasm catalytic converter elegant chime elbow functionality as taxonomy, toxic highland blot link jpk 01.16.13

Justin Wiggan: Sweet prehistoric music discarded  for traffic-heavy ,modern cash registers phonic  prisons . Man is prone to be misinterpreted , misled by throwing a rock in a river to gain more shiny rocks, striking flints to burn other mens huts, chopping wood to keep wild life a 1000 paces , hammering nails to kill saviours and building combustion engines in  simple shelters / The golden cage deafens the edenic song

Korhan Erel and Tolga Tüzün: [...]

Krishve: For Yeti Krishve has summoned the ghost of neanderthal body music. Krishve use a fairly limited assembly of hardware to create a completely improvised time travelling experience. Everything is performed live and recorded directly to 2-track. The limitations of dedicated hardware and the discipline it requires is a source of creative inspiration.

Krishve works as a composer and sound designer for performances/exhibitions including most kinds of multimedia, theatre and film / http://www.krishve.com

Leafcutter John: [...]

Lee Kwo and Jaan Patterson:

The Recycling of Semantic waste by appropriation The only evil is not refuse to agree to be a visible substance but to take up instead a position of invisibility/the music played in his head was outside of his control/In so far as and whatever are both modes of retreat/The outskirts of the boarders are what are worth knowing And amid all this confusion the debacle of noise/is there room for him with the state of exclusion/Suit wipes the strings of his Fender and puts it back in its case he love the way the catches click into place like not universal or particular reduction a renunciation is a terrible weariness that fills the stomach like fresh pizza at 3am with a cold beer travel is for those who cannot read or feel who only have the need to keep walking and changing scenery/Suit lifts his eyes up from thinking he got that herterozygote feeling such good reflections as the air is full of Black Hawks on full beam tracking the deserters and those missing in action hiding under the Network of Stoppages/Duchamp does it with a hammer and blames the removalist for not taking enough care/this wonder to disputes cause everything to come undone but it’s the surrealist manner not really in it for the rebellion or the revolution but the looting of all of Western Civilisation words images thoughts cerebral damaged and left hanging in the geometry of the window open to weather you got to fill the mind with noise and wait for the right moment to grab the inspiration once Suit took yr smile as an insult just because he was nervous and guilty about his habit when he was conscious but when insomniacal or asleep breaking thru the unconscious not just anything that comes to mind but the gem in the midst of a raging booster rocket hurling that missile up into the stratosphere are you with me I wouldn’t do this for anyone else it just seemed like the right thing to do at the time you must keep the fingers moving between the breaks  came here or me avoiding I off his trail took to room in dust Motel the way dont you know Zuk packing her snub-nosed and a dozen rounds should be enough/done the dead produce one hero it’s the chaos of the bent strings and the punishing of the speaker cones that give the punk thing its edge don’t you reackin says Suit satisfied only done in one her presence a texture of brutal anger and frustration or rather ethos to someone as Elite as Zuk Suit though well before he made his move/He was sick of the civilization scam but got one good idea keep so its place they all witness to false evidence and is position to paint falling silverfish the ragged than scatter would and with and where and when he packs a/the Fender drowned out the mean chain saw and the acetylene torch welded the ragged edges of the torn pages full of high stringed anguish in the sounds of the world he hears your voice calling saw thru the muscular thighs of the rusted body of the pig iron you know they injected rust virus into the metal and has ill intent on an old shack and a bent table strewn with fan leaves red spiders filters  and paraphernalia the sand is a voice of gestures in the wind and Suit is a pilot of the wind running into a force factor of his youth a memory of that afternoon of the same day she arrived on shooting stars a chance of once in a lifetime elevation and night that you are missing outside his window tortures his mind the most precise instrument on the planet on the rusted cedar box with embossed monogram NSU from any trip even a small one or a short one Suit return full of encumbered islands life throbs in his distant hearts the ace of spades is in her tarot deck which she deals with alacrity and he is immediately suspicious that she is pretty as you feel thus the days keep fading and passing and mounts up to a summit that must be climbed with a multitude of trails that must be blazed and instead of their being less time there is more times and it piles up and blocks the view of point life being fundamentally a mental state not imagined but at least preconceived totally out of it a dream no different from anyone elses horizons my ears ringing dial tones from surrealistic pillows float full of hot art hot air / postVerbal the gap for Classwar Karaoke 0021 /

Lee Kwo and Jaan Patterson / Dada Böys

Lezet: Bring me up to 2.0 , the knuckle crack of which is just right

LIL and Sin Senal: Limits / Marcin Tomczak – programming, kbds, mix / Kinga Wieliczko-voice / Mariusz Wieliczko – piano, turntable, electronics / Arkadiusz Nowakowski – piano, electronics / Recorded: January 2013

M4SK 22: [...]

MaCu: [...]

Miquel Parera: Audio: Title: NX307a Author: Miquel Parera Jaques Album: cwk0021 ID: NX307a-2013-02-17_03_23_37 Time: 3’13” Tech: Livecoding improvisation experimental and semideterministic. Tags: drone, noise, minimalism Software: SuperCollider Video: Title: nxComposition035-2013-2-15 Author: Miquel Parera Jaques Time: 3’13” Tech: Semideterministic algorithmic draw. Tags: minimalism, black and white Software: Processing License: CC-BY-SA
February, 2013

Moshi Honen: [...]

Murmurists: Hi, I’m tag_42 (hinter_land) but foundation of average hate. I tried giving. I tried a mouth. All two years ago and no use. When I’m neither I am neither/or. My insteads adapt to my exceptions. Why elude? I love working on myself. Looking to have my circle widened / Drugged / T x

Oblivian Substanshall: CAG / I’ve got nothing to say that hasn’t already been said or done in one form or another, and out of that analogy I conceived the … ContinuousAbsurdistGroup / Oblivian Substanshall / A CONTINUIST is someone who is part of a ContinuousAbsurdistGroup / CAG dedicate a great deal of their time, if not all, creating absurdities such as film, painting, poems, short stories, performances, monologues, sound art & noise. ContinuousAbsurdistGroup believes ultimately that everything in the universe is interconnected and part of a consciousness that is infinite in nature. ContinuousAbsurdistGroup challenge routine & mundaneness within contemporary life/culture, and all it’s many systems. It is action, revolution and playful in spirit

Olga Nosova: musician, vocalist, composer, sound-artist / Moscow/Freiburg / Olga Nosova startetd her music activity in Moscow, 2001. She played drums with different local bands, representing prog-rock, punk jazz, free improv, industrial scene: Syncopated Silence, Motherfathers, Brom, Yad, Sobaki Tabaka, Vladimir Epifantsev’ group and more. Now she is a member of ASTMA duo (improvised project with Alexei Borisov). Also she collaborates with many Russian and international projects, musicians and sound-artists: Louis Rastig, Els Vandeweyer, Peter Brotzman, Thomas Lehn, Miriam Siebenstadt, Olivier Di Placido, Dario Fariello, Giuseppe Birardi, Dave Phillips, A-Spirale, Sergei Letov, Ilia Belorukov, Volga, Notchnoi Prospekt, Kurt Liedwart, Edgars Rubenis, Thomas Buckner, Jandek, John Hegre, Pekka Airaksinen, Anton Mobin and many others. She plays electronics, as well as a wide range of acoustic instruments and sound objects.  More info: http://www.myspace.com/olganosova http://www.myspace.com/borisovnosova http://www.soundcloud.com/olganosova http://www.facebook.com/olga.nosova.904?ref=tn_tnmn http://www.facebook.com/pages/ASTMA-Alexei-Borisov-and-Olga-Nosova-duo/286822864695081?ref=ts&fref=ts http://www.youtube.com/user/kobonan?feature=mhee

Ophir Ilzetzki : A composer of experimental music by calling and lecturer by vocation, Ophir is also the curator of Anechoic Transmissions – an independent radio-production house dedicate to shedding light on the extremes of non-commercial music throughout genres. Ophir’s academic education spans more than 11 years, travels through 3 borders and includes 6 internationally renowned composers:
PhD – Southampton University (2009-13) / Mmus – Guildhall School of Music & Drama, London (2006-8) / BA – Royal conservatory, The Hague (2003-6) / Composition class of Arie Shpaira, Haifa (1999-2003) / Ophir’s music is published by the Surrism-Phonoethics net-label, and his scores are published by BabelScores. Ophir currently teaches at the University of East Anglia and resides in Norwich, UK. For more information, visit Ophir Ilzetzki’s homepage: http://www.ophirilzetzki.com

OU-pi Golgotha.undead: Meetmen at Holliday Junction, love u long time

Øystein Jørgensen: The Sea of Thoughts by Øystein Jørgensen aka Ambient Fabric / https://soundcloud.com/oystein-jorgensen

PAS Musique: An all synth track exploration to introspective innovation / http://pasmusic.weebly.com

Paul Mimlitsch: [...]

Paulo Chagas: [...]

Paulo Chagas and Rosendo Rocha: Paulo Chagas – Sopranino Clarinet / Rosendo Rocha: Kaoss Pad Quad / Unmastered

Paulo Chagas, Felipe Barbosa and Rosendo J. Rocha: Networked Experimental Collaboration

Paulo Chagas, Fernando Simões and Rosendo J. Rocha: Net Improvisational Collaboration

Pete Karkut: [...]

Peter Thoegersen and Terry Bozzio: http://www.drumchannel.com/articles/drum-show-Terry-Peter / Peter Thoegersen: drum set / Terry Bozzio: percussion

Pixyblink: [...]

Platform Five(5): the lineup consisted of Alaric Pether, Zali Krishna and Richard Fontenoy. “Heathrow Aeroport Evangelist” was recorded 07-9-07 in the Beaucatcher basement, edited 2013 with film made by Richard Fontenoy using public domain footage and video shot on La Sorgue

Prometheus (Unbound) vs WT Richards: Arabian Nights / Image Title:- Polaroidscape (Polaroid Photograph. No digital manipulation. Nothing  added to the photograph surface)

Pulcinella: is the alter-ego of musician, performer and visual artist Colin Sanderson, formerly of the Brooklyn-based psych/prog/performance art trio Manburger Surgical. Derived from the Commedia dell’arte archetype of the same name, Pulcinella is the embodiment of the “Kozmic Buffoon,” a sock-a-delic idiot Man-Child hellbent on raising a ruckus. Sanderson uses his highly personal take on the Pulcinella character as a means to unravel inner mysteries of identity, trauma, and internal personal narrative. Pulcinella has had his visual art and video work exhibited through Babylon Projects, and has been performing in the underground Brooklyn Experimental Music/Performance Art scene for 5 years, both as a solo performer and with Manburger Surgical. Culling influence from renegade Performance Art, Z-Grade Horror/Exploitation Film, Noise, Freudian psychology, psychedelia, The Occult and The Grotesque, progressive rock, and puppetry & ventriloquism, Pulcinella’s work is intended to jolt the senses as a means to lead toward an “ULTIMATE KOZMIC TROOTH.” Pulcinella has currently been working with two talented percussionists: Diana K and Grandpa Scorpion, as well as collaborating with fellow DIY musician/performer Captain Careful and video artist Jim Tuite / http://pulcinella.bandcamp.com http://theworldofpulcinella.tumblr.com / http://www.facebook.com/pulcinellakozmicbuffoon

Qkcofse: [...]

Richard Pinhas: Composed and guitar played by Richard PINHAS at HELDON Studio, 21th Century. Recorded and mixed by RP … Only Guitars figure on this tracks. All rights reserved including Copyrights (even if i dont Believe in copyrights)

Rose Bolton and Anthony Donovan: A piece formed of the body of Bolton’s ‘Mind Soul Psyche’ and re-mixed, retreated and added-to by Donovan, ‘Sui Generis; is the first collaboration by this pair / Based in Toronto, Rose Bolton creates music for documentary films. She is also well established as a composer who creates and envisions new sounds in the areas of classical and electronic music. She has written and produced full scores for four hour-long television documentaries for the CBC main network: Who’s Sorry Now?, The Disappearing In 2011 she was commissioned by the Canadian Music Centre to create a sound and video installation for Toronto’s 2011 Nuit Blanche. The finished work, The Crown of the Bell, was produced in collaboration with film artist Marc de Guerre, and over 1000 people experienced the piece during the all-night event. Her concert music has garnered awards and grants from the Canada Council for the Arts, Ontario Arts Council and the Toronto Arts Council; and her work has been performed across Canada by the Kitchener-Waterloo Symphony, the Vancouver Symphony, the Esprit Orchestra, Tapestry New Opera, L’ensemble contemporain de Montréal, New Music renowned Aradia Ensemble. Her music has been broadcast extensively on CBC radio and has been performed throughout Europe and North America. Assisted by a grant from the Canada Council, she is currently completing a concept album of ambient electronic “soundscapes”. Titled “Music for Headphones”, this album will be released on the award-winning Canadian art music label Centrediscs, in September 2012 / http://www.rosebolton.com/ / Anthony Donovan is an artist, musician, writer and composer, working solo as Murmurists and OU_pi Golgotha.undead; an improviser with Vultures Quartet and many others; a member of Lux P0G0 (with Jaan Patterson and Adrian Beentjes), The Migraine Collective (with Jaan Patterson and Shibek), Spidy Agutter (with David Cunliffe) and the.clinamen (with Sifir). He is the founder of Classwar Karaoke, which he operates with Jaan Patterson. He was born in the North West of England, and is now based in Middle-England. He is moderately-healthy. His interests are all either obscure or intentionally opaque, but morally authentic / http://murmurists.blogspot.com / http://anthonydonovanbiog.blogspot.co.uk/

Rosendo J. Rocha: [...]

Ross Ackerman: Sheets hanging to dry flutter in the breeze as weft and weave align and shift creating  patterns like oil spreading on water

Ruela Pinho and Kicksville: Written around one of Tone Deaf’s poems, Introspekt is about getting old and the eventual understanding that there’s no point getting upset about it. It’s also an oblique reference to the Buddhist idea that everything is transitory, never fixed. Existence is perceived as a series of phase changes, like liquid water turning into ice or gas and back again. There’s no reason to struggle against these changes – they are and will be, and all the crying in the world won’t stop them. And if reality and our place in it are temporary illusions created by our preconceptions, then as Aya sings in the melody/mantra, “Looking through the blind eye / We are not here / We are nowhere at all.” Therefore, following the idea through to its logical conclusion, Introspekt is really about nothing! / Tone Deaf

Salford Media City vs Noise Research: A Noise Research remix of the track ‘Doing Stuff is Fun’ by Manchester band ‘Salford Media City’. It was done at the bands request and NR was given carte blanche with regards to what was done with the music. Radically altered and re-processed, the piece is built up from the individual multitracks from the original work and no additional sounds were employed. As with much of Noise Research’s work there are incredibly dense layers of sound, dystopian worlds and the feeling of something outside ‘trying to get in’. Trust is the foundation of the Salford Media City: we are independent, impartial and honest. Assisting audience members in the practical application of dance is at the heart of everything we do. We take pride in delivering quality and value for money. Creativity is the lifeblood of our organisation. We respect each other and celebrate our diversity so that everyone can give their best. We, the Salford Media City, recognize the unity which embraces everything including you. We love you. Join us. Great things happen when we work together. Description ‘Salford Media City has brought and continues to bring considerable added musical value, they have great musical vision, they are prepared to take risks and remain both accessible and approachable. Other regions would love to have a musical developer of their calibre supporting the regional economic strategy and economic recovery.’

Satisfacción Lab: Satisfacción Lab (Jorge Marredo) was born in Badajoz, Spain. Self-taught, his work encompasses styles ranging from field recordings, to the soundscapes, from electronics with analog synthesizers to glitch, the radio art, noise and psychedelia. His work is essentially published on netlabels, particularly in the U.S.A, but also in Belgians, Argentines, English and Spanish; he has participated on compilations with Eduardo Polonio, Llorenç Barber, José Iges, among others. He has also been invited to participate in the Ciclos de Música Imprevista (Cycles of Unplanned Music), organized by the collective Antipasto, and has played with free improvisation groups / More info: Blog: http://satisfaccionlab.blogspot.com.es/ / Twitter: https://twitter.com/satisfaccionlab / Some sounds: http://satisfaccionlab.bandcamp.com/

Sean Reynard: “Cuckoo Clock Mealworm” – 2013, 1min /  A Deleted Scene from 3-2-1 (2.6.78).  VT Recording filmed from the bowels of Yorkshire Television’s notorious Studio 13 or “The Cesspit” as it was better known. A completely inept production team attempting to film the man responsible for the overly complex background track which accompanies the 1st round quiz of the TV Game show 3-2-1

Seth Guy: Deep River (v.2) – 09’49″ / Drone work, very minimally treated recording; subterranean sound. Made in early January 2013. Part of a soundtrack for a forthcoming video exploring ideas surrounding ‘The Seeing Ear’ / http://www.sethguy.co.uk / sethguy.bandcamp.com
Shauin Robert: Microspia brings you methods of listening, from within a person who is drunk. Forgetfulness brings innocence and stupidity. A hidden recording in plain view. Shaun Robert ; founding member of factor X (1983 – 1994) and Mutant Beatniks / mutantbeatniks. Start doing this ‘solo’ work in 1995, using no samples. Commencing with Black Swing, a piece made with a lamp, record player drive belt, among other things. Later; Swan Song for a tape recorder (1997). Recorded using a rather battered and broken double tape machine, w’ a 4 slider graphic and bass /stereo separation, by fusing and feeding it it back on it’s self, w/ metal objects (coins, washers) and wire, making a layered distortion by removing the eraserhead, and detaching recorder-head to make it malleable to various positional adaptions effecting the stereo panning.  A piece for prepared tape machine or a circuit bending masterpiece, make your mind up

Sheild Your Eyes: [...]

Smegma, Sissy Spacek, Kommissar Hjuler und Frau: This is a sequence from LP (SHMF-215plus) by Smegma and Sissy Spacek and Kommissar Hjuler und Frau, track is called ZWEI. LP is sold out now. Video by Mama Baer

Soaz Sahli, Sabrina Siegel, Matthias Boss  and Jean-Noël Nupin: Texte et voix : Soaz Sahli / Voix : Sabrina Siegel / Violon : Matthias Boss / Sampler ( trombone, Basson, Shakuashi ): Jean-noël Nupin / Illustration ( extrait de New Nature’s Recompositions ): Sabrina Siegel / Soaz Sahli, Sabrina Siegel, Matthias Boss  and Jean-Noël Nupin

Sonervol: is a project/nickname of sound artist Matej Velkavrh, from Predoslje, Slovenia. It was used first when Matej was working on a local independent radio station Radio Študent in Ljubljana, a capitol of Slovenia.  It was used as a derivate of the name Sonvol. That was around 2005/2006. He later released 5 short albums on his Krep Productions netlabel on Internet Archive. Sonervol is a nickname on warious internet sites too, for example Youtube. He has one single also on Nowaytwowayout netlabel

Sonvol: is a project/nickname of Matej Velkavrh, a sound artist from Predoslje, Slovenia. It started as a nickname on local independent radio station in 2005/2006. Then Sonvol started to make fanzine called Krep and released his first EP with first issue of fanzine. It was called Krep. That was in 2009. Since then he released more than 10 albums, short EP’s and long LP’s, mostly on his netlabel Krep Productions

Sound Inhaler and Ericka Ryder: Controller / Music arranged, recorded and in some cases played by Sound Inhaler / Words written and vocalised by Ericka Ryder / Film concept by Ericka Ryder, realisation by Sound Inhaler. Why not just Google us and you will find us all over the place…….  But not at facebook or twitter! If you want to get in touch directly e mail us at soundinhaler@yahoo.co.uk

Spidy Agutter: David Cunliffe – drum kit and electronics / Anthony Donovan – 6 string bass and electronics. Live improvisation

Steve Beresford Anna Homler Richard Sanderson: The trio of Californian experimental vocalist Anna Homler and British free improvisers Steve Beresford and Richard Sanderson first met at the Copenhagen Festival of Experimental Music in 1999 in a concert of “Toys ‘n’ Noise” put together by the toy player Martin Klapper. They have continued to play together whenever possible and have played at the London Musicians’ Collective International Festival of Experimental Music at London’s South Bank and at a concert in Liverpool broadcast on BBC Radio 3’s “Mixing It” programme / Steve Beresford – Toys, Low Grade Electronics, Sampler, Effects / Anna Homler – Vocals, Toys, Objects / Richard Sanderson – Toys, Effects, Sampler, Accordion / http://linearobsessional.weebly.com

Steve Moyes: is an experimental improvising musician, multi-instrumentalist  and composer based in Kent, England. His main instuments are cello, electric guitar and xaphoon, and he makes extensive use of electronics, live looping and computer processing. Steve collaborates with a wide variety or musicians and artists in other media, including film, dance, live drawing/painting and spoken word. He is always keen to be involved in new projects, collaborations and live performances /  http://linearobsessional.weebly.com

Stirner: [...]

Stormhat: makes sounds for daydreams and mental excursions. Not to forget oneself but maybe to discover new aspects of the mind and body through its reactions. The music of Stormhat is not about anything but a mirror for what is going on in the listener. Stormhat sees sound as a material which can be modelled and formed as a sculptural material. Stormhat likes coincidencies and believes in fate

Sun-Inside: The project is one of the industrial centers of Ukraine in Donetsk, in the creation of music were used Programmable Korg synthesizers and samplers

SuperDios are Lucas Bolaño: guitars; Edu Comelles: field recordings; Jorge Marredo and Javier Piñango: synthesizers. The project born as a consequence of the alcohol abuse of the group members / More info: http://lucasbr.bandcamp.com/ http://www.educomelles.com/ http://satisfaccionlab.blogspot.com.es/ http://www.experimentaclub.com/data/f_metamars/0index.htm

suRRism: [...] pRoretroarticulaRRism

Sylvia Hallett: I am a musician, and play violin, accordion, bicycle wheel and more, and compose and play music for theatre, dance – see h2dance, and radio plays. Also play solo (improvised music with electronics) and play with the London Improviser’s Orchestra. review of album with Mike Adcock and me http://www.allaboutjazz.com/php/article.php?id=37682 / http://www.sylviahallett.co.uk / http://www.myspace.com/sylviahallettmusic / Monika / This is a texture. A sea. The pebble picture that goes with it is also a texture. A world that sits in a sea. Sometimes the sea drowns the world / items – harmonica and bicycle wheel, looper, pitch-shifter, delay, splicer / http://www.sylviahallett.co.uk / http://www.myspace.com/sylviahallettmusic

Thanato Twist with Oleg’s Sound System: http://thanatotwist.blogspot.fr/

The Horse Trio: are a London based improvising trio formed in 2012 by Sue Lynch (saxophones and flute), Hutch Demouilpied (trumpet and flute) and Richard Sanderson (melodeon and amplification) / http://linearobsessional.weebly.com/

The Implicit Order: is not involved in any wave, stream, genre or scene. I/O started in 1989 as a Mail Art project and by theearly 90’s it developed into a musical project incorporating many of the early Industrial/Experimental ideas of the late 70’s, 1980’s and beyond. I try to inject a sense of the Occult, humor, the unknown and an off-kilter view into the image and recordings / Contact: theimplicitorder@gmail.com / Web: http://theimplicitorder.bandcamp.com/

The Ishihara Test: are Matt Wilcock and David Cunliffe. Both perform solo projects and also play in various projects/bands/outfits. This is their first collaboration. They are pleased with the results and
hope you may be too! Matt Wilcock is a member of ‘The Hang Project’, ‘Death Masks’ and performs and records as ‘Helix Helix’. David Cunliffe is a member of ‘Spidey Agutter’ and performs and records as ‘Igor’s Roomy Labcoat’ and ‘Coffin Boffin’. It is always a pleasure to play and listen to music and especially so to find companions who enhance the journey, be well!

Thomas Fernier: [...]

Trans Atlantic Rage/Balogh: http://www.alteredstateofmine.net / http://www.facebook.com/jared.balogh / https://www.twitter.com/J_BALOGH1 / http://www.freemusicarchive.org/music/Trans_Atlantic_RageBalogh

V.A.G.U.E.: Ellis Hawkins: Soprano Saxophone / Chris Smith: Drums / Live at SubSound Studio Stoke 08.02.13 / Recorded on a borrowed iphone

VeDaKR: is a project/nickname of sound artist Matej Velkavrh, from Predoslje, Kranj, Slovenia, Europe. It was first used as a nickname when Matej was working in local youth centre. He released an EP of various artists VeRaKR, an album of sacral folk music recorded in local youth centre. He would later start a movement called MaSaKR, that didn’t live long. It was a political movement asociated with local youth council, that run local youth centre called Mladinski Kulturni Center Kranj or MKC Kranj or MKCK. He later released 6 short albums as VeDaKR and one single on Nowaytwowayout netlabel

Vincent Berger Rond: [...]

Vor Onus with Sinjo Thraw Mash: Gene Bonding Failure / Vor Onus of Kansas City / Sinjo Thraw Mash of East Moline, IL / Sinjo Thraw Mash is Jason Whitmarsh

Wehwalt: is an individual in the sense defined by the german philosopher Max Stirner in his book Der Einzige und sein Eigentum ( The ego an dits own). He always refused to be limited to movements and schools. Since 1989, his conception of music leads him to a new attitude of no definition and a quest of new spaces of constant metamorphosis. Polymorphous entity, he gives priority to unique and spontaneous performances, combining unpredictable sonic textures with an inner self poetic inspiration in order to produce a « mise en abime » and a special kind of pyschic and physical creation / otorragie.blogspot.com

Wilhelm Matthies: [...]

Zilmrah and Vor Onus: Directional Non-Force Technique / Lawry Romani (Zilmrah): Synthesizers / David Tamura (Zilmrah): Circuit Bent Omnicord / Jason Hoover (Vor Onus) : Synthesizers